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Now Rev SPRING-636 will add that authentic, physical tone to your DAW.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVIBRANT SPRING TANKS\u003c\/strong\u003e\u003cbr\u003eMultiple spring reverb units in one fantastic, character-packed software effect\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eICONIC SOUND\u003c\/strong\u003e\u003cbr\u003eThe unrivaled sound of a physical spring resonating with your music\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eGERMANIUM DRIVE\u003c\/strong\u003e\u003cbr\u003eA super-crunchy, musical input that lets you drive it hard for extra distorted tone.\u003cbr\u003e\u003cbr\u003eOriginally invented to add some “space” to the sound of Hammond Organs way back in the 30s, the reverb is a relatively simple design of a suspended spring inside a tank. The sound of the instrument is passed through the spring, and picked up again, blended into the original sound, and that’s it!\u003cbr\u003e\u003cbr\u003eFor the core unit, we based our software reverb on the legendary Grampian 636 spring reverb. The original 636 was the go-to reverb of The Who’s Pete Townshend, of legendary dub producer Lee Scratch Perry, and a cornerstone of reggae and ska music.\u003cbr\u003e\u003cbr\u003eThe great thing about spring reverbs, and one of the reasons they have been so popular for the last 90 years, is that every one of them seems to have a unique tonal character. Some are bright, some zap, some zing, and poing, and some boing, but they all have their uses. 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Now Rev SPRING-636 will add that authentic, physical tone to your DAW.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVIBRANT SPRING TANKS\u003c\/strong\u003e\u003cbr\u003eMultiple spring reverb units in one fantastic, character-packed software effect\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eICONIC SOUND\u003c\/strong\u003e\u003cbr\u003eThe unrivaled sound of a physical spring resonating with your music\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eGERMANIUM DRIVE\u003c\/strong\u003e\u003cbr\u003eA super-crunchy, musical input that lets you drive it hard for extra distorted tone.\u003cbr\u003e\u003cbr\u003eOriginally invented to add some “space” to the sound of Hammond Organs way back in the 30s, the reverb is a relatively simple design of a suspended spring inside a tank. The sound of the instrument is passed through the spring, and picked up again, blended into the original sound, and that’s it!\u003cbr\u003e\u003cbr\u003eFor the core unit, we based our software reverb on the legendary Grampian 636 spring reverb. The original 636 was the go-to reverb of The Who’s Pete Townshend, of legendary dub producer Lee Scratch Perry, and a cornerstone of reggae and ska music.\u003cbr\u003e\u003cbr\u003eThe great thing about spring reverbs, and one of the reasons they have been so popular for the last 90 years, is that every one of them seems to have a unique tonal character. Some are bright, some zap, some zing, and poing, and some boing, but they all have their uses. 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Phi® lets us study the physical nature of the reverb, how the spring reacts, how the tank’s resonance changes the sound.\u003cbr\u003e\u003cbr\u003eIt’s this marriage of audio techniques and modeling technology that let us create the best-sounding software spring reverb ever heard.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNew Features\u003c\/strong\u003e\u003cbr\u003eModern sounds and abilities exclusive to our software recreation.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMULTIPLE SPRING TANKS\u003c\/strong\u003e\u003cbr\u003eThere are 8 different spring tanks to choose from, all taken from stage and studio classics, from modern tanks to really rare vintage units.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePRE DELAY AND FILTERING\u003c\/strong\u003e\u003cbr\u003eAdd a little pre delay to your reverb to give your original signal some space, and hone the signal before it even hits the reverb. Great for decluttering your low-end.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePOST-VERB EQ\u003c\/strong\u003e\u003cbr\u003eWhy load up another plugin, when Rev SPRING-636 can refine and shape your reverb for you? 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Arturia Rev SPRING-636 Physical Reverb Plugin Software - eDelivery

Vendor: Arturia
$99.00 $149.00
Maximum quantity available reached.

0% interest for 24 months, 24 equal monthly payments;
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Product Description

Rev SPRING-636

SNAPPY PHYSICAL REVERB
Enhance any sound with a vibrant, slappy, squelchy spring reverb that sounds so real, you’d swear you could kick it yourself.

The bouncy “boing” of a spring reverb has brought joy, soul, and atmosphere to countless records since the technology was devised in the 30s. Now Rev SPRING-636 will add that authentic, physical tone to your DAW.

VIBRANT SPRING TANKS
Multiple spring reverb units in one fantastic, character-packed software effect

ICONIC SOUND
The unrivaled sound of a physical spring resonating with your music

GERMANIUM DRIVE
A super-crunchy, musical input that lets you drive it hard for extra distorted tone.

Originally invented to add some “space” to the sound of Hammond Organs way back in the 30s, the reverb is a relatively simple design of a suspended spring inside a tank. The sound of the instrument is passed through the spring, and picked up again, blended into the original sound, and that’s it!

For the core unit, we based our software reverb on the legendary Grampian 636 spring reverb. The original 636 was the go-to reverb of The Who’s Pete Townshend, of legendary dub producer Lee Scratch Perry, and a cornerstone of reggae and ska music.

The great thing about spring reverbs, and one of the reasons they have been so popular for the last 90 years, is that every one of them seems to have a unique tonal character. Some are bright, some zap, some zing, and poing, and some boing, but they all have their uses. This is one of the reasons we’ve included many different “spring tank” models in Rev SPRING-636: you can find the one that suits your music best.

Thanks to the power of our TAE® and Phi® modeling technologies, we’ve been able to recreate everything that made the 636, and spring reverbs in general, so very special. True Analog Emulation® handles the electronic side, analyzing and accurately modeling the way the circuitry works, and how it responds to various audio signals. Phi® lets us study the physical nature of the reverb, how the spring reacts, how the tank’s resonance changes the sound.

It’s this marriage of audio techniques and modeling technology that let us create the best-sounding software spring reverb ever heard.

New Features
Modern sounds and abilities exclusive to our software recreation.

MULTIPLE SPRING TANKS
There are 8 different spring tanks to choose from, all taken from stage and studio classics, from modern tanks to really rare vintage units.

PRE DELAY AND FILTERING
Add a little pre delay to your reverb to give your original signal some space, and hone the signal before it even hits the reverb. Great for decluttering your low-end.

POST-VERB EQ
Why load up another plugin, when Rev SPRING-636 can refine and shape your reverb for you? The 3-band EQ helps you carve out space for the reverb in your mix.

PLATFORM SPECIFICATIONS

Windows:

  • Win 7+ PC: 4 GB RAM; 2 GHz CPU.
  • 1GB free hard disk space
  • OpenGL 2.0 compatible GPU

Apple:

  • 10.10+: 4 GB RAM; 2 GHz CPU.
  • 1GB free hard disk space
  • OpenGL 2.0 compatible GPU

REQUIRED CONFIGURATION

  • VST 2.4 (64-bit)
  • VST 3 (64-bit)
  • AAX (64 bits with PT 11)
  • Audio Unit (64-bit)
  • NKS* (64-bit DAWs only)

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