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{"id":4649340993625,"title":"Slate Digital ML-1 Matte Black Microphone + VMS ML-2 Small Diaphragm Modeling Microphone Bundle","handle":"slate-digital-ml-1-matte-black-microphone-vms-ml-2-small-diaphragm-modeling-microphone-bundle","description":"\u003cdiv\u003e\n\u003cdiv class=\"productDescription_3d-uhdpIFfxbuhG5B7_INl\" data-selenium=\"overviewLongDescription\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/tiprqGn65nI\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"rte\" itemprop=\"description\" style=\"padding: 15px 15px;\"\u003e\n\u003cp\u003e\u003cstrong\u003eShop This Great Pair of Slate Digital Microphones!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat You Receive:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eSlate Digital ML-1 Large Diaphragm Modeling Microphone - Matte Black ($799 Value)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSlate Digital VMS ML-2 Small Diaphragm Modeling Microphone ($149 Value)\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eThis is one deal you don't want to miss out on.\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rte\" itemprop=\"description\" style=\"padding-top: 15px; padding-right: 15px; padding-bottom: 15px;\"\u003e\n\u003cp\u003eThe \u003cstrong\u003eSlate Digital ML-1 Large Diaphragm Modeling Microphone\u003c\/strong\u003e is arguably the most important part of the Virtual Microphone System, because everything starts here. With a shock-mounted Mylar capsule sputtered in gold and custom-made components, the ML-1 is NOT just any ordinary microphone. It was designed in tandem with the VMS-One preamp to provide an exceedingly flat output for the VMS microphone and preamp software modules to act upon.\u003c\/p\u003e\n\u003cp\u003eThe ML-1 is a large-diaphragm condenser designed to have an extremely neutral and uncolored sound, excellent transient response, and wide (but flat) frequency response. VMS alters the ML-1’s output to recreate the sound of numerous vintage microphone and preamp combinations digitally. The ML-1 was designed in order to accurately capture a source, specifically for post-processing by the VMS software.\u003c\/p\u003e\n\u003ch3\u003eThe Virtual Microphone System\u003c\/h3\u003e\n\u003cp\u003eThe “VMS” is a hybrid system that utilizes an extremely transparent condenser microphone, a sonically-neutral preamp, and state-of-the-art digital processing suite that recreates the tone of classic microphones and preamps. The Virtual Microphone System collapses the wall standing between audio engineers and expensive world-class audio tools, allowing them access to the virtual microphone locker of their dreams.\u003c\/p\u003e\n\u003ch3\u003eIncludes:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eTravel case\u003c\/li\u003e\n\u003cli\u003eShock mount\u003c\/li\u003e\n\u003cli\u003eVMC Classic Tubes 1 \u0026amp; 2\u003c\/li\u003e\n\u003cli\u003eVPC Virtual Preamp Collection software card\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eClassic Tubes 1 \u0026amp; 2:\u003c\/h3\u003e\n\u003cp\u003eThe ML-1 Modeling Microphone includes Classic Tubes 1 and 2 software featuring the following microphone emulations:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFG-47\u003c\/strong\u003e: This mic will take you back in time. It’s lush, warm, fat, present, and BIG sounding. If you have a wimpy source, it gets fixed with this mic. It doesn’t have that modern sizzly top-end air, but it takes EQ in the top end like a champion. I love adding some Custom Series 10 kHz when using this mic. By pushing the intensity, it gets even darker, moodier, and a bit more saturated. Don’t just use this microphone on vocals. Put it on drums as a room mic. Put it on the outside of a kick. Put it on horns, strings.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFG-800\u003c\/strong\u003e: The FG-800 is based on a solid performing studio vocal mic. This is a bright and airy microphone. That airy, clear, bright tone works perfectly in a pop mix with no EQ needed. When this mic works, nothing will sound as good. And it actually works a lot, even on modern male rock vocals.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFG-251\u003c\/strong\u003e: The FG-251 sounds so good on just about everything. It’s the perfect balance of top, middle, and bottom. There is something so flattering about this mic that every singer just sounds better than they do in the actual room. The intensity is really fun with this one. This mic pairs well with both preamps, so try them both using the VMR A-\u0026gt;B system.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFG-12\u003c\/strong\u003e: The FG-12 emulates an Austrian classic known for being incredibly smooth and rich-sounding. Slate chose an absolutely incredible mic to model that is the perfect representation of this famous tone.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFG-800M\u003c\/strong\u003e: The FG-800M emulates an older Japanese tube mic and is slightly fatter and darker than the stock FG-800. If you love the FG-800 but wish it was a tad less sibilant and bright, you're gonna love this.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFG-M7\u003c\/strong\u003e:The FG-M7 takes one of the most famous dynamic vocal mics used by artists like Michael Jackson, and adds the tube stage of the classic 47 making it extremely punchy, crisp, with incredible mids that cut through the mix. Definitely gonna be a favorite!\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFG-269\u003c\/strong\u003e: The FG-269 emulates an extremely rare German classic that shares much of the same circuit as the 67, but has a different tube that makes it more open and clear. This is one of the best sounding vocal mics I've ever heard.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFG67\u003c\/strong\u003e: The FG-67 emulates a German classic known for being bold, slightly dark, and thick. This is amazing as a vocal mic, room mic, horn mic, piano mic, and is probably my favorite on toms.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTHE PREAMPS:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFG-73\u003c\/strong\u003e: The FG-73 preamp module is modeled after one of the most famous discrete solid state preamps in the industry, made in Britain and used on countless recordings. It has a bold, present and warm sound that works great on any audio source – even full mixes.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFG-76\u003c\/strong\u003e: The FG-76 preamp module is modeled after a vintage German tube preamp that has been used on many classic recordings. It has a thick and colorful tone that can make tracks and mixes sound more ‘alive’. The bottom-end saturates in a very unique and musical way, making it a great module for bass guitar and kick drum tracks.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eMINIMUM SYSTEM REQUIREMENTS:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eQuad core i5 processor\u003c\/li\u003e\n\u003cli\u003e4GB of RAM\u003c\/li\u003e\n\u003cli\u003emacOS 10.9 or later\u003c\/li\u003e\n\u003cli\u003eWindows 7 \u0026amp; above\u003c\/li\u003e\n\u003cli\u003eiLok 2 or 3 required\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSUPPORTED PLUG-IN FORMATS:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eIntel Mac 32-bit \u0026amp; 64-bit: VST2, VST3, AU, AAX\u003c\/li\u003e\n\u003cli\u003eWindows 32-bit \u0026amp; 64-bit: VST2, VST3, AAX\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003eSlate Digital's Virtual Microphone System has taken another step forward with the release of the \u003cstrong\u003eSlate Digital VMS ML-2 Small Diaphragm Modeling Microphone\u003c\/strong\u003e. The Slate Digital ML-2 picks up where its predecessor, the ML-1, left off in terms of modeling technology, but since its a small-diaphragm microphone, you can fit it into tighter spaces and ensure accurate placement.\u003c\/p\u003e\n\u003cp\u003eThe Slate ML-2 microphone features a similar linear and flat frequency response to its larger sibling and a side-mounted switch that pads the input circuit and repolarizes the capsule to increase headroom. Thanks to these features, the ML-2 can be utilized for both dynamic and condenser emulations on instruments without ever having to change the microphone's physical position.\u003c\/p\u003e\n\u003cp\u003eWhen you purchase the Slate Digital ML-2, your virtual microphone locker will expand significantly. The microphone comes replete with 18 digital emulations of classic microphones that have been used in studios around the world. While no Slate mic pres are necessary for access to these modeling plug-ins, your experience can be enhanced when employing the VMS One Preamp or the VRS-8 eight channel interface.\u003c\/p\u003e\n\u003cp\u003eSlate Digital tested a large number of mics during the development of the ML-2 and found that even the most expensive small-diaphragm microphone designs saturate when miking very loud, transient-rich sources like close miked drums. Therefore, the ML-2 features a proprietary “Dynamic” switch which attenuates the mic’s output and repolarizes the capsule, allowing the ML-2 to be used in extremely high SPL situations without overloading or saturating. As a result, it can be used just like a dynamic mic on drums, guitar cabs, and more.\u003c\/p\u003e\n\u003ch3\u003eINCLUDED ACCESSORIES:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eMicrophone Bag\u003c\/li\u003e\n\u003cli\u003eMicrophone Clip\u003c\/li\u003e\n\u003cli\u003eVMS ML-2 Software Card with Passcode\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eINCLUDED SOFTWARE:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eVMC Classic Instruments\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eVirtual Mic Collection — Classic Instruments:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eS-57 VINTAGE\u003c\/strong\u003e: This model is a recreation of an early 80’s dynamic 57, perhaps one of the most famous dynamic microphones in audio history. It’s known for its punchy midrange and smooth top end, which is why it is a top choice on guitar and snare drums.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eS-57 MODERN:\u003c\/strong\u003e A brand new dynamic 57, this mic sounds very similar to the vintage model but with smoother mids and more sizzly highs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eS-CUSTOM SNARE\u003c\/strong\u003e: This is a modified version of the S-57, with added curves from famous EQ’s to enhance the sound, producing the ultimate polished snare sound.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eS-222\u003c\/strong\u003e: This is a model of a famous small diaphragm tube mic. It’s bright but not harsh, with a smooth midrange and flat low end. It’s ideal for drum overheads, acoustic guitars, and string instruments.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eS-121 NORMAL\u003c\/strong\u003e: This is a cardioid model of the classic ribbon mic, and like the real thing, it has fat lows and slightly dark highs, making it perfect on horns, strings, room mics, guitar cabs, and overheads.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eS-121 DYNAMIC\u003c\/strong\u003e: The emulation is the same source microphone as the 121- NORMAL, only it has been optimized for use with the ML-2 when it’s in Dynamic mode. Use this model and the ML-2’s Dynamic mode when micing very loud sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eS-421\u003c\/strong\u003e: Another classic dynamic mic, this model is perfect on toms, kick, guitar cab, bass cab and horns. It has thick low mids and punchy lows.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eS-414 NORMAL\u003c\/strong\u003e: This is a model of one of the most famous FET large diaphragms mics. It has clear, punchy mids, slightly extended highs and a very fat low end. It’s perfect on overheads, guitar cabs, bass cabs, toms and horns.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eS-414 DYNAMIC\u003c\/strong\u003e: This emulation is the same as the S-414 NORMAL, only it has been optimized for use with the ML-2 when it’s in Dynamic mode. Use this model and the ML-2’s Dynamic mode when micing very loud sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eS-47F\u003c\/strong\u003e: This famous German FET microphone model is known for round highs, fat mids and huge low end. It’s a standard on kick drum and bass cab, but also sounds great on toms.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eS-67\u003c\/strong\u003e: This is actually a model of a large-diaphragm tube mic! It has smooth and slightly dark highs, thick mids and big lows. Great on room mics, overheads, toms, snares, basses and everything else!\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eS-451\u003c\/strong\u003e: This is a model of a famous small diaphragm condenser that is smooth and clear, with a beautiful high end. It’s the great on snare, overheads, hi hat, toms and guitar cabs if paired with one of the dynamic models.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eS-7\u003c\/strong\u003e: This is a dynamic mic that became famous as a broadcasting microphone, but its present mids make it ideal for all sorts of instruments such as kick, toms, snare, guitars, bass and more.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eS-112\u003c\/strong\u003e: This is a model of a famous modern kick drum microphone. It has a classic “bouncy” mid-range and fat low end.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eS-12\u003c\/strong\u003e: This is a model of a vintage kick drum microphone. It has a crisp top, fat low mid and warm bottom end.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eS-CUSTOM TOM\u003c\/strong\u003e: This is a modified version of the S-421 that adds more highs and lows, and has less low mid, creating the ultimate tom sound for both rack and floor.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eS-CUSTOM KICK\u003c\/strong\u003e: This is a modified version of the S-12 that adds more attack and punch with less low mids and more defined lows.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eS-E20\u003c\/strong\u003e: This is a model of a dynamic microphone that became popular in the seventies. It has a very even frequency response, while remaining fat-sounding, so it can be useful on all sorts of different sources, from vocals and electric guitar to kick drum.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eMinimum System Requirements:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eQuad core i5 processor\u003c\/li\u003e\n\u003cli\u003e4GB of RAM\u003c\/li\u003e\n\u003cli\u003emacOS 10.9 or later\u003c\/li\u003e\n\u003cli\u003eWindows 7 \u0026amp; above\u003c\/li\u003e\n\u003cli\u003eiLok 2 or 3 required\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSUPPORTED PLUG-IN FORMATS:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eIntel Mac 32-bit \u0026amp; 64-bit: VST2, VST3, AU, AAX\u003c\/li\u003e\n\u003cli\u003eWindows 32-bit \u0026amp; 64-bit: VST2, VST3, AAX\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2020-06-03T14:43:51-04:00","created_at":"2020-06-03T14:43:51-04:00","vendor":"Slate Digital","type":"Studio Hardware","tags":["bundle","finance24","special"],"price":79900,"price_min":79900,"price_max":89900,"available":true,"price_varies":true,"compare_at_price":94900,"compare_at_price_min":94900,"compare_at_price_max":94900,"compare_at_price_varies":false,"variants":[{"id":31912091975769,"title":"New","option1":"New","option2":null,"option3":null,"sku":"SLATE-ML1+ML2-MIC-BUNDLE-A","requires_shipping":true,"taxable":true,"featured_image":{"id":14221624082521,"product_id":4649340993625,"position":1,"created_at":"2020-06-03T14:44:08-04:00","updated_at":"2020-06-03T14:44:08-04:00","alt":null,"width":1080,"height":1080,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/Untitleddesign_2_362f29c9-3a09-4975-9ad4-4b66535a4748.png?v=1591209848","variant_ids":[31912091975769,31912092008537]},"available":true,"name":"Slate Digital ML-1 Matte Black Microphone + VMS ML-2 Small Diaphragm Modeling Microphone Bundle - 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Matte Black ($799 Value)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSlate Digital VMS ML-2 Small Diaphragm Modeling Microphone ($149 Value)\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eThis is one deal you don't want to miss out on.\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"rte\" itemprop=\"description\" style=\"padding-top: 15px; padding-right: 15px; padding-bottom: 15px;\"\u003e\n\u003cp\u003eThe \u003cstrong\u003eSlate Digital ML-1 Large Diaphragm Modeling Microphone\u003c\/strong\u003e is arguably the most important part of the Virtual Microphone System, because everything starts here. With a shock-mounted Mylar capsule sputtered in gold and custom-made components, the ML-1 is NOT just any ordinary microphone. It was designed in tandem with the VMS-One preamp to provide an exceedingly flat output for the VMS microphone and preamp software modules to act upon.\u003c\/p\u003e\n\u003cp\u003eThe ML-1 is a large-diaphragm condenser designed to have an extremely neutral and uncolored sound, excellent transient response, and wide (but flat) frequency response. VMS alters the ML-1’s output to recreate the sound of numerous vintage microphone and preamp combinations digitally. The ML-1 was designed in order to accurately capture a source, specifically for post-processing by the VMS software.\u003c\/p\u003e\n\u003ch3\u003eThe Virtual Microphone System\u003c\/h3\u003e\n\u003cp\u003eThe “VMS” is a hybrid system that utilizes an extremely transparent condenser microphone, a sonically-neutral preamp, and state-of-the-art digital processing suite that recreates the tone of classic microphones and preamps. The Virtual Microphone System collapses the wall standing between audio engineers and expensive world-class audio tools, allowing them access to the virtual microphone locker of their dreams.\u003c\/p\u003e\n\u003ch3\u003eIncludes:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eTravel case\u003c\/li\u003e\n\u003cli\u003eShock mount\u003c\/li\u003e\n\u003cli\u003eVMC Classic Tubes 1 \u0026amp; 2\u003c\/li\u003e\n\u003cli\u003eVPC Virtual Preamp Collection software card\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eClassic Tubes 1 \u0026amp; 2:\u003c\/h3\u003e\n\u003cp\u003eThe ML-1 Modeling Microphone includes Classic Tubes 1 and 2 software featuring the following microphone emulations:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFG-47\u003c\/strong\u003e: This mic will take you back in time. It’s lush, warm, fat, present, and BIG sounding. If you have a wimpy source, it gets fixed with this mic. It doesn’t have that modern sizzly top-end air, but it takes EQ in the top end like a champion. I love adding some Custom Series 10 kHz when using this mic. By pushing the intensity, it gets even darker, moodier, and a bit more saturated. Don’t just use this microphone on vocals. Put it on drums as a room mic. Put it on the outside of a kick. Put it on horns, strings.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFG-800\u003c\/strong\u003e: The FG-800 is based on a solid performing studio vocal mic. This is a bright and airy microphone. That airy, clear, bright tone works perfectly in a pop mix with no EQ needed. When this mic works, nothing will sound as good. And it actually works a lot, even on modern male rock vocals.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFG-251\u003c\/strong\u003e: The FG-251 sounds so good on just about everything. It’s the perfect balance of top, middle, and bottom. There is something so flattering about this mic that every singer just sounds better than they do in the actual room. The intensity is really fun with this one. This mic pairs well with both preamps, so try them both using the VMR A-\u0026gt;B system.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFG-12\u003c\/strong\u003e: The FG-12 emulates an Austrian classic known for being incredibly smooth and rich-sounding. Slate chose an absolutely incredible mic to model that is the perfect representation of this famous tone.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFG-800M\u003c\/strong\u003e: The FG-800M emulates an older Japanese tube mic and is slightly fatter and darker than the stock FG-800. If you love the FG-800 but wish it was a tad less sibilant and bright, you're gonna love this.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFG-M7\u003c\/strong\u003e:The FG-M7 takes one of the most famous dynamic vocal mics used by artists like Michael Jackson, and adds the tube stage of the classic 47 making it extremely punchy, crisp, with incredible mids that cut through the mix. Definitely gonna be a favorite!\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFG-269\u003c\/strong\u003e: The FG-269 emulates an extremely rare German classic that shares much of the same circuit as the 67, but has a different tube that makes it more open and clear. This is one of the best sounding vocal mics I've ever heard.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFG67\u003c\/strong\u003e: The FG-67 emulates a German classic known for being bold, slightly dark, and thick. This is amazing as a vocal mic, room mic, horn mic, piano mic, and is probably my favorite on toms.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTHE PREAMPS:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFG-73\u003c\/strong\u003e: The FG-73 preamp module is modeled after one of the most famous discrete solid state preamps in the industry, made in Britain and used on countless recordings. It has a bold, present and warm sound that works great on any audio source – even full mixes.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFG-76\u003c\/strong\u003e: The FG-76 preamp module is modeled after a vintage German tube preamp that has been used on many classic recordings. It has a thick and colorful tone that can make tracks and mixes sound more ‘alive’. The bottom-end saturates in a very unique and musical way, making it a great module for bass guitar and kick drum tracks.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eMINIMUM SYSTEM REQUIREMENTS:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eQuad core i5 processor\u003c\/li\u003e\n\u003cli\u003e4GB of RAM\u003c\/li\u003e\n\u003cli\u003emacOS 10.9 or later\u003c\/li\u003e\n\u003cli\u003eWindows 7 \u0026amp; above\u003c\/li\u003e\n\u003cli\u003eiLok 2 or 3 required\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSUPPORTED PLUG-IN FORMATS:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eIntel Mac 32-bit \u0026amp; 64-bit: VST2, VST3, AU, AAX\u003c\/li\u003e\n\u003cli\u003eWindows 32-bit \u0026amp; 64-bit: VST2, VST3, AAX\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003eSlate Digital's Virtual Microphone System has taken another step forward with the release of the \u003cstrong\u003eSlate Digital VMS ML-2 Small Diaphragm Modeling Microphone\u003c\/strong\u003e. The Slate Digital ML-2 picks up where its predecessor, the ML-1, left off in terms of modeling technology, but since its a small-diaphragm microphone, you can fit it into tighter spaces and ensure accurate placement.\u003c\/p\u003e\n\u003cp\u003eThe Slate ML-2 microphone features a similar linear and flat frequency response to its larger sibling and a side-mounted switch that pads the input circuit and repolarizes the capsule to increase headroom. Thanks to these features, the ML-2 can be utilized for both dynamic and condenser emulations on instruments without ever having to change the microphone's physical position.\u003c\/p\u003e\n\u003cp\u003eWhen you purchase the Slate Digital ML-2, your virtual microphone locker will expand significantly. The microphone comes replete with 18 digital emulations of classic microphones that have been used in studios around the world. While no Slate mic pres are necessary for access to these modeling plug-ins, your experience can be enhanced when employing the VMS One Preamp or the VRS-8 eight channel interface.\u003c\/p\u003e\n\u003cp\u003eSlate Digital tested a large number of mics during the development of the ML-2 and found that even the most expensive small-diaphragm microphone designs saturate when miking very loud, transient-rich sources like close miked drums. Therefore, the ML-2 features a proprietary “Dynamic” switch which attenuates the mic’s output and repolarizes the capsule, allowing the ML-2 to be used in extremely high SPL situations without overloading or saturating. As a result, it can be used just like a dynamic mic on drums, guitar cabs, and more.\u003c\/p\u003e\n\u003ch3\u003eINCLUDED ACCESSORIES:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eMicrophone Bag\u003c\/li\u003e\n\u003cli\u003eMicrophone Clip\u003c\/li\u003e\n\u003cli\u003eVMS ML-2 Software Card with Passcode\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eINCLUDED SOFTWARE:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eVMC Classic Instruments\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eVirtual Mic Collection — Classic Instruments:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eS-57 VINTAGE\u003c\/strong\u003e: This model is a recreation of an early 80’s dynamic 57, perhaps one of the most famous dynamic microphones in audio history. It’s known for its punchy midrange and smooth top end, which is why it is a top choice on guitar and snare drums.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eS-57 MODERN:\u003c\/strong\u003e A brand new dynamic 57, this mic sounds very similar to the vintage model but with smoother mids and more sizzly highs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eS-CUSTOM SNARE\u003c\/strong\u003e: This is a modified version of the S-57, with added curves from famous EQ’s to enhance the sound, producing the ultimate polished snare sound.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eS-222\u003c\/strong\u003e: This is a model of a famous small diaphragm tube mic. It’s bright but not harsh, with a smooth midrange and flat low end. It’s ideal for drum overheads, acoustic guitars, and string instruments.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eS-121 NORMAL\u003c\/strong\u003e: This is a cardioid model of the classic ribbon mic, and like the real thing, it has fat lows and slightly dark highs, making it perfect on horns, strings, room mics, guitar cabs, and overheads.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eS-121 DYNAMIC\u003c\/strong\u003e: The emulation is the same source microphone as the 121- NORMAL, only it has been optimized for use with the ML-2 when it’s in Dynamic mode. Use this model and the ML-2’s Dynamic mode when micing very loud sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eS-421\u003c\/strong\u003e: Another classic dynamic mic, this model is perfect on toms, kick, guitar cab, bass cab and horns. It has thick low mids and punchy lows.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eS-414 NORMAL\u003c\/strong\u003e: This is a model of one of the most famous FET large diaphragms mics. It has clear, punchy mids, slightly extended highs and a very fat low end. It’s perfect on overheads, guitar cabs, bass cabs, toms and horns.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eS-414 DYNAMIC\u003c\/strong\u003e: This emulation is the same as the S-414 NORMAL, only it has been optimized for use with the ML-2 when it’s in Dynamic mode. Use this model and the ML-2’s Dynamic mode when micing very loud sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eS-47F\u003c\/strong\u003e: This famous German FET microphone model is known for round highs, fat mids and huge low end. It’s a standard on kick drum and bass cab, but also sounds great on toms.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eS-67\u003c\/strong\u003e: This is actually a model of a large-diaphragm tube mic! It has smooth and slightly dark highs, thick mids and big lows. Great on room mics, overheads, toms, snares, basses and everything else!\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eS-451\u003c\/strong\u003e: This is a model of a famous small diaphragm condenser that is smooth and clear, with a beautiful high end. It’s the great on snare, overheads, hi hat, toms and guitar cabs if paired with one of the dynamic models.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eS-7\u003c\/strong\u003e: This is a dynamic mic that became famous as a broadcasting microphone, but its present mids make it ideal for all sorts of instruments such as kick, toms, snare, guitars, bass and more.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eS-112\u003c\/strong\u003e: This is a model of a famous modern kick drum microphone. It has a classic “bouncy” mid-range and fat low end.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eS-12\u003c\/strong\u003e: This is a model of a vintage kick drum microphone. It has a crisp top, fat low mid and warm bottom end.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eS-CUSTOM TOM\u003c\/strong\u003e: This is a modified version of the S-421 that adds more highs and lows, and has less low mid, creating the ultimate tom sound for both rack and floor.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eS-CUSTOM KICK\u003c\/strong\u003e: This is a modified version of the S-12 that adds more attack and punch with less low mids and more defined lows.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eS-E20\u003c\/strong\u003e: This is a model of a dynamic microphone that became popular in the seventies. It has a very even frequency response, while remaining fat-sounding, so it can be useful on all sorts of different sources, from vocals and electric guitar to kick drum.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eMinimum System Requirements:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eQuad core i5 processor\u003c\/li\u003e\n\u003cli\u003e4GB of RAM\u003c\/li\u003e\n\u003cli\u003emacOS 10.9 or later\u003c\/li\u003e\n\u003cli\u003eWindows 7 \u0026amp; above\u003c\/li\u003e\n\u003cli\u003eiLok 2 or 3 required\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSUPPORTED PLUG-IN FORMATS:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eIntel Mac 32-bit \u0026amp; 64-bit: VST2, VST3, AU, AAX\u003c\/li\u003e\n\u003cli\u003eWindows 32-bit \u0026amp; 64-bit: VST2, VST3, AAX\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

Slate Digital ML-1 Matte Black Microphone + VMS ML-2 Small Diaphragm Modeling Microphone Bundle

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$899.00 $949.00
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Product Description

 

Shop This Great Pair of Slate Digital Microphones!

What You Receive:

  • Slate Digital ML-1 Large Diaphragm Modeling Microphone - Matte Black ($799 Value)
  • Slate Digital VMS ML-2 Small Diaphragm Modeling Microphone ($149 Value)
This is one deal you don't want to miss out on.

The Slate Digital ML-1 Large Diaphragm Modeling Microphone is arguably the most important part of the Virtual Microphone System, because everything starts here. With a shock-mounted Mylar capsule sputtered in gold and custom-made components, the ML-1 is NOT just any ordinary microphone. It was designed in tandem with the VMS-One preamp to provide an exceedingly flat output for the VMS microphone and preamp software modules to act upon.

The ML-1 is a large-diaphragm condenser designed to have an extremely neutral and uncolored sound, excellent transient response, and wide (but flat) frequency response. VMS alters the ML-1’s output to recreate the sound of numerous vintage microphone and preamp combinations digitally. The ML-1 was designed in order to accurately capture a source, specifically for post-processing by the VMS software.

The Virtual Microphone System

The “VMS” is a hybrid system that utilizes an extremely transparent condenser microphone, a sonically-neutral preamp, and state-of-the-art digital processing suite that recreates the tone of classic microphones and preamps. The Virtual Microphone System collapses the wall standing between audio engineers and expensive world-class audio tools, allowing them access to the virtual microphone locker of their dreams.

Includes:

  • Travel case
  • Shock mount
  • VMC Classic Tubes 1 & 2
  • VPC Virtual Preamp Collection software card

Classic Tubes 1 & 2:

The ML-1 Modeling Microphone includes Classic Tubes 1 and 2 software featuring the following microphone emulations:

  • FG-47: This mic will take you back in time. It’s lush, warm, fat, present, and BIG sounding. If you have a wimpy source, it gets fixed with this mic. It doesn’t have that modern sizzly top-end air, but it takes EQ in the top end like a champion. I love adding some Custom Series 10 kHz when using this mic. By pushing the intensity, it gets even darker, moodier, and a bit more saturated. Don’t just use this microphone on vocals. Put it on drums as a room mic. Put it on the outside of a kick. Put it on horns, strings.
  • FG-800: The FG-800 is based on a solid performing studio vocal mic. This is a bright and airy microphone. That airy, clear, bright tone works perfectly in a pop mix with no EQ needed. When this mic works, nothing will sound as good. And it actually works a lot, even on modern male rock vocals.
  • FG-251: The FG-251 sounds so good on just about everything. It’s the perfect balance of top, middle, and bottom. There is something so flattering about this mic that every singer just sounds better than they do in the actual room. The intensity is really fun with this one. This mic pairs well with both preamps, so try them both using the VMR A->B system.
  • FG-12: The FG-12 emulates an Austrian classic known for being incredibly smooth and rich-sounding. Slate chose an absolutely incredible mic to model that is the perfect representation of this famous tone.
  • FG-800M: The FG-800M emulates an older Japanese tube mic and is slightly fatter and darker than the stock FG-800. If you love the FG-800 but wish it was a tad less sibilant and bright, you're gonna love this.
  • FG-M7:The FG-M7 takes one of the most famous dynamic vocal mics used by artists like Michael Jackson, and adds the tube stage of the classic 47 making it extremely punchy, crisp, with incredible mids that cut through the mix. Definitely gonna be a favorite!
  • FG-269: The FG-269 emulates an extremely rare German classic that shares much of the same circuit as the 67, but has a different tube that makes it more open and clear. This is one of the best sounding vocal mics I've ever heard.
  • FG67: The FG-67 emulates a German classic known for being bold, slightly dark, and thick. This is amazing as a vocal mic, room mic, horn mic, piano mic, and is probably my favorite on toms.

THE PREAMPS:

  • FG-73: The FG-73 preamp module is modeled after one of the most famous discrete solid state preamps in the industry, made in Britain and used on countless recordings. It has a bold, present and warm sound that works great on any audio source – even full mixes.
  • FG-76: The FG-76 preamp module is modeled after a vintage German tube preamp that has been used on many classic recordings. It has a thick and colorful tone that can make tracks and mixes sound more ‘alive’. The bottom-end saturates in a very unique and musical way, making it a great module for bass guitar and kick drum tracks.

MINIMUM SYSTEM REQUIREMENTS:

  • Quad core i5 processor
  • 4GB of RAM
  • macOS 10.9 or later
  • Windows 7 & above
  • iLok 2 or 3 required

SUPPORTED PLUG-IN FORMATS:

  • Intel Mac 32-bit & 64-bit: VST2, VST3, AU, AAX
  • Windows 32-bit & 64-bit: VST2, VST3, AAX

Slate Digital's Virtual Microphone System has taken another step forward with the release of the Slate Digital VMS ML-2 Small Diaphragm Modeling Microphone. The Slate Digital ML-2 picks up where its predecessor, the ML-1, left off in terms of modeling technology, but since its a small-diaphragm microphone, you can fit it into tighter spaces and ensure accurate placement.

The Slate ML-2 microphone features a similar linear and flat frequency response to its larger sibling and a side-mounted switch that pads the input circuit and repolarizes the capsule to increase headroom. Thanks to these features, the ML-2 can be utilized for both dynamic and condenser emulations on instruments without ever having to change the microphone's physical position.

When you purchase the Slate Digital ML-2, your virtual microphone locker will expand significantly. The microphone comes replete with 18 digital emulations of classic microphones that have been used in studios around the world. While no Slate mic pres are necessary for access to these modeling plug-ins, your experience can be enhanced when employing the VMS One Preamp or the VRS-8 eight channel interface.

Slate Digital tested a large number of mics during the development of the ML-2 and found that even the most expensive small-diaphragm microphone designs saturate when miking very loud, transient-rich sources like close miked drums. Therefore, the ML-2 features a proprietary “Dynamic” switch which attenuates the mic’s output and repolarizes the capsule, allowing the ML-2 to be used in extremely high SPL situations without overloading or saturating. As a result, it can be used just like a dynamic mic on drums, guitar cabs, and more.

INCLUDED ACCESSORIES:

  • Microphone Bag
  • Microphone Clip
  • VMS ML-2 Software Card with Passcode

INCLUDED SOFTWARE:

  • VMC Classic Instruments

Virtual Mic Collection — Classic Instruments:

  • S-57 VINTAGE: This model is a recreation of an early 80’s dynamic 57, perhaps one of the most famous dynamic microphones in audio history. It’s known for its punchy midrange and smooth top end, which is why it is a top choice on guitar and snare drums.
  • S-57 MODERN: A brand new dynamic 57, this mic sounds very similar to the vintage model but with smoother mids and more sizzly highs.
  • S-CUSTOM SNARE: This is a modified version of the S-57, with added curves from famous EQ’s to enhance the sound, producing the ultimate polished snare sound.
  • S-222: This is a model of a famous small diaphragm tube mic. It’s bright but not harsh, with a smooth midrange and flat low end. It’s ideal for drum overheads, acoustic guitars, and string instruments.
  • S-121 NORMAL: This is a cardioid model of the classic ribbon mic, and like the real thing, it has fat lows and slightly dark highs, making it perfect on horns, strings, room mics, guitar cabs, and overheads.
  • S-121 DYNAMIC: The emulation is the same source microphone as the 121- NORMAL, only it has been optimized for use with the ML-2 when it’s in Dynamic mode. Use this model and the ML-2’s Dynamic mode when micing very loud sources.
  • S-421: Another classic dynamic mic, this model is perfect on toms, kick, guitar cab, bass cab and horns. It has thick low mids and punchy lows.
  • S-414 NORMAL: This is a model of one of the most famous FET large diaphragms mics. It has clear, punchy mids, slightly extended highs and a very fat low end. It’s perfect on overheads, guitar cabs, bass cabs, toms and horns.
  • S-414 DYNAMIC: This emulation is the same as the S-414 NORMAL, only it has been optimized for use with the ML-2 when it’s in Dynamic mode. Use this model and the ML-2’s Dynamic mode when micing very loud sources.
  • S-47F: This famous German FET microphone model is known for round highs, fat mids and huge low end. It’s a standard on kick drum and bass cab, but also sounds great on toms.
  • S-67: This is actually a model of a large-diaphragm tube mic! It has smooth and slightly dark highs, thick mids and big lows. Great on room mics, overheads, toms, snares, basses and everything else!
  • S-451: This is a model of a famous small diaphragm condenser that is smooth and clear, with a beautiful high end. It’s the great on snare, overheads, hi hat, toms and guitar cabs if paired with one of the dynamic models.
  • S-7: This is a dynamic mic that became famous as a broadcasting microphone, but its present mids make it ideal for all sorts of instruments such as kick, toms, snare, guitars, bass and more.
  • S-112: This is a model of a famous modern kick drum microphone. It has a classic “bouncy” mid-range and fat low end.
  • S-12: This is a model of a vintage kick drum microphone. It has a crisp top, fat low mid and warm bottom end.
  • S-CUSTOM TOM: This is a modified version of the S-421 that adds more highs and lows, and has less low mid, creating the ultimate tom sound for both rack and floor.
  • S-CUSTOM KICK: This is a modified version of the S-12 that adds more attack and punch with less low mids and more defined lows.
  • S-E20: This is a model of a dynamic microphone that became popular in the seventies. It has a very even frequency response, while remaining fat-sounding, so it can be useful on all sorts of different sources, from vocals and electric guitar to kick drum.

Minimum System Requirements:

  • Quad core i5 processor
  • 4GB of RAM
  • macOS 10.9 or later
  • Windows 7 & above
  • iLok 2 or 3 required

SUPPORTED PLUG-IN FORMATS:

  • Intel Mac 32-bit & 64-bit: VST2, VST3, AU, AAX
  • Windows 32-bit & 64-bit: VST2, VST3, AAX