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{"id":4729107808345,"title":"Blackmagic Design ATEM Television Studio Pro HD (BMD-SWATEMTVSTU\/PROHD)","handle":"blackmagic-design-atem-television-studio-pro-hd","description":"\u003ch3\u003eBlackmagic ATEM Television Studio Pro HD\u003c\/h3\u003e\u003cbr\u003e\u003cdiv class=\"ov-wrapper js-overview-desc\"\u003e\n\u003cbr\u003e\u003cdiv class=\"ov-desc\"\u003e\n\u003cbr\u003e\u003cp\u003eDesigned for broadcasters and A\/V professionals \u003cspan\u003eBlackmagic Design\u003c\/span\u003e's\u003cspan\u003e ATEM Television Studio Pro HD Live Production Switcher\u003c\/span\u003e is an 8-input live production switcher with integrated control panel. Four of each HDMI and SDI inputs are available on the rear of the chassis with both sets of inputs supporting SD and HD resolution from both professional and consumer cameras. The relatively small chassis fits in a standard equipment rack allowing it to be installed on a sliding rack shelf or packed into a \"fly-away-kit\" for use on location.\u003c\/p\u003e\n\u003cbr\u003e\u003cp\u003eThe control surface is replete with control buttons knobs and a fader bar. All this enables selecting camera inputs and controlling transitions keyers settings and the DVE. Inputs and outputs are located on the rear of the unit. PGM output is available via SDI while multiview can be sent via SDI or HDMI. An AUX output lets you send video to an external display which is great for live events with a projection setup. Four of the SDI outputs have embedded talkback audio for studio setups. \u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cbr\u003e\u003cdiv data-selenium=\"sectionHeaders\"\u003e\n\u003cdl data-tickertarget=\"ov-ft-2\"\u003e\n\u003cdt\u003e\u003cstrong\u003eTransitions\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd\u003e\u003c\/dd\u003e\n\u003cdd\u003eAvailable transitions include:\u003c\/dd\u003e\n\u003cdd\u003e\n\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\u003cli\u003eCut: When you press the cut button ATEM instantly changes from your current program source to the preview source. Cuts can be performed by directly selecting sources or by pressing the cut button to switch to the next source on the preview bus.\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003eMix: The mix or dissolve transition gradually transitions from one source to the next by creating a smooth blend. You can set custom timings to manually blend the transition.\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003eDip: Just like mix transitions a dip transition is a gradual blend that includes either a solid color graphic or another clip between the two video sources. Dips to black or white between sources are the most popular or you can use logos or sponsor graphics.\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003eWipe: ATEM Television Studio Pro HD has built-in wipe patterns. Choose from circles diamonds squares and more. Shapes and patterns can be inverted softened or even have customized colored borders. You can even insert live video into the borders for further customization.\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003eDVE: With the powerful built-in Digital Video Effects processor or DVE you can push spin squeeze or swoosh your live video from one camera to the next with incredible built-in transitions. DVE transitions can be flip-flopped and reversed giving you even more transition options. With 35 built-in preprogrammed moves you can get started with advanced transitions. Graphic wipes can also be created by combining a DVE transition with a logo created in Photoshop.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl data-tickertarget=\"ov-ft-3\"\u003e\n\u003cdt\u003e\u003cstrong\u003eUpstream Keyer\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd\u003eLayer live video over other video sources or graphics with the Upstream Keyer. You can use luma key linear key pattern key or shoot against a green screen and use chroma key to instantly composite the video over virtual sets.\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\u003cli\u003eLuma key: Luma keys are sometimes known as \"self\" keys because the same video source is used for cutting the key and overlaying the video image. Luma keys work best with high-contrast images like white elements on a black background so you can use the contrast to cut the black background and replace it with live video or graphics.\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003eLinear key: Get clean high-quality results with linear keying by using two separate sources for the fill and the key to create one video image. The fill signal contains the video to be stacked over the background while the key signal contains a grayscale mask to cut out or mask the area to be filled.\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003eChroma key: Used every day for TV weather forecasts chroma keys are a powerful way of combining live images together in real time. The presenter typically stands in front of a green or blue background and the chroma keyer will remove only that color and combine it with another image such as a video or graphic.\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003ePattern key: Combine live images with any of the 18 built-in wipe patterns to combine live images or graphics with geometric shapes. You get full control over softness symmetry size and position to create unique picture-in-picture effects that can be transitioned to as easily as any live source. \u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl data-tickertarget=\"ov-ft-4\"\u003e\n\u003cdt\u003e\u003cstrong\u003eDownstream Keyers\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd\u003eThe ATEM Television Studio Pro HD includes two downstream keyers so you can add high-quality graphics like logos bugs and titles from the built-in media players over the live \"on air\" program output. Downstream keyers are the last layers of keying so they overlay all video switched to the main program output.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl data-tickertarget=\"ov-ft-5\"\u003e\n\u003cdt\u003e\u003cstrong\u003ePower Macros\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd\u003eTo automate complex sequences of precisely timed actions on your ATEM switcher you can now create powerful shortcuts called macros. Record a sequence of transitions between video sources including key effects audio mixer adjustments camera control settings and more using the ATEM software or hardware control panel. Macros are saved as XML files that can be edited with a standard text editor so you can combine them together to build sophisticated sequences that would be impossible to execute manually during a live production. That means you can create unique looks that can be recalled instantly copied between switchers and used repeatedly when you require them.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl data-tickertarget=\"ov-ft-6\"\u003e\n\u003cdt\u003e\u003cstrong\u003eAudio Mixer\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd\u003eThe built-in audio mixer lets you control camera and external audio with precision level and balance adjustments on all 10 available channels. You can enable or disable channels or activate audio-follow-video (AFV) mode instantly. Adjust the mixer via the ATEM Control Software or plug in an external Mackie standard USB fader panel.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl data-tickertarget=\"ov-ft-7\"\u003e\n\u003cdt\u003e\u003cstrong\u003eMultiview\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd\u003eMultiview allows you to see your sources graphics preview and program outputs on a single screen so you don't need separate monitors for your individual cameras. You get HDMI and SDI multiview outputs so you can connect professional broadcast SDI monitors computer monitors or even consumer HDTV sets.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl data-tickertarget=\"ov-ft-8\"\u003e\n\u003cdt\u003e\u003cstrong\u003eMedia Players\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd\u003eEliminate external character generators by storing up to 20 broadcast quality RGBA graphic files in the media pool. The two media players appear as input sources to your switcher. You can transition to graphics as full-frame video or feed them to the keyers for overlaying video. Popular image formats such as PNG TGA BMP GIF JPEG and TIFF are supported.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl data-tickertarget=\"ov-ft-9\"\u003e\n\u003cdt\u003e\u003cstrong\u003eColor Correction\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd\u003eThe ATEM Television Studio Pro HD features a built-in CCU and DaVinci Resolve primary color corrector which can be used to balance camera color and create unique looks. You can use the buttons on the hardware panel to make basic adjustments or use the DaVinci Resolve primary interface on the software control panel.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl data-tickertarget=\"ov-ft-10\"\u003e\n\u003cdt\u003e\u003cstrong\u003eBuilt-In LCD\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd\u003eThe bright LCD screen built into the ATEM Television Studio Pro HD lets you monitor program and audio levels as well as view menus for adjusting switcher settings. The spin knob control menu and set buttons work together with the LCD to give you fast access to all switcher settings.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl data-tickertarget=\"ov-ft-11\"\u003e\n\u003cdt\u003e\u003cstrong\u003eTransition Slider\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd\u003eA physical transition slider provides tactile control of a transition for moments when a manual slider is preferable to a preprogramed transition.\u003c\/dd\u003e\n\u003cdd\u003e\u003c\/dd\u003e\n\u003cdd\u003e\u003c\/dd\u003e\n\u003cdd\u003e\u003c\/dd\u003e\n\u003cdd\u003e\u003c\/dd\u003e\n\u003cdd\u003e\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e","published_at":"2020-10-01T13:59:55-04:00","created_at":"2020-10-01T13:59:56-04:00","vendor":"Blackmagic Design","type":"Audio \u0026 Video Production","tags":["1sourcevideo finance24"],"price":229500,"price_min":229500,"price_max":229500,"available":true,"price_varies":false,"compare_at_price":309825,"compare_at_price_min":309825,"compare_at_price_max":309825,"compare_at_price_varies":false,"variants":[{"id":32196499963993,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BMD-SWATEMTVSTU\/PROHD","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Blackmagic Design ATEM Television Studio Pro HD (BMD-SWATEMTVSTU\/PROHD)","public_title":null,"options":["Default Title"],"price":229500,"weight":12285,"compare_at_price":309825,"inventory_management":"shopify","barcode":null}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/atempro1_e76906a0-0c04-4429-9ef7-07acb2b79119.jpg?v=1601587143"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/atempro1_e76906a0-0c04-4429-9ef7-07acb2b79119.jpg?v=1601587143","options":["Title"],"media":[{"alt":"Blackmagic Design ATEM Television Studio Pro HD","id":6969668173913,"position":1,"preview_image":{"aspect_ratio":1.0,"height":400,"width":400,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/atempro1_e76906a0-0c04-4429-9ef7-07acb2b79119.jpg?v=1601587143"},"aspect_ratio":1.0,"height":400,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/atempro1_e76906a0-0c04-4429-9ef7-07acb2b79119.jpg?v=1601587143","width":400}],"content":"\u003ch3\u003eBlackmagic ATEM Television Studio Pro HD\u003c\/h3\u003e\u003cbr\u003e\u003cdiv class=\"ov-wrapper js-overview-desc\"\u003e\n\u003cbr\u003e\u003cdiv class=\"ov-desc\"\u003e\n\u003cbr\u003e\u003cp\u003eDesigned for broadcasters and A\/V professionals \u003cspan\u003eBlackmagic Design\u003c\/span\u003e's\u003cspan\u003e ATEM Television Studio Pro HD Live Production Switcher\u003c\/span\u003e is an 8-input live production switcher with integrated control panel. Four of each HDMI and SDI inputs are available on the rear of the chassis with both sets of inputs supporting SD and HD resolution from both professional and consumer cameras. The relatively small chassis fits in a standard equipment rack allowing it to be installed on a sliding rack shelf or packed into a \"fly-away-kit\" for use on location.\u003c\/p\u003e\n\u003cbr\u003e\u003cp\u003eThe control surface is replete with control buttons knobs and a fader bar. All this enables selecting camera inputs and controlling transitions keyers settings and the DVE. Inputs and outputs are located on the rear of the unit. PGM output is available via SDI while multiview can be sent via SDI or HDMI. An AUX output lets you send video to an external display which is great for live events with a projection setup. Four of the SDI outputs have embedded talkback audio for studio setups. \u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cbr\u003e\u003cdiv data-selenium=\"sectionHeaders\"\u003e\n\u003cdl data-tickertarget=\"ov-ft-2\"\u003e\n\u003cdt\u003e\u003cstrong\u003eTransitions\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd\u003e\u003c\/dd\u003e\n\u003cdd\u003eAvailable transitions include:\u003c\/dd\u003e\n\u003cdd\u003e\n\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\u003cli\u003eCut: When you press the cut button ATEM instantly changes from your current program source to the preview source. Cuts can be performed by directly selecting sources or by pressing the cut button to switch to the next source on the preview bus.\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003eMix: The mix or dissolve transition gradually transitions from one source to the next by creating a smooth blend. You can set custom timings to manually blend the transition.\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003eDip: Just like mix transitions a dip transition is a gradual blend that includes either a solid color graphic or another clip between the two video sources. Dips to black or white between sources are the most popular or you can use logos or sponsor graphics.\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003eWipe: ATEM Television Studio Pro HD has built-in wipe patterns. Choose from circles diamonds squares and more. Shapes and patterns can be inverted softened or even have customized colored borders. You can even insert live video into the borders for further customization.\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003eDVE: With the powerful built-in Digital Video Effects processor or DVE you can push spin squeeze or swoosh your live video from one camera to the next with incredible built-in transitions. DVE transitions can be flip-flopped and reversed giving you even more transition options. With 35 built-in preprogrammed moves you can get started with advanced transitions. Graphic wipes can also be created by combining a DVE transition with a logo created in Photoshop.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl data-tickertarget=\"ov-ft-3\"\u003e\n\u003cdt\u003e\u003cstrong\u003eUpstream Keyer\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd\u003eLayer live video over other video sources or graphics with the Upstream Keyer. You can use luma key linear key pattern key or shoot against a green screen and use chroma key to instantly composite the video over virtual sets.\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\u003cli\u003eLuma key: Luma keys are sometimes known as \"self\" keys because the same video source is used for cutting the key and overlaying the video image. Luma keys work best with high-contrast images like white elements on a black background so you can use the contrast to cut the black background and replace it with live video or graphics.\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003eLinear key: Get clean high-quality results with linear keying by using two separate sources for the fill and the key to create one video image. The fill signal contains the video to be stacked over the background while the key signal contains a grayscale mask to cut out or mask the area to be filled.\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003eChroma key: Used every day for TV weather forecasts chroma keys are a powerful way of combining live images together in real time. The presenter typically stands in front of a green or blue background and the chroma keyer will remove only that color and combine it with another image such as a video or graphic.\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003ePattern key: Combine live images with any of the 18 built-in wipe patterns to combine live images or graphics with geometric shapes. You get full control over softness symmetry size and position to create unique picture-in-picture effects that can be transitioned to as easily as any live source. \u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl data-tickertarget=\"ov-ft-4\"\u003e\n\u003cdt\u003e\u003cstrong\u003eDownstream Keyers\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd\u003eThe ATEM Television Studio Pro HD includes two downstream keyers so you can add high-quality graphics like logos bugs and titles from the built-in media players over the live \"on air\" program output. Downstream keyers are the last layers of keying so they overlay all video switched to the main program output.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl data-tickertarget=\"ov-ft-5\"\u003e\n\u003cdt\u003e\u003cstrong\u003ePower Macros\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd\u003eTo automate complex sequences of precisely timed actions on your ATEM switcher you can now create powerful shortcuts called macros. Record a sequence of transitions between video sources including key effects audio mixer adjustments camera control settings and more using the ATEM software or hardware control panel. Macros are saved as XML files that can be edited with a standard text editor so you can combine them together to build sophisticated sequences that would be impossible to execute manually during a live production. That means you can create unique looks that can be recalled instantly copied between switchers and used repeatedly when you require them.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl data-tickertarget=\"ov-ft-6\"\u003e\n\u003cdt\u003e\u003cstrong\u003eAudio Mixer\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd\u003eThe built-in audio mixer lets you control camera and external audio with precision level and balance adjustments on all 10 available channels. You can enable or disable channels or activate audio-follow-video (AFV) mode instantly. Adjust the mixer via the ATEM Control Software or plug in an external Mackie standard USB fader panel.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl data-tickertarget=\"ov-ft-7\"\u003e\n\u003cdt\u003e\u003cstrong\u003eMultiview\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd\u003eMultiview allows you to see your sources graphics preview and program outputs on a single screen so you don't need separate monitors for your individual cameras. You get HDMI and SDI multiview outputs so you can connect professional broadcast SDI monitors computer monitors or even consumer HDTV sets.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl data-tickertarget=\"ov-ft-8\"\u003e\n\u003cdt\u003e\u003cstrong\u003eMedia Players\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd\u003eEliminate external character generators by storing up to 20 broadcast quality RGBA graphic files in the media pool. The two media players appear as input sources to your switcher. You can transition to graphics as full-frame video or feed them to the keyers for overlaying video. Popular image formats such as PNG TGA BMP GIF JPEG and TIFF are supported.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl data-tickertarget=\"ov-ft-9\"\u003e\n\u003cdt\u003e\u003cstrong\u003eColor Correction\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd\u003eThe ATEM Television Studio Pro HD features a built-in CCU and DaVinci Resolve primary color corrector which can be used to balance camera color and create unique looks. You can use the buttons on the hardware panel to make basic adjustments or use the DaVinci Resolve primary interface on the software control panel.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl data-tickertarget=\"ov-ft-10\"\u003e\n\u003cdt\u003e\u003cstrong\u003eBuilt-In LCD\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd\u003eThe bright LCD screen built into the ATEM Television Studio Pro HD lets you monitor program and audio levels as well as view menus for adjusting switcher settings. The spin knob control menu and set buttons work together with the LCD to give you fast access to all switcher settings.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl data-tickertarget=\"ov-ft-11\"\u003e\n\u003cdt\u003e\u003cstrong\u003eTransition Slider\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd\u003eA physical transition slider provides tactile control of a transition for moments when a manual slider is preferable to a preprogramed transition.\u003c\/dd\u003e\n\u003cdd\u003e\u003c\/dd\u003e\n\u003cdd\u003e\u003c\/dd\u003e\n\u003cdd\u003e\u003c\/dd\u003e\n\u003cdd\u003e\u003c\/dd\u003e\n\u003cdd\u003e\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e"}

Blackmagic Design ATEM Television Studio Pro HD (BMD-SWATEMTVSTU/PROHD)

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Product Description

Blackmagic ATEM Television Studio Pro HD




Designed for broadcasters and A/V professionals Blackmagic Design's ATEM Television Studio Pro HD Live Production Switcher is an 8-input live production switcher with integrated control panel. Four of each HDMI and SDI inputs are available on the rear of the chassis with both sets of inputs supporting SD and HD resolution from both professional and consumer cameras. The relatively small chassis fits in a standard equipment rack allowing it to be installed on a sliding rack shelf or packed into a "fly-away-kit" for use on location.


The control surface is replete with control buttons knobs and a fader bar. All this enables selecting camera inputs and controlling transitions keyers settings and the DVE. Inputs and outputs are located on the rear of the unit. PGM output is available via SDI while multiview can be sent via SDI or HDMI. An AUX output lets you send video to an external display which is great for live events with a projection setup. Four of the SDI outputs have embedded talkback audio for studio setups. 




Transitions
Available transitions include:


  • Cut: When you press the cut button ATEM instantly changes from your current program source to the preview source. Cuts can be performed by directly selecting sources or by pressing the cut button to switch to the next source on the preview bus.

  • Mix: The mix or dissolve transition gradually transitions from one source to the next by creating a smooth blend. You can set custom timings to manually blend the transition.

  • Dip: Just like mix transitions a dip transition is a gradual blend that includes either a solid color graphic or another clip between the two video sources. Dips to black or white between sources are the most popular or you can use logos or sponsor graphics.

  • Wipe: ATEM Television Studio Pro HD has built-in wipe patterns. Choose from circles diamonds squares and more. Shapes and patterns can be inverted softened or even have customized colored borders. You can even insert live video into the borders for further customization.

  • DVE: With the powerful built-in Digital Video Effects processor or DVE you can push spin squeeze or swoosh your live video from one camera to the next with incredible built-in transitions. DVE transitions can be flip-flopped and reversed giving you even more transition options. With 35 built-in preprogrammed moves you can get started with advanced transitions. Graphic wipes can also be created by combining a DVE transition with a logo created in Photoshop.


Upstream Keyer
Layer live video over other video sources or graphics with the Upstream Keyer. You can use luma key linear key pattern key or shoot against a green screen and use chroma key to instantly composite the video over virtual sets.

  • Luma key: Luma keys are sometimes known as "self" keys because the same video source is used for cutting the key and overlaying the video image. Luma keys work best with high-contrast images like white elements on a black background so you can use the contrast to cut the black background and replace it with live video or graphics.

  • Linear key: Get clean high-quality results with linear keying by using two separate sources for the fill and the key to create one video image. The fill signal contains the video to be stacked over the background while the key signal contains a grayscale mask to cut out or mask the area to be filled.

  • Chroma key: Used every day for TV weather forecasts chroma keys are a powerful way of combining live images together in real time. The presenter typically stands in front of a green or blue background and the chroma keyer will remove only that color and combine it with another image such as a video or graphic.

  • Pattern key: Combine live images with any of the 18 built-in wipe patterns to combine live images or graphics with geometric shapes. You get full control over softness symmetry size and position to create unique picture-in-picture effects that can be transitioned to as easily as any live source. 


Downstream Keyers
The ATEM Television Studio Pro HD includes two downstream keyers so you can add high-quality graphics like logos bugs and titles from the built-in media players over the live "on air" program output. Downstream keyers are the last layers of keying so they overlay all video switched to the main program output.
Power Macros
To automate complex sequences of precisely timed actions on your ATEM switcher you can now create powerful shortcuts called macros. Record a sequence of transitions between video sources including key effects audio mixer adjustments camera control settings and more using the ATEM software or hardware control panel. Macros are saved as XML files that can be edited with a standard text editor so you can combine them together to build sophisticated sequences that would be impossible to execute manually during a live production. That means you can create unique looks that can be recalled instantly copied between switchers and used repeatedly when you require them.
Audio Mixer
The built-in audio mixer lets you control camera and external audio with precision level and balance adjustments on all 10 available channels. You can enable or disable channels or activate audio-follow-video (AFV) mode instantly. Adjust the mixer via the ATEM Control Software or plug in an external Mackie standard USB fader panel.
Multiview
Multiview allows you to see your sources graphics preview and program outputs on a single screen so you don't need separate monitors for your individual cameras. You get HDMI and SDI multiview outputs so you can connect professional broadcast SDI monitors computer monitors or even consumer HDTV sets.
Media Players
Eliminate external character generators by storing up to 20 broadcast quality RGBA graphic files in the media pool. The two media players appear as input sources to your switcher. You can transition to graphics as full-frame video or feed them to the keyers for overlaying video. Popular image formats such as PNG TGA BMP GIF JPEG and TIFF are supported.
Color Correction
The ATEM Television Studio Pro HD features a built-in CCU and DaVinci Resolve primary color corrector which can be used to balance camera color and create unique looks. You can use the buttons on the hardware panel to make basic adjustments or use the DaVinci Resolve primary interface on the software control panel.
Built-In LCD
The bright LCD screen built into the ATEM Television Studio Pro HD lets you monitor program and audio levels as well as view menus for adjusting switcher settings. The spin knob control menu and set buttons work together with the LCD to give you fast access to all switcher settings.
Transition Slider
A physical transition slider provides tactile control of a transition for moments when a manual slider is preferable to a preprogramed transition.

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