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{"id":1721673908275,"title":"Arturia B-3 V Tonewheel Organ Virtual Instrument Software - eDelivery","handle":"new-arturia-b-3-v-virtual-instrument-classic-hammond-b3-organ-vst-au-aax-mac-pc","description":"\u003carticle class=\"content_sF4U0te87jYBdVZ2QLY5G\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-selenium=\"overviewLongDescription\" class=\"\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003e\n\u003cp\u003eThe \u003cb\u003eB-3 V\u003c\/b\u003e from \u003cb\u003eArturia\u003c\/b\u003e is a virtual instrument that delivers an authentic tonewheel organ and rotary speaker experience. The rich-sounding B3 has been a staple of jazz, gospel, rock, reggae, and R\u0026amp;B for over a half century. Its electromagnetic tonewheel design gave it a beefy quality not found on later transistor organs. Unlike other virtual instruments that rely on samples that only capture some of the qualities of an original, the B-3V was created using technology that models every aspect of an instrument.\u003cbr\u003e \u003cbr\u003e The recreation includes an array of stomp boxes, plus updates like analog circuit modifications. Other additions include multiple reverbs, and the ability to modify previously fixed analog-circuit features like key click. A unique addition is a modulation section that automates the movement of the drawbars using envelopes, LFOs, and step sequencers, for infusing the sound with new animated textures.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cul\u003e\n\u003cli\u003ePhysical Modeling Engine (no samples)\u003c\/li\u003e\n\u003cli\u003eDual-manual interface\u003c\/li\u003e\n\u003cli\u003eEach manual has separate MIDI channel preferences\u003c\/li\u003e\n\u003cli\u003eNine drawbars per manual\u003c\/li\u003e\n\u003cli\u003eThree modeled chorus and vibrato settings\u003c\/li\u003e\n\u003cli\u003eSeparate upper and lower on\/off\u003c\/li\u003e\n\u003cli\u003ePreamp drive\u003c\/li\u003e\n\u003cli\u003eModeled rotary-speaker emulator\u003c\/li\u003e\n\u003cli\u003eAdvanced controls for adjusting the model\u003c\/li\u003e\n\u003cli\u003eConvolution-based reverb\u003c\/li\u003e\n\u003cli\u003eTraditional Leslie performance controls\u003c\/li\u003e\n\u003cli\u003eSwell pedal\u003c\/li\u003e\n\u003cli\u003ePercussion controls - 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The rich-sounding B3 has been a staple of jazz, gospel, rock, reggae, and R\u0026amp;B for over a half century. Its electromagnetic tonewheel design gave it a beefy quality not found on later transistor organs. Unlike other virtual instruments that rely on samples that only capture some of the qualities of an original, the B-3V was created using technology that models every aspect of an instrument.\u003cbr\u003e \u003cbr\u003e The recreation includes an array of stomp boxes, plus updates like analog circuit modifications. Other additions include multiple reverbs, and the ability to modify previously fixed analog-circuit features like key click. A unique addition is a modulation section that automates the movement of the drawbars using envelopes, LFOs, and step sequencers, for infusing the sound with new animated textures.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cul\u003e\n\u003cli\u003ePhysical Modeling Engine (no samples)\u003c\/li\u003e\n\u003cli\u003eDual-manual interface\u003c\/li\u003e\n\u003cli\u003eEach manual has separate MIDI channel preferences\u003c\/li\u003e\n\u003cli\u003eNine drawbars per manual\u003c\/li\u003e\n\u003cli\u003eThree modeled chorus and vibrato settings\u003c\/li\u003e\n\u003cli\u003eSeparate upper and lower on\/off\u003c\/li\u003e\n\u003cli\u003ePreamp drive\u003c\/li\u003e\n\u003cli\u003eModeled rotary-speaker emulator\u003c\/li\u003e\n\u003cli\u003eAdvanced controls for adjusting the model\u003c\/li\u003e\n\u003cli\u003eConvolution-based reverb\u003c\/li\u003e\n\u003cli\u003eTraditional Leslie performance controls\u003c\/li\u003e\n\u003cli\u003eSwell pedal\u003c\/li\u003e\n\u003cli\u003ePercussion controls - on\/off, volume soft\/normal, slow\/fast decay, harmonic selection\u003c\/li\u003e\n\u003cli\u003eOutput effects (ability to change order) - volume, wah, auto-wah, flanger, compressor, chorus, analog delay\u003c\/li\u003e\n\u003cli\u003eAdvanced drawbar modulators - LFO's with multiple waveforms and phase, multipoint envelopes, step sequencer, drawbar destinations with positive and negative amount controls\u003c\/li\u003e\n\u003cli\u003ePhysical model engine parameters - drawbar leakage, tonewheel leakage, brilliance, background noise, polyphonic percussion, key click volume, attack and release controls\u003c\/li\u003e\n\u003cli\u003e86 factory presets\u003c\/li\u003e\n\u003cli\u003eEasy to use MIDI mapping\u003c\/li\u003e\n\u003cli\u003eResizable GUI\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e"}

Arturia B-3 V Tonewheel Organ Virtual Instrument Software - eDelivery

$149.00 $199.00
Maximum quantity available reached.
Vendor: Arturia

0% interest for 24 months, 24 equal monthly payments;
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Product Description

The B-3 V from Arturia is a virtual instrument that delivers an authentic tonewheel organ and rotary speaker experience. The rich-sounding B3 has been a staple of jazz, gospel, rock, reggae, and R&B for over a half century. Its electromagnetic tonewheel design gave it a beefy quality not found on later transistor organs. Unlike other virtual instruments that rely on samples that only capture some of the qualities of an original, the B-3V was created using technology that models every aspect of an instrument.

The recreation includes an array of stomp boxes, plus updates like analog circuit modifications. Other additions include multiple reverbs, and the ability to modify previously fixed analog-circuit features like key click. A unique addition is a modulation section that automates the movement of the drawbars using envelopes, LFOs, and step sequencers, for infusing the sound with new animated textures.

  • Physical Modeling Engine (no samples)
  • Dual-manual interface
  • Each manual has separate MIDI channel preferences
  • Nine drawbars per manual
  • Three modeled chorus and vibrato settings
  • Separate upper and lower on/off
  • Preamp drive
  • Modeled rotary-speaker emulator
  • Advanced controls for adjusting the model
  • Convolution-based reverb
  • Traditional Leslie performance controls
  • Swell pedal
  • Percussion controls - on/off, volume soft/normal, slow/fast decay, harmonic selection
  • Output effects (ability to change order) - volume, wah, auto-wah, flanger, compressor, chorus, analog delay
  • Advanced drawbar modulators - LFO's with multiple waveforms and phase, multipoint envelopes, step sequencer, drawbar destinations with positive and negative amount controls
  • Physical model engine parameters - drawbar leakage, tonewheel leakage, brilliance, background noise, polyphonic percussion, key click volume, attack and release controls
  • 86 factory presets
  • Easy to use MIDI mapping
  • Resizable GUI
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