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Radial's Cube holds three modules in an easy to transport enclosure. The Cube, unlike rackmount enclosures, was meant to sit on your desktop or be moved around the studio. This easy-to-use unit not only powers your 500 series modules, but allows you to connect them together in a complete signal chain. A convenient handle lets you easily move the Cube from place to place. Keep your 500 series modules ready to go with the Radial Cube enclosure.\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eMA5 Class-A Microphone Preamplifier\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe MA5 was created to fill the need for a high-quality microphone preamplifier with the characteristic sound of early ‘70s British Class-A consoles. The re-engineering in the creation of the MA5 stemmed from years of experience restoring both American and British modules, deeply rooted in classic transformer-balanced, discrete electronics. Only the best and most suitable components are used throughout, regardless of cost, to attain the best sound.\u003cbr\u003e\u003cbr\u003eThe MA5’s full and open sound with harmonic richness, particularly in the very low frequencies- even down to, and below, 10Hz. The clear mids and smooth highs come through without sounding dull or smeared.\u003cbr\u003e\u003cbr\u003eToday, after 12 years of production, we are happy to say there are many MA5’s used all over the world, from home studios to large commercial studios, and by other pro-audio professionals everywhere.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMD7 500 Series Mic\/Line Preamp\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe Avedis Audio MD7 addresses the features needed in op-amp based preamps and, more importantly, with a very musical sound without the conventional hard sounding and mid-forward units which are not suitable for today’s digital recordings.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eE12G 12-Band Graphic EQ\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe E12G was designed for the need for a high quality graphic equalizer in a 500 series module format. Its ease of use for sound shaping and frequency correction during tracking makes the E12G an indispensable tool in the studio. There are no IC chips in the frequency bands, as customary of other graphic eq designs. Instead of IC’s, the use of Class A preamps for each band was designed to keep your music from sounding “processed”, and help to bring out every detail of harmonic richness captured by the microphone and a high-end mic preamp. Additional frequencies 12kHz and 22kHz was chosen to fill a void in the high frequencies, not found in other graphic equalizers. The Ingenius® input stage, designed by Bill Whitlock of Jensen Transformers®, provides clarity and performance found in high end input transformers.\u003c\/p\u003e"}

Avedis Audio + Radial Cube 500-Series Module Recording Bundle - MD7 + MA5 + E12G + Cube

21%
Title
$2,900.00 $3,500.00
Maximum quantity available reached.

0% interest for 24 months, 24 equal monthly payments;
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More Info? Please click Here.
Product Description

Radial Workhorse Cube 3-slot 500 Series Desktop Chassis

Want to keep your 500 series modules out of a rack and mobile? Radial's Cube holds three modules in an easy to transport enclosure. The Cube, unlike rackmount enclosures, was meant to sit on your desktop or be moved around the studio. This easy-to-use unit not only powers your 500 series modules, but allows you to connect them together in a complete signal chain. A convenient handle lets you easily move the Cube from place to place. Keep your 500 series modules ready to go with the Radial Cube enclosure.


MA5 Class-A Microphone Preamplifier

The MA5 was created to fill the need for a high-quality microphone preamplifier with the characteristic sound of early ‘70s British Class-A consoles. The re-engineering in the creation of the MA5 stemmed from years of experience restoring both American and British modules, deeply rooted in classic transformer-balanced, discrete electronics. Only the best and most suitable components are used throughout, regardless of cost, to attain the best sound.

The MA5’s full and open sound with harmonic richness, particularly in the very low frequencies- even down to, and below, 10Hz. The clear mids and smooth highs come through without sounding dull or smeared.

Today, after 12 years of production, we are happy to say there are many MA5’s used all over the world, from home studios to large commercial studios, and by other pro-audio professionals everywhere.

MD7 500 Series Mic/Line Preamp

The Avedis Audio MD7 addresses the features needed in op-amp based preamps and, more importantly, with a very musical sound without the conventional hard sounding and mid-forward units which are not suitable for today’s digital recordings.

E12G 12-Band Graphic EQ

The E12G was designed for the need for a high quality graphic equalizer in a 500 series module format. Its ease of use for sound shaping and frequency correction during tracking makes the E12G an indispensable tool in the studio. There are no IC chips in the frequency bands, as customary of other graphic eq designs. Instead of IC’s, the use of Class A preamps for each band was designed to keep your music from sounding “processed”, and help to bring out every detail of harmonic richness captured by the microphone and a high-end mic preamp. Additional frequencies 12kHz and 22kHz was chosen to fill a void in the high frequencies, not found in other graphic equalizers. The Ingenius® input stage, designed by Bill Whitlock of Jensen Transformers®, provides clarity and performance found in high end input transformers.

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