- Fredenstein Bento 8 500/600 Series Chassis
- Burl B1 Mic Pre Amp
Usually linear power supplies can't deliver high output currents, but Bento 8 outputs +/-16V DC 2A and +48V DC 0.25A, 500mA per slot, that's ample power for the most demanding 500 series modules! Another drawback of linear supplies is that they are prone to introduce hum from the mains transformer directly into input and output transformer inside modules, especially when plugged into the slot closes to the supply. Bento 8 incorporates extensive shielding of the mains transformer to eliminate induced hum.
Based on the API 500 series form factor, the B1 was designed to compliment the B2 Bomber ADC, and give you multi-channel pleasure. With the proprietary BX3 input transformer and BX2 output transformer, the B1 Mic Pre delivers warmth with depth and clarity. An all discrete transistor, class-A, direct coupled, capacitor free circuit path, gives the B1amazing punch on drums, beautiful tonality on guitars, and warmth with presence on vocals.
- BURL custom BX3 input transformer
- BURL custom BX2 nickel output transformer
- Audiophile, discrete, class-A, direct-coupled, capacitor free circuit path
- Stepped gain control
- Independent output level control
- 70 dB gain
- Impedance select
- 1/4” front panel DI input
- 30 dB pad for hot signals and balanced line level input
- Phantom power
- Phase reverse
- Tri-colored gain level indication
The B1 and B1D come complete with both Gain and Level controls. If you want that heavy, gainy tone, crank up the stepped gain control and offset that with the level control. If clean tone is your thing, turn the gain down and crank up the level. For ribbon mics and other low impedance sources, the B1 has a transformer coupled impedance select. The B1 was rigorously tested with the popular Royer R-121 in the low impedance setting, and it excels on guitar amps. The B1 gets the best out of any microphone, whether it be dynamic, condenser or ribbon.
Use the B1’s 1/4” instrument/line input on the front panel, plug in, crank up the gain and go. The PAD switch allows for hot signals and balanced line inputs through the mic XLR on the back panel. Run your tracks or mixes through the B1 for warmth and glue. Run multiple B1 channels for your rhythm tracks and you are there. Replace EQ and compression with true analog PHAT. Run your primary tracks through the B1 mic pre, follow with a B2 Bomber ADC and that’s about all you will need.
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