Florida's #1 Source for Pro Audio & Music Recording Equipment:  305-595-3002 /  sales@scitscat.com

Studio & Recording

You've come to the right place for studio recording equipment - Scitscat Music began as a recording studio, and here you'll find the latest professional audio gear plus expertise you can count on.

At Scitscat Music, we are musicians first. We produce, record, and perform our own music, so we know the kind of challenges you face as an audio professional. From choosing microphone preamps and processors for specific recording applications to the cables, direct boxes and other essential audio tools you need in your equipment bag, we can help you achieve superior sound in any application.

Studio & Recording

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Strauss Elektroakustik SE-MF-4 Midfield Mastering Studio Monitor
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Strauss Elektroakustik SE-MF-4 Midfield Mastering Studio Monitor

Strauss Elektroakustik SE-MF-4 Midfield Mastering Studio Monitor

$11,499.00

SE-MF-4      Drivers: 1” compression driver, metal alloy diaphragma, neodymium magnet circuit, constant directivity horn12” LIT woofer, coated paper cone, neodym magnet circuitSensitivity:     91 dB / 1 W / 1mImpedance:     8 OhmPower:     100 W RMSFrequency range:     28 Hz – 22 KHz (-­ 6 dB)Crossover frequency:     1200 HzDistortion:     THD &...

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Strauss Elektroakustik Stand for SE-NF-3
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Strauss Elektroakustik Stand for SE-NF-3

Strauss Elektroakustik Stand for SE-NF-3

$899.00

Stand for SE-NF-3

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Strauss Elektroakustik SE-NF-3 Passive Mastering Nearfield Studio Monitor (Pair)
{"id":4726515204185,"title":"Strauss Elektroakustik SE-NF-3 Passive Mastering Nearfield Studio Monitor (Pair)","handle":"strauss-elektroakustik-se-nf-3-passive-mastering-nearfield-studio-monitor-pair","description":"\u003csection id=\"description\" class=\"row target\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"product attribute description\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"value\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTo meet the highest demands of professional users, the design of \u003cstrong data-mce-fragment=\"1\"\u003eStrauss Elektroakustik SE-NF-3\u003c\/strong\u003e has been based on a combination of traditional tried and true elements fused with innovative technology. Oriented on the physical ideal of the point source, these passive two-way monitors have been developed short listening distances.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe consistent optimization of the monitor’s acoustic and mechanical parameters shows itself in the choice of sophisticated fine-precision drivers, the intricate insulation and damping of the housing and the elaborateness of the SE vented box tuning. 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Oriented on the physical ideal of the point source, these passive two-way monitors have been developed short listening distances.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe consistent optimization of the monitor’s acoustic and mechanical parameters shows itself in the choice of sophisticated fine-precision drivers, the intricate insulation and damping of the housing and the elaborateness of the SE vented box tuning. As a result of the monitor’s precisely differentiating electrical filters – developed using measurement and listening tests – the following transmission characteristics were achieved:\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWide bandwidth Tone\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHigh linearity Tone\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLow distortions Tone\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDetailed microdynamic\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eStable macrodynamic\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHomogenous dispersion\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFew early reflections\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOptimized group delay time\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTransistor, digital or valve amplifiers delivering 20-150W into 8 ohms may be used.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e"}
Strauss Elektroakustik SE-NF-3 Passive Mastering Nearfield Studio Monitor (Pair)

Strauss Elektroakustik SE-NF-3 Passive Mastering Nearfield Studio Monitor (Pair)

$7,998.00

To meet the highest demands of professional users, the design of Strauss Elektroakustik SE-NF-3 has been based on a combination of traditional tried and true elements fused with innovative technology. Oriented on the physical ideal of the point source, these passive two-way monitors have been developed short listening distances. The consisten...


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Useful Arts Hornet Discreet Microphone Preamp/DI Box
{"id":4726514450521,"title":"Useful Arts Hornet Discreet Microphone Preamp\/DI Box","handle":"useful-arts-hornet-discreet-microphone-preamp-di-box","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/6NFX2yYtLIA\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDiscreet Mic Pre\/DI with variable harmonic color control, fits in the palm of your hand.\u003c\/p\u003e","published_at":"2020-09-25T20:05:17-04:00","created_at":"2020-09-25T20:05:15-04:00","vendor":"Useful Arts","type":"Mic Pre","tags":["finance24","Pro Audio","specialorder"],"price":27900,"price_min":27900,"price_max":27900,"available":true,"price_varies":false,"compare_at_price":34900,"compare_at_price_min":34900,"compare_at_price_max":34900,"compare_at_price_varies":false,"variants":[{"id":32186972962905,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"UAA-HORNET","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Useful Arts Hornet Discreet Microphone Preamp\/DI Box","public_title":null,"options":["Default Title"],"price":27900,"weight":2268,"compare_at_price":34900,"inventory_management":"shopify","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/ua_button.jpg?v=1601082023","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/120047792_3370139263052799_2231638685167221242_o.jpg?v=1601082023"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/ua_button.jpg?v=1601082023","options":["Title"],"media":[{"alt":null,"id":6952078213209,"position":1,"preview_image":{"aspect_ratio":1.486,"height":906,"width":1346,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/ua_button.jpg?v=1601082021"},"aspect_ratio":1.486,"height":906,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/ua_button.jpg?v=1601082021","width":1346},{"alt":null,"id":6952053112921,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1440,"width":1440,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/120047792_3370139263052799_2231638685167221242_o.jpg?v=1601078718"},"aspect_ratio":1.0,"height":1440,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/120047792_3370139263052799_2231638685167221242_o.jpg?v=1601078718","width":1440}],"content":"\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/6NFX2yYtLIA\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDiscreet Mic Pre\/DI with variable harmonic color control, fits in the palm of your hand.\u003c\/p\u003e"}
Useful Arts Hornet Discreet Microphone Preamp/DI Box

Useful Arts Hornet Discreet Microphone Preamp/DI Box

$279.00

Discreet Mic Pre/DI with variable harmonic color control, fits in the palm of your hand.


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Useful Arts SFP-30 Mono Desktop Tube Microphone Preamplifier
{"id":4726512025689,"title":"Useful Arts SFP-30 Mono Desktop Tube Microphone Preamplifier","handle":"useful-arts-sfp-30-mono-desktop-tube-microphone-preamplifier","description":"\u003cp class=\"inset_google\" data-mce-fragment=\"1\"\u003eThe \u003cstrong\u003eUseful Arts SFP-30 Tube Preamp\u003c\/strong\u003e brings the their SFP-60 into a table top single channel preamp, perfect for smaller studios, voice over artists, and traveling engineers.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Useful Arts SFP-30 Tube Preamp has a simplr concept behind it: Take the exact audio and power circuitry from the SFP-60, put a single channel into a tabletop format, and make it less than half the price of the SFP-60. Done. Everything about the SFP-30 signal path is identical to the SFP-60, except that the SFP-30 lacks the DI input. Other than that, you can now get the finest, most flexible tube preamp available -- with the legendary variable second harmonics from the SFP-60, anywhere. Just like the SFP-60, the SFP-30 features separate regulated DC power supplies for tube filaments, phantom power and high voltage. The high voltage soft start power supply puts out over 270 volts of clean, regulated power to ensure maximum headroom and the lowest noise possible.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eUseful Arts SFP-30 Tube Preamp Features\u003c\/h3\u003e\n\u003cul class=\"blst\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAbsolutely no signal passes through these switches, because we hate the noise that develops over time in even the most expensive switches. Instead, the front panel switches control sealed, gold-plated relays to ensure years of operation without pops and clicks.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe input and output levels of the triode stages of the SFP-30 are separately controllable by detented attenuators, and combined with the color control, the SFP-30 provides just over 55dB of useable gain.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe rear panel is simple: it offers a voltage selector for 115\/230 volt operation in the IEC fuse block. The gold-plated XLR connectors are on the front panel.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe only active devices in the signal path are the three tube gain stages, consisting of 1 EF806 and 1 ECC82 per channel. We use new-manufacture JJ tubes for long life and easy replacement.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eEach channel features an output level VU meter, which is op-amp buffered to ensure that the signal is not loaded by the meter.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe audio power supply features a toroidal dual-primary transformer and linear regulation for lowest noise.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eUseful Arts SFP-30 Tube Preamp Specifications\u003c\/h3\u003e\n\u003cul class=\"blst\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOutput Transformer with 50% nickel core\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFrequency response is flat within 2dB from 20Hz-30KHz:\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eEach channel of the SFP-30 features 4 switches:\n\u003cul class=\"blst\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHigh Pass Filter\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eInput Pad\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePhase Reverse\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePhantom Power\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eUseful Arts SFP-30 Tube Preamp Includes\u003c\/h3\u003e\n\u003cul class=\"blst\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSFP-30 Tube Preamp\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePower Cable\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eManual\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWarranty Information\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2020-09-25T19:53:31-04:00","created_at":"2020-09-25T19:53:32-04:00","vendor":"Useful Arts","type":"Mic Pre","tags":["finance24","Pro Audio","specialorder"],"price":129900,"price_min":129900,"price_max":129900,"available":true,"price_varies":false,"compare_at_price":169900,"compare_at_price_min":169900,"compare_at_price_max":169900,"compare_at_price_varies":false,"variants":[{"id":32186954842201,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"UAA-SFP-30","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Useful Arts SFP-30 Mono Desktop Tube Microphone Preamplifier","public_title":null,"options":["Default Title"],"price":129900,"weight":6804,"compare_at_price":169900,"inventory_management":"shopify","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/useful-arts-sfp30-front__02288.1548691702.jpg?v=1601078123","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/useful-arts-sfp30-rear__23506.1548691701.jpg?v=1601078123","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/USEFUL_ARTS_SPF-30_FRONT.jpg?v=1601078098"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/useful-arts-sfp30-front__02288.1548691702.jpg?v=1601078123","options":["Title"],"media":[{"alt":null,"id":6952045903961,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1280,"width":1280,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/useful-arts-sfp30-front__02288.1548691702.jpg?v=1601078098"},"aspect_ratio":1.0,"height":1280,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/useful-arts-sfp30-front__02288.1548691702.jpg?v=1601078098","width":1280},{"alt":null,"id":6952045871193,"position":2,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/useful-arts-sfp30-rear__23506.1548691701.jpg?v=1601078097"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/useful-arts-sfp30-rear__23506.1548691701.jpg?v=1601078097","width":500},{"alt":null,"id":6952045936729,"position":3,"preview_image":{"aspect_ratio":1.994,"height":963,"width":1920,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/USEFUL_ARTS_SPF-30_FRONT.jpg?v=1601078097"},"aspect_ratio":1.994,"height":963,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/USEFUL_ARTS_SPF-30_FRONT.jpg?v=1601078097","width":1920}],"content":"\u003cp class=\"inset_google\" data-mce-fragment=\"1\"\u003eThe \u003cstrong\u003eUseful Arts SFP-30 Tube Preamp\u003c\/strong\u003e brings the their SFP-60 into a table top single channel preamp, perfect for smaller studios, voice over artists, and traveling engineers.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Useful Arts SFP-30 Tube Preamp has a simplr concept behind it: Take the exact audio and power circuitry from the SFP-60, put a single channel into a tabletop format, and make it less than half the price of the SFP-60. Done. Everything about the SFP-30 signal path is identical to the SFP-60, except that the SFP-30 lacks the DI input. Other than that, you can now get the finest, most flexible tube preamp available -- with the legendary variable second harmonics from the SFP-60, anywhere. Just like the SFP-60, the SFP-30 features separate regulated DC power supplies for tube filaments, phantom power and high voltage. The high voltage soft start power supply puts out over 270 volts of clean, regulated power to ensure maximum headroom and the lowest noise possible.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eUseful Arts SFP-30 Tube Preamp Features\u003c\/h3\u003e\n\u003cul class=\"blst\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAbsolutely no signal passes through these switches, because we hate the noise that develops over time in even the most expensive switches. Instead, the front panel switches control sealed, gold-plated relays to ensure years of operation without pops and clicks.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe input and output levels of the triode stages of the SFP-30 are separately controllable by detented attenuators, and combined with the color control, the SFP-30 provides just over 55dB of useable gain.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe rear panel is simple: it offers a voltage selector for 115\/230 volt operation in the IEC fuse block. The gold-plated XLR connectors are on the front panel.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe only active devices in the signal path are the three tube gain stages, consisting of 1 EF806 and 1 ECC82 per channel. We use new-manufacture JJ tubes for long life and easy replacement.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eEach channel features an output level VU meter, which is op-amp buffered to ensure that the signal is not loaded by the meter.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe audio power supply features a toroidal dual-primary transformer and linear regulation for lowest noise.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eUseful Arts SFP-30 Tube Preamp Specifications\u003c\/h3\u003e\n\u003cul class=\"blst\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOutput Transformer with 50% nickel core\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFrequency response is flat within 2dB from 20Hz-30KHz:\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eEach channel of the SFP-30 features 4 switches:\n\u003cul class=\"blst\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHigh Pass Filter\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eInput Pad\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePhase Reverse\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePhantom Power\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eUseful Arts SFP-30 Tube Preamp Includes\u003c\/h3\u003e\n\u003cul class=\"blst\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSFP-30 Tube Preamp\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePower Cable\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eManual\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWarranty Information\u003c\/li\u003e\n\u003c\/ul\u003e"}
Useful Arts SFP-30 Mono Desktop Tube Microphone Preamplifier

Useful Arts SFP-30 Mono Desktop Tube Microphone Preamplifier

$1,299.00

The Useful Arts SFP-30 Tube Preamp brings the their SFP-60 into a table top single channel preamp, perfect for smaller studios, voice over artists, and traveling engineers. The Useful Arts SFP-30 Tube Preamp has a simplr concept behind it: Take the exact audio and power circuitry from the SFP-60, put a single channel into a tabletop format, and ...


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14%
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Useful Arts SFP-60 Dual-Channel Tube Microphone Preamplifier
{"id":4726511829081,"title":"Useful Arts SFP-60 Dual-Channel Tube Microphone Preamplifier","handle":"useful-arts-sfp-60-dual-channel-tube-microphone-preamplifier","description":"\u003cp data-mce-fragment=\"1\" class=\"inset_google\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/S-3v5v30jR8\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"inset_google\"\u003eThe Useful Arts SFP-60 Tube Preamp is an all tube two channel mic prel, full-featured and designed to make microphone signals stand out in a mix - without the need for additional processing.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Useful Arts SFP-60 Tube Preamp has a clear, present and edgy sound, and is specifically designed to make vocals sound forward and intimate. We accomplish this by using tubes for what they are best at – accentuating harmonics that make sound more clear and pleasing to the ear and brain in the real world. Different tubes have different properties. Properly used, pentodes add third-order harmonic content that contributes the the “clarity” and “bite” associated with the sounds of the great early radio recordings. Triodes contribute more second-order harmonic components, which add a richness, or “thickness” to the sound without sounding dark. (Note: These are subjective impressions. People can and do debate these adjectives for a lifetime). The SFP-60 input tube is an EF-806 pentode, and the final 2 gain stages are high-current ECC82 triodes. 12AX7s, which are wonderful in guitar amps and form the basis of many mass-marketed tube mic preamp circuits, are nowhere to be found in the SFP-60.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eUseful Arts SFP-60 Tube Preamp Features\u003c\/h3\u003e\n\u003cul data-mce-fragment=\"1\" class=\"blst\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAbsolutely no signal passes through these switches, because we hate the noise that develops over time in even the most expensive switches. Instead, the front panel switches control sealed, gold-plated relays to ensure years of operation without pops and clicks.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe input and output levels of the triode stages of the SFP-60 are separately controllable by detented attenuators, and combined with the color control, the SFP-60 provides just over 55dB of useable gain.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe rear panel is simple: Gold-plated XLR connectors for the transformer-balanced inputs and outputs, a ground post, and a voltage selector for 115\/230 volt operation.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe faceplate is milled from .190”-thick aircraft-grade aluminum for maximum rigidity, and anodized in a very dark green finish. All markings on the front panel are laser-engraved, ensuring that the unit’s appearance will not deteriorate with age.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe only active devices in the signal path are the three tube gain stages, consisting of 1 EF806 and 1 ECC82 per channel. We use new-manufacture JJ tubes for long life and easy replacement.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eEach channel features an output level VU meter, which is op-amp buffered to ensure that the signal is not loaded by the meter.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe audio power supply features a toroidal dual-primary transformer and linear regulation for lowest noise.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eConstruction is fully modular, with gold plated connectors used throughout the audio path.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eUseful Arts SFP-60 Tube Preamp Specifications\u003c\/h3\u003e\n\u003cul data-mce-fragment=\"1\" class=\"blst\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eEach gain stage is single-ended, inherently class A.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAudio Magnetics (Input and Output Transformers, Plate Inductor) custom wound by Cinemag\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOutput Transformer with 50% nickel core\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFrequency response is flat within 2dB from 20Hz-30KHz:\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eEach channel of the SFP-60 features 5 switches:\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eInput selector (Rear XLR\/Front Instrument Input)\n\u003cul data-mce-fragment=\"1\" class=\"blst\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHigh Pass Filter\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eInput Pad\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePhase Reverse\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePhantom Power\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eUseful Arts SFP-60 Tube Preamp Includes\u003c\/h3\u003e\n\u003cul data-mce-fragment=\"1\" class=\"blst\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSFP-60 Tube Preamp\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePower Cable\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eManual\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWarranty Information\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2020-09-25T19:51:39-04:00","created_at":"2020-09-25T19:51:37-04:00","vendor":"Useful Arts","type":"Mic Pre","tags":["finance24","Pro Audio","specialorder"],"price":299900,"price_min":299900,"price_max":299900,"available":true,"price_varies":false,"compare_at_price":349900,"compare_at_price_min":349900,"compare_at_price_max":349900,"compare_at_price_varies":false,"variants":[{"id":32186954547289,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"UAA-SFP-60","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Useful Arts SFP-60 Dual-Channel Tube Microphone Preamplifier","public_title":null,"options":["Default Title"],"price":299900,"weight":9072,"compare_at_price":349900,"inventory_management":"shopify","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/Screenshot_2020-09-25sfp60_front__459701528735097png_WEBPImage_500x500pixels.png?v=1601077898","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/sfp3_1.png?v=1601077898","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/sfp60-2__59412.1540832734.1280.1280.jpg?v=1601077898"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/Screenshot_2020-09-25sfp60_front__459701528735097png_WEBPImage_500x500pixels.png?v=1601077898","options":["Title"],"media":[{"alt":null,"id":6952043970649,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1000,"width":1000,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/Screenshot_2020-09-25sfp60_front__459701528735097png_WEBPImage_500x500pixels.png?v=1601077898"},"aspect_ratio":1.0,"height":1000,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/Screenshot_2020-09-25sfp60_front__459701528735097png_WEBPImage_500x500pixels.png?v=1601077898","width":1000},{"alt":null,"id":6952044003417,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1500,"width":1500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/sfp3_1.png?v=1601077898"},"aspect_ratio":1.0,"height":1500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/sfp3_1.png?v=1601077898","width":1500},{"alt":null,"id":6952044036185,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1280,"width":1280,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/sfp60-2__59412.1540832734.1280.1280.jpg?v=1601077898"},"aspect_ratio":1.0,"height":1280,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/sfp60-2__59412.1540832734.1280.1280.jpg?v=1601077898","width":1280}],"content":"\u003cp data-mce-fragment=\"1\" class=\"inset_google\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/S-3v5v30jR8\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"inset_google\"\u003eThe Useful Arts SFP-60 Tube Preamp is an all tube two channel mic prel, full-featured and designed to make microphone signals stand out in a mix - without the need for additional processing.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Useful Arts SFP-60 Tube Preamp has a clear, present and edgy sound, and is specifically designed to make vocals sound forward and intimate. We accomplish this by using tubes for what they are best at – accentuating harmonics that make sound more clear and pleasing to the ear and brain in the real world. Different tubes have different properties. Properly used, pentodes add third-order harmonic content that contributes the the “clarity” and “bite” associated with the sounds of the great early radio recordings. Triodes contribute more second-order harmonic components, which add a richness, or “thickness” to the sound without sounding dark. (Note: These are subjective impressions. People can and do debate these adjectives for a lifetime). The SFP-60 input tube is an EF-806 pentode, and the final 2 gain stages are high-current ECC82 triodes. 12AX7s, which are wonderful in guitar amps and form the basis of many mass-marketed tube mic preamp circuits, are nowhere to be found in the SFP-60.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eUseful Arts SFP-60 Tube Preamp Features\u003c\/h3\u003e\n\u003cul data-mce-fragment=\"1\" class=\"blst\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAbsolutely no signal passes through these switches, because we hate the noise that develops over time in even the most expensive switches. Instead, the front panel switches control sealed, gold-plated relays to ensure years of operation without pops and clicks.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe input and output levels of the triode stages of the SFP-60 are separately controllable by detented attenuators, and combined with the color control, the SFP-60 provides just over 55dB of useable gain.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe rear panel is simple: Gold-plated XLR connectors for the transformer-balanced inputs and outputs, a ground post, and a voltage selector for 115\/230 volt operation.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe faceplate is milled from .190”-thick aircraft-grade aluminum for maximum rigidity, and anodized in a very dark green finish. All markings on the front panel are laser-engraved, ensuring that the unit’s appearance will not deteriorate with age.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe only active devices in the signal path are the three tube gain stages, consisting of 1 EF806 and 1 ECC82 per channel. We use new-manufacture JJ tubes for long life and easy replacement.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eEach channel features an output level VU meter, which is op-amp buffered to ensure that the signal is not loaded by the meter.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe audio power supply features a toroidal dual-primary transformer and linear regulation for lowest noise.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eConstruction is fully modular, with gold plated connectors used throughout the audio path.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eUseful Arts SFP-60 Tube Preamp Specifications\u003c\/h3\u003e\n\u003cul data-mce-fragment=\"1\" class=\"blst\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eEach gain stage is single-ended, inherently class A.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAudio Magnetics (Input and Output Transformers, Plate Inductor) custom wound by Cinemag\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOutput Transformer with 50% nickel core\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFrequency response is flat within 2dB from 20Hz-30KHz:\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eEach channel of the SFP-60 features 5 switches:\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eInput selector (Rear XLR\/Front Instrument Input)\n\u003cul data-mce-fragment=\"1\" class=\"blst\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHigh Pass Filter\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eInput Pad\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePhase Reverse\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePhantom Power\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eUseful Arts SFP-60 Tube Preamp Includes\u003c\/h3\u003e\n\u003cul data-mce-fragment=\"1\" class=\"blst\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSFP-60 Tube Preamp\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePower Cable\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eManual\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWarranty Information\u003c\/li\u003e\n\u003c\/ul\u003e"}
Useful Arts SFP-60 Dual-Channel Tube Microphone Preamplifier

Useful Arts SFP-60 Dual-Channel Tube Microphone Preamplifier

$2,999.00

The Useful Arts SFP-60 Tube Preamp is an all tube two channel mic prel, full-featured and designed to make microphone signals stand out in a mix - without the need for additional processing. The Useful Arts SFP-60 Tube Preamp has a clear, present and edgy sound, and is specifically designed to make vocals sound forward and intimate. We accompli...


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Useful Arts BF-S Pro Tube Instrument Preamp/DI
{"id":4726510682201,"title":"Useful Arts BF-S Pro Tube Instrument Preamp\/DI","handle":"useful-arts-bf-s-pro-tube-instrument-preamp-di","description":"\u003csection data-mce-fragment=\"1\" class=\"elementor-element elementor-element-f10f534 elementor-section-stretched elementor-section-boxed elementor-section-height-default elementor-section-height-default elementor-section elementor-top-section\" data-id=\"f10f534\" data-element_type=\"section\" data-settings='{\"stretch_section\":\"section-stretched\"}' style=\"width: 1277px; left: -38.5px;\" data-mce-style=\"width: 1277px; left: -38.5px;\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"elementor-row\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"aux-parallax-section elementor-element elementor-element-8d804e5 elementor-column elementor-col-100 elementor-top-column\" data-id=\"8d804e5\" data-element_type=\"column\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"elementor-column-wrap elementor-element-populated\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"elementor-widget-wrap\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"elementor-element elementor-element-1560ccd elementor-widget elementor-widget-text-editor\" data-id=\"1560ccd\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"elementor-widget-container\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"elementor-text-editor elementor-clearfix\"\u003e\n\u003cp data-mce-fragment=\"1\" class=\"font_7\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/X7tK33QBimg\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"font_7\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"font_7\"\u003eThe concept behind the BF-S is simple.  We took the audio circuitry of the BF-1 and coupled it with the linear power supply from the SFP-60.  The result?  Astounding clarity, headroom and noise specs that only come with the nearly-noiseless high voltage that a linear power supply can deliver.  \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"font_7\"\u003eWhich one is right for you?  Both have identical feature sets and audio circuitry, except the BF-S adds a ground lift for its XLR output.  \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"font_7\"\u003eThe BF-1 features a switching power supply, which is light, compact and convenient (no changes needed to adapt to any line voltage in any country).  It’s also convenient for live use and will fit in most guitar cases.  With its compact size, the BF-1 has a noise floor of about 60 dB.\u003c\/p\u003e\n\u003csection class=\"elementor-element elementor-element-ec4c560 elementor-section-stretched elementor-section-boxed elementor-section-height-default elementor-section-height-default elementor-section elementor-top-section\" data-id=\"ec4c560\" data-element_type=\"section\" data-settings='{\"stretch_section\":\"section-stretched\"}' style=\"width: 1277px; left: -38.5px;\"\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-row\"\u003e\n\u003cdiv class=\"aux-parallax-section elementor-element elementor-element-c8d709e elementor-column elementor-col-100 elementor-top-column\" data-id=\"c8d709e\" data-element_type=\"column\"\u003e\n\u003cdiv class=\"elementor-column-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-widget-wrap\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-35e995b elementor-widget elementor-widget-text-editor\" data-id=\"35e995b\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cdiv class=\"elementor-text-editor elementor-clearfix\"\u003e\n\u003cp class=\"font_7\"\u003eWith its heavy-duty linear power supply, the BF-S has a noise floor of better than 70 dB – almost unheard of for tube gear.  With this power supply, the BF-S is flat from 15Hz to 80 KHz (-2db)!  The BF-S weighs a good bit more than the BF-1, and we’ve encased the unit in a powder coated steel enclosure to withstand the rigors of daily use on a tracking room floor.\u003c\/p\u003e\n\u003cp class=\"font_7\"\u003eMost tube DIs start with the design philosophy of a guitar amp.  Not the BF-1 or BF-S. We assume that if you want a guitar or bass amp, you’ll buy one.  So we designed these two units to compliment  the amp, while at the same time offering a different method of impedance conversion that delivers clarity and depth for recording.\u003c\/p\u003e\n\u003cp class=\"font_7\"\u003eDI recording is usually a bit of a bummer.  Even with a really good DI, electric instruments sound lifeless at best, or tinny at worst.  We mean to change that.  The BF-1 and BF-S sound exuberant – adding just a touch of second harmonic to make the subjective listening experience compelling without sounding like the instrument has been altered in any way.  Instruments just sound alive.\u003c\/p\u003e\n\u003cp class=\"font_7\"\u003e \u003c\/p\u003e\n\u003cp class=\"font_7\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/PGrA3ncgMhI\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" width=\"801\" height=\"451\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","published_at":"2020-09-25T19:42:16-04:00","created_at":"2020-09-25T19:42:16-04:00","vendor":"Useful Arts","type":"Mic Pre","tags":["finance24","Pro Audio","specialorder"],"price":99900,"price_min":99900,"price_max":99900,"available":true,"price_varies":false,"compare_at_price":109900,"compare_at_price_min":109900,"compare_at_price_max":109900,"compare_at_price_varies":false,"variants":[{"id":32186945241177,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"UAA-BFS","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Useful Arts BF-S Pro Tube Instrument Preamp\/DI","public_title":null,"options":["Default Title"],"price":99900,"weight":4536,"compare_at_price":109900,"inventory_management":"shopify","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/useful_arts_uaa_bfs.jpg?v=1601077511","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/useful_arts_uaa_bfs-1.jpg?v=1601077511","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/useful_arts_uaa_bfs-2.jpg?v=1601077511"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/useful_arts_uaa_bfs.jpg?v=1601077511","options":["Title"],"media":[{"alt":null,"id":6952042692697,"position":1,"preview_image":{"aspect_ratio":1.0,"height":800,"width":800,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/useful_arts_uaa_bfs.jpg?v=1601077493"},"aspect_ratio":1.0,"height":800,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/useful_arts_uaa_bfs.jpg?v=1601077493","width":800},{"alt":null,"id":6952042659929,"position":2,"preview_image":{"aspect_ratio":1.0,"height":800,"width":800,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/useful_arts_uaa_bfs-1.jpg?v=1601077492"},"aspect_ratio":1.0,"height":800,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/useful_arts_uaa_bfs-1.jpg?v=1601077492","width":800},{"alt":null,"id":6952042627161,"position":3,"preview_image":{"aspect_ratio":1.0,"height":800,"width":800,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/useful_arts_uaa_bfs-2.jpg?v=1601077493"},"aspect_ratio":1.0,"height":800,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/useful_arts_uaa_bfs-2.jpg?v=1601077493","width":800}],"content":"\u003csection data-mce-fragment=\"1\" class=\"elementor-element elementor-element-f10f534 elementor-section-stretched elementor-section-boxed elementor-section-height-default elementor-section-height-default elementor-section elementor-top-section\" data-id=\"f10f534\" data-element_type=\"section\" data-settings='{\"stretch_section\":\"section-stretched\"}' style=\"width: 1277px; left: -38.5px;\" data-mce-style=\"width: 1277px; left: -38.5px;\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"elementor-row\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"aux-parallax-section elementor-element elementor-element-8d804e5 elementor-column elementor-col-100 elementor-top-column\" data-id=\"8d804e5\" data-element_type=\"column\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"elementor-column-wrap elementor-element-populated\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"elementor-widget-wrap\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"elementor-element elementor-element-1560ccd elementor-widget elementor-widget-text-editor\" data-id=\"1560ccd\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"elementor-widget-container\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"elementor-text-editor elementor-clearfix\"\u003e\n\u003cp data-mce-fragment=\"1\" class=\"font_7\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/X7tK33QBimg\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"font_7\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"font_7\"\u003eThe concept behind the BF-S is simple.  We took the audio circuitry of the BF-1 and coupled it with the linear power supply from the SFP-60.  The result?  Astounding clarity, headroom and noise specs that only come with the nearly-noiseless high voltage that a linear power supply can deliver.  \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"font_7\"\u003eWhich one is right for you?  Both have identical feature sets and audio circuitry, except the BF-S adds a ground lift for its XLR output.  \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"font_7\"\u003eThe BF-1 features a switching power supply, which is light, compact and convenient (no changes needed to adapt to any line voltage in any country).  It’s also convenient for live use and will fit in most guitar cases.  With its compact size, the BF-1 has a noise floor of about 60 dB.\u003c\/p\u003e\n\u003csection class=\"elementor-element elementor-element-ec4c560 elementor-section-stretched elementor-section-boxed elementor-section-height-default elementor-section-height-default elementor-section elementor-top-section\" data-id=\"ec4c560\" data-element_type=\"section\" data-settings='{\"stretch_section\":\"section-stretched\"}' style=\"width: 1277px; left: -38.5px;\"\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-row\"\u003e\n\u003cdiv class=\"aux-parallax-section elementor-element elementor-element-c8d709e elementor-column elementor-col-100 elementor-top-column\" data-id=\"c8d709e\" data-element_type=\"column\"\u003e\n\u003cdiv class=\"elementor-column-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-widget-wrap\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-35e995b elementor-widget elementor-widget-text-editor\" data-id=\"35e995b\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cdiv class=\"elementor-text-editor elementor-clearfix\"\u003e\n\u003cp class=\"font_7\"\u003eWith its heavy-duty linear power supply, the BF-S has a noise floor of better than 70 dB – almost unheard of for tube gear.  With this power supply, the BF-S is flat from 15Hz to 80 KHz (-2db)!  The BF-S weighs a good bit more than the BF-1, and we’ve encased the unit in a powder coated steel enclosure to withstand the rigors of daily use on a tracking room floor.\u003c\/p\u003e\n\u003cp class=\"font_7\"\u003eMost tube DIs start with the design philosophy of a guitar amp.  Not the BF-1 or BF-S. We assume that if you want a guitar or bass amp, you’ll buy one.  So we designed these two units to compliment  the amp, while at the same time offering a different method of impedance conversion that delivers clarity and depth for recording.\u003c\/p\u003e\n\u003cp class=\"font_7\"\u003eDI recording is usually a bit of a bummer.  Even with a really good DI, electric instruments sound lifeless at best, or tinny at worst.  We mean to change that.  The BF-1 and BF-S sound exuberant – adding just a touch of second harmonic to make the subjective listening experience compelling without sounding like the instrument has been altered in any way.  Instruments just sound alive.\u003c\/p\u003e\n\u003cp class=\"font_7\"\u003e \u003c\/p\u003e\n\u003cp class=\"font_7\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/PGrA3ncgMhI\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" width=\"801\" height=\"451\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e"}
Useful Arts BF-S Pro Tube Instrument Preamp/DI

Useful Arts BF-S Pro Tube Instrument Preamp/DI

$999.00

  The concept behind the BF-S is simple.  We took the audio circuitry of the BF-1 and coupled it with the linear power supply from the SFP-60.  The result?  Astounding clarity, headroom and noise specs that only come with the nearly-noiseless high voltage that a linear power supply can deliver.   Which one is right for you?  Both have ...


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Useful Arts BF-1 Class-A Tube Instrument Preamp/DI Box
{"id":4726509895769,"title":"Useful Arts BF-1 Class-A Tube Instrument Preamp\/DI Box","handle":"useful-arts-uaa-bf1-class-a-tube-instrument-preamp-di","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 14pt;\" data-mce-style=\"font-size: 14pt;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/EmPhC4HDjU4\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 14pt;\" data-mce-style=\"font-size: 14pt;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTube Instrument Preamp\/DI\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 14pt;\" data-mce-style=\"font-size: 14pt;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe holy grail for bass and guitar.\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 12pt;\" data-mce-style=\"font-size: 12pt;\"\u003eThe BF-1 is an all-purpose interface for any instrument with a pickup that enhances clarity, detail, audibility and dynamics whether used between the instrument and amp, the instrument and a PA or recording device or all of these at the same time. Whatever you plug into it just sounds better. This isn’t because the BF-1 changes the sound of the instrument – it’s because it preserves it in a way that the input stage of an amplifier or a console simply can’t. Once you feed your amp, console or converters a strong representation of what’s actually coming out of your instrument, you’ll be amazed at how good it really sounds. (It’s been sounding this good all along, but now you can finally hear it!)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 12pt;\" data-mce-style=\"font-size: 12pt;\"\u003e​So let’s get nerdy. The BF-1 was built for musicians who care about the sound of their instruments. It’s meant to be used by musicians with a minimum of fuss in any environment. Just plug the instrument in, plug the BF-1 into the amp, and be amazed.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 12pt;\" data-mce-style=\"font-size: 12pt;\"\u003eWe usually think of DIs as utility boxes designed to get an XLR-compatible signal out an instrument. Necessary, perhaps — but boring. The last thing anyone wants to spend money on. So what if we took the interface out of the realm of the boring and made it an indispensable part of the original sound? The BF-1 does just that.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 12pt;\" data-mce-style=\"font-size: 12pt;\"\u003e​The signal generated by magnetic pickups is beautiful, nuanced, detailed and incredibly weak. That’s even more true of piezoelectric pickups. It’s not just a question of the level of the signal (a voltage concept), it’s a question of the power of the signal (a current concept). All amplifiers make the signal do actual work to drive the input stage. The problem is that the most delicate parts of the signal aren’t capable of doing that work, and are forever lost. It’s a form of Heisenberg’s “observer principle” – when we observe a phenomenon, we necessarily alter it. The goal in getting the best sound out of an instrument is to observe the sound while avoiding unintentional alteration of it.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 12pt;\" data-mce-style=\"font-size: 12pt;\"\u003eIt boils down to input impedance. The higher the input impedance, the less work the signal has to do before it is safely amplified. Consoles and recording devices usually have an input impedance of around 10,000 ohms – way too low for a pickup. Plug a guitar or bass directly in and it sounds lifeless, small and completely lacking in detail and low end. With a piezo pickup, it sounds thin, buzzy and grating – like you spent a few grand on a kazoo. Guitar and bass amps have an input impedance of several hundred thousand ohms – a big improvement. Instruments sound bigger, fuller and more detailed. This is why the traditional approach for recording or live gigs has been to run the instrument into a DI for the console and back out to the amp. The normal DI replicates the input impedance of the amp, converts it into a signal the console can use, and all is well. Boring, but fine.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 12pt;\" data-mce-style=\"font-size: 12pt;\"\u003eWhat if we looked at this differently? What if we made the pickup do even less work? What if instead of a few hundred thousand ohms we created an interface with 20 million ohms input impedance? Well, we did. And the results are astounding. Now we can observe even the tiniest details in the signal without ruining it, and pump the results out to an amp or console with the full detail in useable form. There’s no reason to plug an instrument into anything else. The BF-1 can simultaneously drive an amp through its 1\/4 ing output jack and a pro audio device via XLR. Everything sounds better.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 12pt;\" data-mce-style=\"font-size: 12pt;\"\u003eIt turns out that tubes are uniquely well-suited for this task, because they are inherently capable of creating ridiculously high input impedances. Passive DIs use transformers, which can’t effectively create such high impedances. Active Dis use low-voltage FETs, which sound like …. transistors. And they usually offer input impedances far lower than a good tube stage anyway. But wait! You already have a tube amp – won’t that do the trick? Nope. Amps use tubes as high gain stages, and that drastically lowers their input impedance. They benefit hugely from the BF-1. The BF-1 uses the input tube the same way as a tube microphone – to convert impedances without the high gain.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 12pt;\" data-mce-style=\"font-size: 12pt;\"\u003eThere are other tube DIs out there, sure. But most of them resemble a traditional tube amp input and give you a nice low impedance output for the console. We took a different approach that offers better sound and way more flexibility – all for a ridiculously low price in a package that’s small and rugged enough to put in a gig bag and use every day.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 12pt;\" data-mce-style=\"font-size: 12pt;\"\u003eInstead of stopping at massive impedance conversion, the BF-1 also offers a Class A tube preamp, a two-band EQ and dual outputs that can be used simultaneously for your amp and console. But we didn’t stop there. Bypass the EQ, and you have a choice of low gain (much like a traditional DI) or high gain, which gives you the ability to go straight to the converters for pure high-fidelity line level recording with no other amplification needed. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 12pt;\" data-mce-style=\"font-size: 12pt;\"\u003eFor bass players, the BF-1 can actually eliminate the need for an amp altogether. Feed a console with the tubes in the BF-1 and it will sound better than any bass amp output you’ve ever heard. Crank the low band of the EQ, and say goodbye to the windows and drywall in the venue.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-09-25T19:38:19-04:00","created_at":"2020-09-25T19:38:17-04:00","vendor":"Useful Arts","type":"Mic Pre","tags":["finance24","Pro Audio","specialorder"],"price":79900,"price_min":79900,"price_max":79900,"available":true,"price_varies":false,"compare_at_price":89900,"compare_at_price_min":89900,"compare_at_price_max":89900,"compare_at_price_varies":false,"variants":[{"id":32186940817497,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"UAA-BF1","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Useful Arts BF-1 Class-A Tube Instrument Preamp\/DI Box","public_title":null,"options":["Default Title"],"price":79900,"weight":4536,"compare_at_price":89900,"inventory_management":"shopify","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/useful_arts_uaa_bf1-2.jpg?v=1601077100","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/useful_arts_uaa_bf1-1.jpg?v=1601077100","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/useful_arts_uaa_bf1.jpg?v=1601077101"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/useful_arts_uaa_bf1-2.jpg?v=1601077100","options":["Title"],"media":[{"alt":null,"id":6952037744729,"position":1,"preview_image":{"aspect_ratio":1.0,"height":800,"width":800,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/useful_arts_uaa_bf1-2.jpg?v=1601077100"},"aspect_ratio":1.0,"height":800,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/useful_arts_uaa_bf1-2.jpg?v=1601077100","width":800},{"alt":null,"id":6952037777497,"position":2,"preview_image":{"aspect_ratio":1.0,"height":800,"width":800,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/useful_arts_uaa_bf1-1.jpg?v=1601077100"},"aspect_ratio":1.0,"height":800,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/useful_arts_uaa_bf1-1.jpg?v=1601077100","width":800},{"alt":null,"id":6952037810265,"position":3,"preview_image":{"aspect_ratio":1.0,"height":800,"width":800,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/useful_arts_uaa_bf1.jpg?v=1601077101"},"aspect_ratio":1.0,"height":800,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/useful_arts_uaa_bf1.jpg?v=1601077101","width":800}],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 14pt;\" data-mce-style=\"font-size: 14pt;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/EmPhC4HDjU4\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 14pt;\" data-mce-style=\"font-size: 14pt;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTube Instrument Preamp\/DI\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 14pt;\" data-mce-style=\"font-size: 14pt;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe holy grail for bass and guitar.\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 12pt;\" data-mce-style=\"font-size: 12pt;\"\u003eThe BF-1 is an all-purpose interface for any instrument with a pickup that enhances clarity, detail, audibility and dynamics whether used between the instrument and amp, the instrument and a PA or recording device or all of these at the same time. Whatever you plug into it just sounds better. This isn’t because the BF-1 changes the sound of the instrument – it’s because it preserves it in a way that the input stage of an amplifier or a console simply can’t. Once you feed your amp, console or converters a strong representation of what’s actually coming out of your instrument, you’ll be amazed at how good it really sounds. (It’s been sounding this good all along, but now you can finally hear it!)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 12pt;\" data-mce-style=\"font-size: 12pt;\"\u003e​So let’s get nerdy. The BF-1 was built for musicians who care about the sound of their instruments. It’s meant to be used by musicians with a minimum of fuss in any environment. Just plug the instrument in, plug the BF-1 into the amp, and be amazed.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 12pt;\" data-mce-style=\"font-size: 12pt;\"\u003eWe usually think of DIs as utility boxes designed to get an XLR-compatible signal out an instrument. Necessary, perhaps — but boring. The last thing anyone wants to spend money on. So what if we took the interface out of the realm of the boring and made it an indispensable part of the original sound? The BF-1 does just that.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 12pt;\" data-mce-style=\"font-size: 12pt;\"\u003e​The signal generated by magnetic pickups is beautiful, nuanced, detailed and incredibly weak. That’s even more true of piezoelectric pickups. It’s not just a question of the level of the signal (a voltage concept), it’s a question of the power of the signal (a current concept). All amplifiers make the signal do actual work to drive the input stage. The problem is that the most delicate parts of the signal aren’t capable of doing that work, and are forever lost. It’s a form of Heisenberg’s “observer principle” – when we observe a phenomenon, we necessarily alter it. The goal in getting the best sound out of an instrument is to observe the sound while avoiding unintentional alteration of it.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 12pt;\" data-mce-style=\"font-size: 12pt;\"\u003eIt boils down to input impedance. The higher the input impedance, the less work the signal has to do before it is safely amplified. Consoles and recording devices usually have an input impedance of around 10,000 ohms – way too low for a pickup. Plug a guitar or bass directly in and it sounds lifeless, small and completely lacking in detail and low end. With a piezo pickup, it sounds thin, buzzy and grating – like you spent a few grand on a kazoo. Guitar and bass amps have an input impedance of several hundred thousand ohms – a big improvement. Instruments sound bigger, fuller and more detailed. This is why the traditional approach for recording or live gigs has been to run the instrument into a DI for the console and back out to the amp. The normal DI replicates the input impedance of the amp, converts it into a signal the console can use, and all is well. Boring, but fine.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 12pt;\" data-mce-style=\"font-size: 12pt;\"\u003eWhat if we looked at this differently? What if we made the pickup do even less work? What if instead of a few hundred thousand ohms we created an interface with 20 million ohms input impedance? Well, we did. And the results are astounding. Now we can observe even the tiniest details in the signal without ruining it, and pump the results out to an amp or console with the full detail in useable form. There’s no reason to plug an instrument into anything else. The BF-1 can simultaneously drive an amp through its 1\/4 ing output jack and a pro audio device via XLR. Everything sounds better.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 12pt;\" data-mce-style=\"font-size: 12pt;\"\u003eIt turns out that tubes are uniquely well-suited for this task, because they are inherently capable of creating ridiculously high input impedances. Passive DIs use transformers, which can’t effectively create such high impedances. Active Dis use low-voltage FETs, which sound like …. transistors. And they usually offer input impedances far lower than a good tube stage anyway. But wait! You already have a tube amp – won’t that do the trick? Nope. Amps use tubes as high gain stages, and that drastically lowers their input impedance. They benefit hugely from the BF-1. The BF-1 uses the input tube the same way as a tube microphone – to convert impedances without the high gain.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 12pt;\" data-mce-style=\"font-size: 12pt;\"\u003eThere are other tube DIs out there, sure. But most of them resemble a traditional tube amp input and give you a nice low impedance output for the console. We took a different approach that offers better sound and way more flexibility – all for a ridiculously low price in a package that’s small and rugged enough to put in a gig bag and use every day.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 12pt;\" data-mce-style=\"font-size: 12pt;\"\u003eInstead of stopping at massive impedance conversion, the BF-1 also offers a Class A tube preamp, a two-band EQ and dual outputs that can be used simultaneously for your amp and console. But we didn’t stop there. Bypass the EQ, and you have a choice of low gain (much like a traditional DI) or high gain, which gives you the ability to go straight to the converters for pure high-fidelity line level recording with no other amplification needed. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 12pt;\" data-mce-style=\"font-size: 12pt;\"\u003eFor bass players, the BF-1 can actually eliminate the need for an amp altogether. Feed a console with the tubes in the BF-1 and it will sound better than any bass amp output you’ve ever heard. Crank the low band of the EQ, and say goodbye to the windows and drywall in the venue.\u003c\/span\u003e\u003c\/p\u003e"}
Useful Arts BF-1 Class-A Tube Instrument Preamp/DI Box

Useful Arts BF-1 Class-A Tube Instrument Preamp/DI Box

$799.00

Tube Instrument Preamp/DIThe holy grail for bass and guitar.The BF-1 is an all-purpose interface for any instrument with a pickup that enhances clarity, detail, audibility and dynamics whether used between the instrument and amp, the instrument and a PA or recording device or all of these at the same time. Whatever you plug into it just sounds ...


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Strauss Elektroakustik SE-NF-3 Passive Mastering Nearfield Studio Monitor (Single)
{"id":4726492790873,"title":"Strauss Elektroakustik SE-NF-3 Passive Mastering Nearfield Studio Monitor (Single)","handle":"strauss-elektroakustik-se-nf-3-passive-mastering-nearfield-studio-monitor-single","description":"\u003csection id=\"description\" class=\"row target\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"product attribute description\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"value\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTo meet the highest demands of professional users, the design of \u003cstrong data-mce-fragment=\"1\"\u003eStrauss Elektroakustik SE-NF-3\u003c\/strong\u003e has been based on a combination of traditional tried and true elements fused with innovative technology. Oriented on the physical ideal of the point source, these passive two-way monitors have been developed short listening distances.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe consistent optimization of the monitor’s acoustic and mechanical parameters shows itself in the choice of sophisticated fine-precision drivers, the intricate insulation and damping of the housing and the elaborateness of the SE vented box tuning. As a result of the monitor’s precisely differentiating electrical filters – developed using measurement and listening tests – the following transmission characteristics were achieved:\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWide bandwidth Tone\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHigh linearity Tone\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLow distortions Tone\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDetailed microdynamic\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eStable macrodynamic\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHomogenous dispersion\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFew early reflections\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOptimized group delay time\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTransistor, digital or valve amplifiers delivering 20-150W into 8 ohms may be used.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","published_at":"2020-09-25T18:11:09-04:00","created_at":"2020-09-25T18:11:07-04:00","vendor":"Strauss Elektroakustik","type":"Monitors\/Speakers","tags":["finance24","Pro Audio","specialorder"],"price":399900,"price_min":399900,"price_max":399900,"available":true,"price_varies":false,"compare_at_price":449900,"compare_at_price_min":449900,"compare_at_price_max":449900,"compare_at_price_varies":false,"variants":[{"id":32186895335513,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"Strauss-SE-NF-3","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Strauss Elektroakustik SE-NF-3 Passive Mastering Nearfield Studio Monitor (Single)","public_title":null,"options":["Default Title"],"price":399900,"weight":13608,"compare_at_price":449900,"inventory_management":"shopify","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/strauss-elektroakustik-se-nf-3_106670_1.jpg?v=1601071870"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/strauss-elektroakustik-se-nf-3_106670_1.jpg?v=1601071870","options":["Title"],"media":[{"alt":null,"id":6951988265049,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/strauss-elektroakustik-se-nf-3_106670_1.jpg?v=1601071870"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/strauss-elektroakustik-se-nf-3_106670_1.jpg?v=1601071870","width":600}],"content":"\u003csection id=\"description\" class=\"row target\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"product attribute description\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"value\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTo meet the highest demands of professional users, the design of \u003cstrong data-mce-fragment=\"1\"\u003eStrauss Elektroakustik SE-NF-3\u003c\/strong\u003e has been based on a combination of traditional tried and true elements fused with innovative technology. Oriented on the physical ideal of the point source, these passive two-way monitors have been developed short listening distances.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe consistent optimization of the monitor’s acoustic and mechanical parameters shows itself in the choice of sophisticated fine-precision drivers, the intricate insulation and damping of the housing and the elaborateness of the SE vented box tuning. As a result of the monitor’s precisely differentiating electrical filters – developed using measurement and listening tests – the following transmission characteristics were achieved:\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWide bandwidth Tone\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHigh linearity Tone\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLow distortions Tone\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDetailed microdynamic\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eStable macrodynamic\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHomogenous dispersion\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFew early reflections\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOptimized group delay time\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTransistor, digital or valve amplifiers delivering 20-150W into 8 ohms may be used.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e"}
Strauss Elektroakustik SE-NF-3 Passive Mastering Nearfield Studio Monitor (Single)

Strauss Elektroakustik SE-NF-3 Passive Mastering Nearfield Studio Monitor (Single)

$3,999.00

To meet the highest demands of professional users, the design of Strauss Elektroakustik SE-NF-3 has been based on a combination of traditional tried and true elements fused with innovative technology. Oriented on the physical ideal of the point source, these passive two-way monitors have been developed short listening distances. The consisten...


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Whitestone Audio WAI-VP-1RU Vented 1U Rack Panel for P331 (White)
{"id":4726491807833,"title":"Whitestone Audio WAI-VP-1RU Vented 1U Rack Panel for P331 (White)","handle":"whitestone-audio-wai-vp-1ru-vented-1u-rack-panel-for-p331-white","description":"\u003cstrong\u003eVented 1U Rack Panel for P331 - White\u003c\/strong\u003e","published_at":"2020-09-25T18:03:46-04:00","created_at":"2020-09-25T18:03:47-04:00","vendor":"Whitestone Audio Instruments","type":"Accessories","tags":["accessories","finance24","Pro Audio","specialorder"],"price":7500,"price_min":7500,"price_max":7500,"available":true,"price_varies":false,"compare_at_price":8900,"compare_at_price_min":8900,"compare_at_price_max":8900,"compare_at_price_varies":false,"variants":[{"id":32186892943449,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"WAI-VP-1RU","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Whitestone Audio WAI-VP-1RU Vented 1U Rack Panel for P331 (White)","public_title":null,"options":["Default Title"],"price":7500,"weight":2268,"compare_at_price":8900,"inventory_management":"shopify","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/382df9a2def0916d9efceb2167c0a145.png?v=1601071460"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/382df9a2def0916d9efceb2167c0a145.png?v=1601071460","options":["Title"],"media":[{"alt":null,"id":6951985217625,"position":1,"preview_image":{"aspect_ratio":1.0,"height":340,"width":340,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/382df9a2def0916d9efceb2167c0a145.png?v=1601071460"},"aspect_ratio":1.0,"height":340,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/382df9a2def0916d9efceb2167c0a145.png?v=1601071460","width":340}],"content":"\u003cstrong\u003eVented 1U Rack Panel for P331 - White\u003c\/strong\u003e"}
Whitestone Audio WAI-VP-1RU Vented 1U Rack Panel for P331 (White)

Whitestone Audio WAI-VP-1RU Vented 1U Rack Panel for P331 (White)

$75.00

Vented 1U Rack Panel for P331 - White


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Whitestone Audio P331 Tube Loading Amplifier
{"id":4726490857561,"title":"Whitestone Audio P331 Tube Loading Amplifier","handle":"whitestone-audio-p331-tube-loading-amplifier","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/v0XueYJ8umg\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDesigned for a refined delivery of your audio during the mastering process!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe \u003cstrong\u003eWhitestone Audio P331 Tube Loading Amplifier\u003c\/strong\u003e was developed to bring professional tracking, mix and mastering engineers versatile, elegant, precise and repeatable audio circuit variation. There’s nothing like running a signal through a well-designed piece of analog gear, at “unity” gain without any “processing” applied at all. Simply exploiting the sound of some of these analog input and output gain circuits with processing bypassed is often-times just the thing to bring subtle life or organic size and depth to recorded audio. That’s what the fully balanced P331 is all about; giving you control of how an audio signal passes from input to output and how it can be enhanced throughout its journey.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn 1939, just a few weeks after the start of WWII in Europe, RCA Radiotron introduced the 6SN7 octal (8-pin) double triode tube to the American market. This was the birth of the true common ancestor of all modern double triodes used in high fidelity amplifiers. The 6SN7 is still in production after nearly 80 years, for good reason.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e6SN7 vacuum tubes of the 1940s vintage were chosen for this amplifier due to their lower distortion capabilities that exceed that of the standard and ubiquitous 12A*7 variety. The 12A*7 varieties were incarnated due to commercial needs such that they were “better, cheaper, lighter” at the expense of embodying more distortion. With the advent of feedback, tube amplifiers could be mass produced with these less expensive 12A*7 style tubes using more feedback to reduce distortion.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhile feedback reduces distortion, it also lowers overall amplifier gain. It might have been considered heresy to reduce the gain through feedback (and reduce distortion) in earlier tube designs since minimal gain was still extremely expensive prior to the 1950s. Thusly, earlier tube designs were lower distortion on purpose; especially for their critical role in modulation based communication systems that had more stringent requirements than the average 1950s guitar amplifier tube.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNotwithstanding, ultimate circuit topology can bring out more second harmonic characteristics than usual with any tube design. Hence the impetus for the variable circuit topologies within the P331 Tube Loading Amplifier to allow the user to do so as necessary or not at all.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFor any amplifier to be truly great you have to start with good clean power. The P331’s linear power supply is the most critical “component” for audio integrity next to the actual gain structure and circuit topologies within this amplifier. High voltage plate\/anode tube power supplies start at around 320V DC and are filtered (up to 6 times) and smoothed with active regulators. It only uses film capacitors and real inductors (chokes) to remove ripple and noise from the high voltage power supplies.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWe’ve taken the very best of vintage analog technology and married it to the best of modern computer-optimized circuit design. This allows a level of precision and clarity which was simply unimaginable when tubes of this vintage were originally developed.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe P331 is full digitally controlled analog. Each parameter is fully repeatable and can be recalled via front panel rotary and toggle switches commanding over 80 sealed precision relays. No audio runs to the P331’s front panel and only the finest components are used throughout the audio path.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLOADING\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe LOADING circuit is part of the fully differential (balanced) Class-A tube amplifier. It was designed to coerce an audio signal to hit the tube at different points on its response curve. As the gain increases to the tube, the signal is padded down in equal measure. This allows precise and repeatable loads to be applied to the tubes. It also helps to ensure minimal level gain or loss, allowing you to audition the enhancement the tubes are imparting without drastic changes in level.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThere are two modes of operation for the LOADING circuit.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“CLEAN” = Feedback Mode – Utilizes the manipulation of feedback to affect internal tube gain, subtle non-linearities and even order harmonics.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“BLOOM” = Feedforward Mode – Utilizes the manipulation of plate loading to affect internal tube gain, slightly-less-subtle non-linearities and even order harmonics.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAUTO-PADDING (PRE, POST, OPEN) – One of the key elements of the P331’s LOADING circuit is its auto-padding feature. As gain is increased to the tubes, the signal is padded down in equal measure. It’s a cool feature and essential to the concept of the unit. To make it even cooler, we provide the ability to control where in the circuit the padding occurs (PRE or POST) or disable the auto-padding all together (OPEN). When in PRE, the auto-padding occurs to the signal before it hits the tube. In POST, the auto-padding occurs after the tubes. While in OPEN the auto-padding is disabled and your Loading knob allows you to crank it up while using your output Gain as a “master volume” of sorts similar to how a guitar amplifier with a master volume would function. It’s all about experimenting and letting your ears guide you.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLIFT\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe LIFT circuit is a gentle parallel filter that enhances the highs, lows or both the highs and lows of the signal. Audio passes through the LIFT circuit before the LOADING circuit. With any of the LIFT filters engaged, the audio is passed unscathed through the fully balanced P331 circuitry and blended with harmonic content of the LIFT and LOADING circuits working in concert.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eXFORMER\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe P331 is designed to run fully transformerless in its default state. This provides the purest, cleanest and most unaffected audio path through the unit. However, in keeping with the P331’s versatility, the operator may switch in output transformers and select two optional settings to load them in different ways. This provides additional options for enhancing the subtle textures of recorded audio.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOUTPUT GAIN\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTo faithfully reproduce the sound of the audio passing through the tubes and other circuits in the P331, we implemented a low distortion, fully balanced solid state amplifier for the output gain section. The output gain circuit offers 10dB of boost or cut in 1dB increments. However, for even finer control, the “Resolution” switch allows the operator to “zoom in” .25dB or .5dB to the current setting.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHARD-WIRE BYPASS\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEach section of the P331 (with the exception of the Loading circuit) can be fully hard-wire bypassed. There is also a global hard-wire bypass to remove the entire unit from your signal chain…although, we’re fairly confident you won’t want to use it much.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWhitestone P331 Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e(2) Balanced Inputs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e(2) Balanced Outputs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFrequency response: 10hz to 65kHz (+\/- 1dB)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eGain: Unity to +11dB\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNoise: ≥ -98 dBu (20Hz-28kHz-unweighted, RMS) @0db Unity Gain\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e≥ -94 dBu (20Hz-28kHz-unweighted, RMS) both channels output gain fully driven\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSignal to Noise Ratio: 78dB minimum\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTHD + Noise: \u0026lt; .03% (At unity setting)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e*Pictured with upper and lower vented rack panels, can be added as options if needed\u003c\/em\u003e\u003c\/p\u003e","published_at":"2020-09-25T18:01:19-04:00","created_at":"2020-09-25T18:01:17-04:00","vendor":"Whitestone Audio Instruments","type":"Amplifiers","tags":["finance24","Pro Audio","specialorder"],"price":499900,"price_min":499900,"price_max":499900,"available":true,"price_varies":false,"compare_at_price":549900,"compare_at_price_min":549900,"compare_at_price_max":549900,"compare_at_price_varies":false,"variants":[{"id":32186891796569,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"WAI-P331","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Whitestone Audio P331 Tube Loading Amplifier","public_title":null,"options":["Default Title"],"price":499900,"weight":9072,"compare_at_price":549900,"inventory_management":"shopify","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/Whitestone_P331-Front-Small.jpg?v=1601071278","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/whitestone-p331-tube-loading-amplifier.jpg?v=1601071278"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/Whitestone_P331-Front-Small.jpg?v=1601071278","options":["Title"],"media":[{"alt":null,"id":6951982235737,"position":1,"preview_image":{"aspect_ratio":1.0,"height":800,"width":800,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/Whitestone_P331-Front-Small.jpg?v=1601071278"},"aspect_ratio":1.0,"height":800,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/Whitestone_P331-Front-Small.jpg?v=1601071278","width":800},{"alt":null,"id":6951982268505,"position":2,"preview_image":{"aspect_ratio":1.0,"height":2500,"width":2500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/whitestone-p331-tube-loading-amplifier.jpg?v=1601071278"},"aspect_ratio":1.0,"height":2500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/whitestone-p331-tube-loading-amplifier.jpg?v=1601071278","width":2500}],"content":"\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/v0XueYJ8umg\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDesigned for a refined delivery of your audio during the mastering process!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe \u003cstrong\u003eWhitestone Audio P331 Tube Loading Amplifier\u003c\/strong\u003e was developed to bring professional tracking, mix and mastering engineers versatile, elegant, precise and repeatable audio circuit variation. There’s nothing like running a signal through a well-designed piece of analog gear, at “unity” gain without any “processing” applied at all. Simply exploiting the sound of some of these analog input and output gain circuits with processing bypassed is often-times just the thing to bring subtle life or organic size and depth to recorded audio. That’s what the fully balanced P331 is all about; giving you control of how an audio signal passes from input to output and how it can be enhanced throughout its journey.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn 1939, just a few weeks after the start of WWII in Europe, RCA Radiotron introduced the 6SN7 octal (8-pin) double triode tube to the American market. This was the birth of the true common ancestor of all modern double triodes used in high fidelity amplifiers. The 6SN7 is still in production after nearly 80 years, for good reason.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e6SN7 vacuum tubes of the 1940s vintage were chosen for this amplifier due to their lower distortion capabilities that exceed that of the standard and ubiquitous 12A*7 variety. The 12A*7 varieties were incarnated due to commercial needs such that they were “better, cheaper, lighter” at the expense of embodying more distortion. With the advent of feedback, tube amplifiers could be mass produced with these less expensive 12A*7 style tubes using more feedback to reduce distortion.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhile feedback reduces distortion, it also lowers overall amplifier gain. It might have been considered heresy to reduce the gain through feedback (and reduce distortion) in earlier tube designs since minimal gain was still extremely expensive prior to the 1950s. Thusly, earlier tube designs were lower distortion on purpose; especially for their critical role in modulation based communication systems that had more stringent requirements than the average 1950s guitar amplifier tube.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNotwithstanding, ultimate circuit topology can bring out more second harmonic characteristics than usual with any tube design. Hence the impetus for the variable circuit topologies within the P331 Tube Loading Amplifier to allow the user to do so as necessary or not at all.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFor any amplifier to be truly great you have to start with good clean power. The P331’s linear power supply is the most critical “component” for audio integrity next to the actual gain structure and circuit topologies within this amplifier. High voltage plate\/anode tube power supplies start at around 320V DC and are filtered (up to 6 times) and smoothed with active regulators. It only uses film capacitors and real inductors (chokes) to remove ripple and noise from the high voltage power supplies.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWe’ve taken the very best of vintage analog technology and married it to the best of modern computer-optimized circuit design. This allows a level of precision and clarity which was simply unimaginable when tubes of this vintage were originally developed.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe P331 is full digitally controlled analog. Each parameter is fully repeatable and can be recalled via front panel rotary and toggle switches commanding over 80 sealed precision relays. No audio runs to the P331’s front panel and only the finest components are used throughout the audio path.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLOADING\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe LOADING circuit is part of the fully differential (balanced) Class-A tube amplifier. It was designed to coerce an audio signal to hit the tube at different points on its response curve. As the gain increases to the tube, the signal is padded down in equal measure. This allows precise and repeatable loads to be applied to the tubes. It also helps to ensure minimal level gain or loss, allowing you to audition the enhancement the tubes are imparting without drastic changes in level.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThere are two modes of operation for the LOADING circuit.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“CLEAN” = Feedback Mode – Utilizes the manipulation of feedback to affect internal tube gain, subtle non-linearities and even order harmonics.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“BLOOM” = Feedforward Mode – Utilizes the manipulation of plate loading to affect internal tube gain, slightly-less-subtle non-linearities and even order harmonics.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAUTO-PADDING (PRE, POST, OPEN) – One of the key elements of the P331’s LOADING circuit is its auto-padding feature. As gain is increased to the tubes, the signal is padded down in equal measure. It’s a cool feature and essential to the concept of the unit. To make it even cooler, we provide the ability to control where in the circuit the padding occurs (PRE or POST) or disable the auto-padding all together (OPEN). When in PRE, the auto-padding occurs to the signal before it hits the tube. In POST, the auto-padding occurs after the tubes. While in OPEN the auto-padding is disabled and your Loading knob allows you to crank it up while using your output Gain as a “master volume” of sorts similar to how a guitar amplifier with a master volume would function. It’s all about experimenting and letting your ears guide you.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLIFT\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe LIFT circuit is a gentle parallel filter that enhances the highs, lows or both the highs and lows of the signal. Audio passes through the LIFT circuit before the LOADING circuit. With any of the LIFT filters engaged, the audio is passed unscathed through the fully balanced P331 circuitry and blended with harmonic content of the LIFT and LOADING circuits working in concert.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eXFORMER\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe P331 is designed to run fully transformerless in its default state. This provides the purest, cleanest and most unaffected audio path through the unit. However, in keeping with the P331’s versatility, the operator may switch in output transformers and select two optional settings to load them in different ways. This provides additional options for enhancing the subtle textures of recorded audio.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOUTPUT GAIN\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTo faithfully reproduce the sound of the audio passing through the tubes and other circuits in the P331, we implemented a low distortion, fully balanced solid state amplifier for the output gain section. The output gain circuit offers 10dB of boost or cut in 1dB increments. However, for even finer control, the “Resolution” switch allows the operator to “zoom in” .25dB or .5dB to the current setting.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHARD-WIRE BYPASS\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEach section of the P331 (with the exception of the Loading circuit) can be fully hard-wire bypassed. There is also a global hard-wire bypass to remove the entire unit from your signal chain…although, we’re fairly confident you won’t want to use it much.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWhitestone P331 Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e(2) Balanced Inputs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e(2) Balanced Outputs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFrequency response: 10hz to 65kHz (+\/- 1dB)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eGain: Unity to +11dB\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNoise: ≥ -98 dBu (20Hz-28kHz-unweighted, RMS) @0db Unity Gain\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e≥ -94 dBu (20Hz-28kHz-unweighted, RMS) both channels output gain fully driven\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSignal to Noise Ratio: 78dB minimum\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTHD + Noise: \u0026lt; .03% (At unity setting)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e*Pictured with upper and lower vented rack panels, can be added as options if needed\u003c\/em\u003e\u003c\/p\u003e"}
Whitestone Audio P331 Tube Loading Amplifier

Whitestone Audio P331 Tube Loading Amplifier

$4,999.00

Designed for a refined delivery of your audio during the mastering process! The Whitestone Audio P331 Tube Loading Amplifier was developed to bring professional tracking, mix and mastering engineers versatile, elegant, precise and repeatable audio circuit variation. There’s nothing like running a signal through a well-designed piece of analog g...


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UBK Fatso UBK EL7 Dual-Channel Character Compressor
{"id":4726467788889,"title":"UBK Fatso UBK EL7 Dual-Channel Character Compressor","handle":"ubk-fatso-ubk-el7-dual-channel-character-compressor","description":"\u003carticle class=\"content_sF4U0te87jYBdVZ2QLY5G\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"\" data-selenium=\"overviewLongDescription\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"js-injected-html\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe \u003cb data-mce-fragment=\"1\"\u003eUBK Fatso Dual-Channel Character Compressor\u003c\/b\u003e from \u003cb\u003eUBK Fatso\u003c\/b\u003e offers one-knob control over any one of seven radically different preset compressors, plus it provides saturation, harmonic distortion, and warmth controls. At its heart, the UBK Fatso contains four powerful, discrete processing stages: saturation \u0026amp; harmonic overdrive, FET compression, warmth (high-frequency limiting), and transformer. The serial nature of the UBK Fatso's internal architecture means that everything that happens in one stage depends on what came before it, and the sound at the output is the result of a cumulative series of treatments that interact and stack up in ways that can be anything from subtle to over-the-top.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\" data-mce-fragment=\"1\"\u003eStage One: Saturation and Harmonic Overdrive\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"js-injected-html\" data-mce-fragment=\"1\"\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAt modest input levels the UBK Fatso soft-clips transients and adds a subtle amount of harmonic overdrive.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAt more aggressive input levels the UBK Fatso hard-clips transients and adds a significant amount of harmonic distortions.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBy default, the saturation circuit and the compressor section act as one. More input means more saturation and more compression. But you can obtain independent control of the saturation circuit by inserting a simple gain control in the UBK Fatso's rear panel insert jack.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\" data-mce-fragment=\"1\"\u003eStage Two: Compression\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"js-injected-html\" data-mce-fragment=\"1\"\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe UBK Fatso has seven compression presets per channel. Four of the compression presets have names (Splat, Smooth, Glue, and Spank) and their own LED indicator, whereas three are unnamed and are indicated by combinations of LEDs.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe compressor section can be left inactive whenever you want to use the UBK Fatso just for saturation, warmth, and\/or transformer coloration.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"note_2g6LBzXiJpmArOmRfXfXQY\" data-mce-fragment=\"1\"\u003e\n\u003cem\u003e\u003cstrong\u003e \u003cspan class=\"noteInner_3qyovzAqZIkWhs7TqzfmER\" data-selenium=\"overviewProductNote\" data-mce-fragment=\"1\"\u003eNote:\u003c\/span\u003e At aggressive input levels, the compression stage may grab some signal even when bypassed due to non-linearity in the detector circuit.\u003c\/strong\u003e\u003c\/em\u003e\n\u003cdiv class=\"js-injected-html\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\" data-mce-fragment=\"1\"\u003eStage Three: Warmth Circuit\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"js-injected-html\" data-mce-fragment=\"1\"\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWarmth is a lightning-fast, high-frequency limiter designed to transparently soften and mellow the edgy, harsh-top end that is common in the world of digital recording. The idea behind the Warmth circuit is to emulate the peculiar top-end response of analog tape.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe Warmth circuit offers seven discrete threshold levels with LED indication. Each press of the Warmth button lowers the threshold and raises the corner frequency which the limiter responds to.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWhile it has its own threshold, Warmth interacts with the Saturation and Compressor sections. The more level you feed it, the more it reacts to the HF energy and transients in the program.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWarmth not only limits the high frequencies, it attenuates them as well. The lower the threshold you select, the more it attenuates and darkens the tone.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\" data-mce-fragment=\"1\"\u003eStage Four: Transformer Coloration\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"js-injected-html\" data-mce-fragment=\"1\"\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOne-touch operation tightens the low end and adds low-mid density, midrange presence, and high-frequency sparkle.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePressing the Trafo button cycles the UBK Fatso between transformer-less operation, transformer active, and hardwire bypass.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWhen both channels are linked, use channel-one's Trafo button to control the state of both channels.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003caside class=\"rightNavbar_1yd0CDDKugyYbfeMldBz\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"included_w6g5Ks34VAHMzAA4D9xsM\" data-mce-fragment=\"1\"\u003e\n\u003ch4 class=\"heading_3gzsEBpu-kk4FZlhCTVYjn\" data-selenium=\"includesInTheBoxTitle\" data-mce-fragment=\"1\"\u003eIn the Box\u003c\/h4\u003e\n\u003cul class=\"list_2PrPlGzuLkf0X14N_bDWx-\" data-selenium=\"includesInTheBoxList\" data-mce-fragment=\"1\"\u003e\n\u003cli class=\"item_3MQbEPC9w5I28P90MidSHO\" data-selenium=\"includesInTheBoxItem\" data-mce-fragment=\"1\"\u003eWave Distro UBK Fatso Dual-Channel Character Compressor\u003c\/li\u003e\n\u003cli class=\"item_3MQbEPC9w5I28P90MidSHO\" data-selenium=\"includesInTheBoxItem\" data-mce-fragment=\"1\"\u003eLimited 1-Year Warranty\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/aside\u003e","published_at":"2020-09-25T17:23:21-04:00","created_at":"2020-09-25T17:23:20-04:00","vendor":"UBK Fatso","type":"Compressor","tags":["finance24","pro audio","specialorder"],"price":279900,"price_min":279900,"price_max":279900,"available":true,"price_varies":false,"compare_at_price":299900,"compare_at_price_min":299900,"compare_at_price_max":299900,"compare_at_price_varies":false,"variants":[{"id":32186829176921,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"UBK EL7","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"UBK Fatso UBK EL7 Dual-Channel Character Compressor","public_title":null,"options":["Default Title"],"price":279900,"weight":6804,"compare_at_price":299900,"inventory_management":"shopify","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/kush_audio_ubk_fatso.jpg?v=1601069003","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1513942281_IMG_921113.jpg?v=1601069003","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/Screenshot_2020-09-25yrwo5syokcjak2a0haaqwebp_WEBPImage_1280x1280pixels_-Scaled_60.png?v=1601069003","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/UBK-UBK_EL7-4.jpg?v=1601069003"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/kush_audio_ubk_fatso.jpg?v=1601069003","options":["Title"],"media":[{"alt":null,"id":6951941800025,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/kush_audio_ubk_fatso.jpg?v=1601069002"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/kush_audio_ubk_fatso.jpg?v=1601069002","width":600},{"alt":null,"id":6951941832793,"position":2,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1513942281_IMG_921113.jpg?v=1601069003"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1513942281_IMG_921113.jpg?v=1601069003","width":500},{"alt":null,"id":6951941865561,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1544,"width":1544,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/Screenshot_2020-09-25yrwo5syokcjak2a0haaqwebp_WEBPImage_1280x1280pixels_-Scaled_60.png?v=1601069003"},"aspect_ratio":1.0,"height":1544,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/Screenshot_2020-09-25yrwo5syokcjak2a0haaqwebp_WEBPImage_1280x1280pixels_-Scaled_60.png?v=1601069003","width":1544},{"alt":null,"id":6951941898329,"position":4,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/UBK-UBK_EL7-4.jpg?v=1601069002"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/UBK-UBK_EL7-4.jpg?v=1601069002","width":1200}],"content":"\u003carticle class=\"content_sF4U0te87jYBdVZ2QLY5G\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"\" data-selenium=\"overviewLongDescription\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"js-injected-html\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe \u003cb data-mce-fragment=\"1\"\u003eUBK Fatso Dual-Channel Character Compressor\u003c\/b\u003e from \u003cb\u003eUBK Fatso\u003c\/b\u003e offers one-knob control over any one of seven radically different preset compressors, plus it provides saturation, harmonic distortion, and warmth controls. At its heart, the UBK Fatso contains four powerful, discrete processing stages: saturation \u0026amp; harmonic overdrive, FET compression, warmth (high-frequency limiting), and transformer. The serial nature of the UBK Fatso's internal architecture means that everything that happens in one stage depends on what came before it, and the sound at the output is the result of a cumulative series of treatments that interact and stack up in ways that can be anything from subtle to over-the-top.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\" data-mce-fragment=\"1\"\u003eStage One: Saturation and Harmonic Overdrive\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"js-injected-html\" data-mce-fragment=\"1\"\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAt modest input levels the UBK Fatso soft-clips transients and adds a subtle amount of harmonic overdrive.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAt more aggressive input levels the UBK Fatso hard-clips transients and adds a significant amount of harmonic distortions.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBy default, the saturation circuit and the compressor section act as one. More input means more saturation and more compression. But you can obtain independent control of the saturation circuit by inserting a simple gain control in the UBK Fatso's rear panel insert jack.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\" data-mce-fragment=\"1\"\u003eStage Two: Compression\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"js-injected-html\" data-mce-fragment=\"1\"\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe UBK Fatso has seven compression presets per channel. Four of the compression presets have names (Splat, Smooth, Glue, and Spank) and their own LED indicator, whereas three are unnamed and are indicated by combinations of LEDs.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe compressor section can be left inactive whenever you want to use the UBK Fatso just for saturation, warmth, and\/or transformer coloration.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"note_2g6LBzXiJpmArOmRfXfXQY\" data-mce-fragment=\"1\"\u003e\n\u003cem\u003e\u003cstrong\u003e \u003cspan class=\"noteInner_3qyovzAqZIkWhs7TqzfmER\" data-selenium=\"overviewProductNote\" data-mce-fragment=\"1\"\u003eNote:\u003c\/span\u003e At aggressive input levels, the compression stage may grab some signal even when bypassed due to non-linearity in the detector circuit.\u003c\/strong\u003e\u003c\/em\u003e\n\u003cdiv class=\"js-injected-html\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\" data-mce-fragment=\"1\"\u003eStage Three: Warmth Circuit\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"js-injected-html\" data-mce-fragment=\"1\"\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWarmth is a lightning-fast, high-frequency limiter designed to transparently soften and mellow the edgy, harsh-top end that is common in the world of digital recording. The idea behind the Warmth circuit is to emulate the peculiar top-end response of analog tape.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe Warmth circuit offers seven discrete threshold levels with LED indication. Each press of the Warmth button lowers the threshold and raises the corner frequency which the limiter responds to.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWhile it has its own threshold, Warmth interacts with the Saturation and Compressor sections. The more level you feed it, the more it reacts to the HF energy and transients in the program.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWarmth not only limits the high frequencies, it attenuates them as well. The lower the threshold you select, the more it attenuates and darkens the tone.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\" data-mce-fragment=\"1\"\u003eStage Four: Transformer Coloration\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"js-injected-html\" data-mce-fragment=\"1\"\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOne-touch operation tightens the low end and adds low-mid density, midrange presence, and high-frequency sparkle.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePressing the Trafo button cycles the UBK Fatso between transformer-less operation, transformer active, and hardwire bypass.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWhen both channels are linked, use channel-one's Trafo button to control the state of both channels.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003caside class=\"rightNavbar_1yd0CDDKugyYbfeMldBz\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"included_w6g5Ks34VAHMzAA4D9xsM\" data-mce-fragment=\"1\"\u003e\n\u003ch4 class=\"heading_3gzsEBpu-kk4FZlhCTVYjn\" data-selenium=\"includesInTheBoxTitle\" data-mce-fragment=\"1\"\u003eIn the Box\u003c\/h4\u003e\n\u003cul class=\"list_2PrPlGzuLkf0X14N_bDWx-\" data-selenium=\"includesInTheBoxList\" data-mce-fragment=\"1\"\u003e\n\u003cli class=\"item_3MQbEPC9w5I28P90MidSHO\" data-selenium=\"includesInTheBoxItem\" data-mce-fragment=\"1\"\u003eWave Distro UBK Fatso Dual-Channel Character Compressor\u003c\/li\u003e\n\u003cli class=\"item_3MQbEPC9w5I28P90MidSHO\" data-selenium=\"includesInTheBoxItem\" data-mce-fragment=\"1\"\u003eLimited 1-Year Warranty\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/aside\u003e"}
UBK Fatso UBK EL7 Dual-Channel Character Compressor

UBK Fatso UBK EL7 Dual-Channel Character Compressor

$2,799.00

The UBK Fatso Dual-Channel Character Compressor from UBK Fatso offers one-knob control over any one of seven radically different preset compressors, plus it provides saturation, harmonic distortion, and warmth controls. At its heart, the UBK Fatso contains four powerful, discrete processing stages: saturation & harmonic overdrive, FET co...


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Serpent Audio Splice SA-76 MKII 1176-Style FET Compressor Rack
{"id":4726456844377,"title":"Serpent Audio Splice SA-76 MKII 1176-Style FET Compressor Rack","handle":"serpent-audio-splice-sa-76-mkii-1176-style-fet-compressor-rack","description":"\u003cdiv\u003e\n\u003cdiv data-selenium=\"overviewLongDescription\" class=\"\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003e\n\u003cp\u003eThe \u003cb\u003eSplice SA-76 MKII FET Compressor\u003c\/b\u003e from \u003cb\u003eSerpent Audio\u003c\/b\u003e comes with four compressor circuits in one unit. The mode switching feature allows you to easily switch between these circuits at the push of a button. The four circuit modes are Blueface mode (blue input circuitry and black output circuitry), the Blackstripe mode (black input circuitry and blue output circuitry), classic Blackface mode (black input and output circuitry), and classic Bluestripe mode (blue input and output circuitry).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cul\u003e\n\u003cli\u003eFour compressor circuits in one unit\u003c\/li\u003e\n\u003cli\u003eStereo linkable with front panel switch\u003c\/li\u003e\n\u003cli\u003eExternal send and return with front panel switch\u003c\/li\u003e\n\u003cli\u003eSlam mode (all buttons in) feature available via front panel switch\u003c\/li\u003e\n\u003cli\u003eTrue bypass (relay controlled) with front panel switch\u003c\/li\u003e\n\u003cli\u003eMix\/blend control knob with switchable bypassing for parallel processing\u003c\/li\u003e\n\u003cli\u003eIntegrated active sidechain filters\u003c\/li\u003e\n\u003cli\u003eSwitchable 600-Ohm output loading allows for easy optimization of the unit for use with both vintage and modern equipment\u003c\/li\u003e\n\u003cli\u003e45 dB of gain (no limiting)\u003c\/li\u003e\n\u003cli\u003eTrue VU meter with meter buffer circuitry\u003c\/li\u003e\n\u003cli\u003eIntegrated linear power supply\u003c\/li\u003e\n\u003cli\u003eCompatible with 115 or 230 VAC power input (user-selectable on rear panel)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2020-09-25T17:16:01-04:00","created_at":"2020-09-25T17:16:02-04:00","vendor":"Serpent Audio","type":"Compressor","tags":["finance24","Pro Audio","specialorder"],"price":169900,"price_min":169900,"price_max":169900,"available":true,"price_varies":false,"compare_at_price":189900,"compare_at_price_min":189900,"compare_at_price_max":189900,"compare_at_price_varies":false,"variants":[{"id":32186815348825,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"SPLICE SA-76","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Serpent Audio Splice SA-76 MKII 1176-Style FET Compressor Rack","public_title":null,"options":["Default Title"],"price":169900,"weight":6804,"compare_at_price":189900,"inventory_management":"shopify","barcode":"615435498157"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/serpent_audio_splice_sa76_splice_mkii_fet_compressor_1492616767_1332339.jpg?v=1601068592"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/serpent_audio_splice_sa76_splice_mkii_fet_compressor_1492616767_1332339.jpg?v=1601068592","options":["Title"],"media":[{"alt":null,"id":6951923712089,"position":1,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/serpent_audio_splice_sa76_splice_mkii_fet_compressor_1492616767_1332339.jpg?v=1601068592"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/serpent_audio_splice_sa76_splice_mkii_fet_compressor_1492616767_1332339.jpg?v=1601068592","width":500}],"content":"\u003cdiv\u003e\n\u003cdiv data-selenium=\"overviewLongDescription\" class=\"\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003e\n\u003cp\u003eThe \u003cb\u003eSplice SA-76 MKII FET Compressor\u003c\/b\u003e from \u003cb\u003eSerpent Audio\u003c\/b\u003e comes with four compressor circuits in one unit. The mode switching feature allows you to easily switch between these circuits at the push of a button. The four circuit modes are Blueface mode (blue input circuitry and black output circuitry), the Blackstripe mode (black input circuitry and blue output circuitry), classic Blackface mode (black input and output circuitry), and classic Bluestripe mode (blue input and output circuitry).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cul\u003e\n\u003cli\u003eFour compressor circuits in one unit\u003c\/li\u003e\n\u003cli\u003eStereo linkable with front panel switch\u003c\/li\u003e\n\u003cli\u003eExternal send and return with front panel switch\u003c\/li\u003e\n\u003cli\u003eSlam mode (all buttons in) feature available via front panel switch\u003c\/li\u003e\n\u003cli\u003eTrue bypass (relay controlled) with front panel switch\u003c\/li\u003e\n\u003cli\u003eMix\/blend control knob with switchable bypassing for parallel processing\u003c\/li\u003e\n\u003cli\u003eIntegrated active sidechain filters\u003c\/li\u003e\n\u003cli\u003eSwitchable 600-Ohm output loading allows for easy optimization of the unit for use with both vintage and modern equipment\u003c\/li\u003e\n\u003cli\u003e45 dB of gain (no limiting)\u003c\/li\u003e\n\u003cli\u003eTrue VU meter with meter buffer circuitry\u003c\/li\u003e\n\u003cli\u003eIntegrated linear power supply\u003c\/li\u003e\n\u003cli\u003eCompatible with 115 or 230 VAC power input (user-selectable on rear panel)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
Serpent Audio Splice SA-76 MKII 1176-Style FET Compressor Rack

Serpent Audio Splice SA-76 MKII 1176-Style FET Compressor Rack

$1,699.00

The Splice SA-76 MKII FET Compressor from Serpent Audio comes with four compressor circuits in one unit. The mode switching feature allows you to easily switch between these circuits at the push of a button. The four circuit modes are Blueface mode (blue input circuitry and black output circuitry), the Blackstripe mode (black input circuitry ...


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Serpent Audio Splice SA76 MKII 500-Series 1176-Style FET Compressor Module
{"id":4726453239897,"title":"Serpent Audio Splice SA76 MKII 500-Series 1176-Style FET Compressor Module","handle":"serpent-audio-splice-sa76-500-series-1176-style-fet-compressor-module","description":"\u003cdiv\u003e\n\u003cdiv data-selenium=\"overviewLongDescription\" class=\"\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003e\n\u003cp\u003eThe \u003cb\u003e500 Series Module Splice MKII Fet Compressor\u003c\/b\u003e from \u003cb\u003eSerpent Audio \u003c\/b\u003e recreates the circuitry and sound of not one, but two classic FET compressors. The Splice-500 mode switching allows you to switch between the classic Blackface and vintage Bluestripe circuits at the push of a button. In addition, the Splice-500 can also mix and match the two for entirely new sounds that can only be found with the Splice i.e. Blue Input Circuitry + Black Output Circuitry for Blueface mode or Black Input Circuitry + Blue Output Circuitry for Blackstripe mode.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cul\u003e\n\u003cli\u003eFour Compressor circuits in one box:\u003c\/li\u003e\n\u003cli\u003eInput Circuit Black + Output Circuit Black = Classic Blackface Mode\u003c\/li\u003e\n\u003cli\u003eInput Blue + Output Blue = Classic Bluestripe Mode\u003c\/li\u003e\n\u003cli\u003eInput Blue + Output Black = Blueface Mode (Unique to the Splice)\u003c\/li\u003e\n\u003cli\u003eInput Black + Output Blue = Blackstripe Mode (Unique to the Splice)\u003c\/li\u003e\n\u003cli\u003eStereo Linkable with front panel switch\u003c\/li\u003e\n\u003cli\u003eAll Buttons In \/ Slam Mode front panel switch\u003c\/li\u003e\n\u003cli\u003eIntegrated Mix\/Blend Control with switchable bypassing for in-the-box parallel processing\u003c\/li\u003e\n\u003cli\u003eIntegrated sidechain high pass filter\u003c\/li\u003e\n\u003cli\u003eSelectable 600R output loading allows the user to easily optimize the Splice for use with both vintage and modern equipment\u003c\/li\u003e\n\u003cli\u003eLED gain reduction meter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2020-09-25T17:13:25-04:00","created_at":"2020-09-25T17:13:25-04:00","vendor":"Serpent Audio","type":"500-Series Module","tags":["finance24","Pro Audio","specialorder"],"price":119900,"price_min":119900,"price_max":119900,"available":true,"price_varies":false,"compare_at_price":134900,"compare_at_price_min":134900,"compare_at_price_max":134900,"compare_at_price_varies":false,"variants":[{"id":32186809221209,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"Splice-SA76-500","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Serpent Audio Splice SA76 MKII 500-Series 1176-Style FET Compressor Module","public_title":null,"options":["Default Title"],"price":119900,"weight":2268,"compare_at_price":134900,"inventory_management":"shopify","barcode":"860000364515"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/serpent_audio_splice_sa76_500_500_series_module_splice_1492615204_1332340.jpg?v=1601068450"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/serpent_audio_splice_sa76_500_500_series_module_splice_1492615204_1332340.jpg?v=1601068450","options":["Title"],"media":[{"alt":null,"id":6951919812697,"position":1,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/serpent_audio_splice_sa76_500_500_series_module_splice_1492615204_1332340.jpg?v=1601068450"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/serpent_audio_splice_sa76_500_500_series_module_splice_1492615204_1332340.jpg?v=1601068450","width":500}],"content":"\u003cdiv\u003e\n\u003cdiv data-selenium=\"overviewLongDescription\" class=\"\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003e\n\u003cp\u003eThe \u003cb\u003e500 Series Module Splice MKII Fet Compressor\u003c\/b\u003e from \u003cb\u003eSerpent Audio \u003c\/b\u003e recreates the circuitry and sound of not one, but two classic FET compressors. The Splice-500 mode switching allows you to switch between the classic Blackface and vintage Bluestripe circuits at the push of a button. In addition, the Splice-500 can also mix and match the two for entirely new sounds that can only be found with the Splice i.e. Blue Input Circuitry + Black Output Circuitry for Blueface mode or Black Input Circuitry + Blue Output Circuitry for Blackstripe mode.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cul\u003e\n\u003cli\u003eFour Compressor circuits in one box:\u003c\/li\u003e\n\u003cli\u003eInput Circuit Black + Output Circuit Black = Classic Blackface Mode\u003c\/li\u003e\n\u003cli\u003eInput Blue + Output Blue = Classic Bluestripe Mode\u003c\/li\u003e\n\u003cli\u003eInput Blue + Output Black = Blueface Mode (Unique to the Splice)\u003c\/li\u003e\n\u003cli\u003eInput Black + Output Blue = Blackstripe Mode (Unique to the Splice)\u003c\/li\u003e\n\u003cli\u003eStereo Linkable with front panel switch\u003c\/li\u003e\n\u003cli\u003eAll Buttons In \/ Slam Mode front panel switch\u003c\/li\u003e\n\u003cli\u003eIntegrated Mix\/Blend Control with switchable bypassing for in-the-box parallel processing\u003c\/li\u003e\n\u003cli\u003eIntegrated sidechain high pass filter\u003c\/li\u003e\n\u003cli\u003eSelectable 600R output loading allows the user to easily optimize the Splice for use with both vintage and modern equipment\u003c\/li\u003e\n\u003cli\u003eLED gain reduction meter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
Serpent Audio Splice SA76 MKII 500-Series 1176-Style FET Compressor Module

Serpent Audio Splice SA76 MKII 500-Series 1176-Style FET Compressor Module

$1,199.00

The 500 Series Module Splice MKII Fet Compressor from Serpent Audio recreates the circuitry and sound of not one, but two classic FET compressors. The Splice-500 mode switching allows you to switch between the classic Blackface and vintage Bluestripe circuits at the push of a button. In addition, the Splice-500 can also mix and match the two...


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Serpent Audio Send N' Blend Mix / Blend Control 500-Series Module
{"id":4726447145049,"title":"Serpent Audio Send N' Blend Mix \/ Blend Control 500-Series Module","handle":"serpent-audio-send-n-blend-mix-blend-control-500-series-module","description":"\u003cdiv\u003e\n\u003cdiv data-selenium=\"overviewLongDescription\" class=\"\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003e\n\u003cp\u003eThe \u003cb\u003e500 Series Send N' Blend Mix \/ Blend Module\u003c\/b\u003e from \u003cb\u003eSerpent Audio\u003c\/b\u003e allows you to add a mix\/blend function to any piece of outboard gear, allowing for enhanced parallel processing. It can be used for combining of two individual signals (dual mic'ing or typical summing applications). The module features Elna capacitors, a sealed potentiometer, steel housing construction, and three-way hard bypass.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cul\u003e\n\u003cli\u003eThree-way hard bypass (Wet\/Dry\/Blend) (Relay Controlled)\u003c\/li\u003e\n\u003cli\u003eRadial omniport rear panel connectivity\u003c\/li\u003e\n\u003cli\u003eSteel housing construction\u003c\/li\u003e\n\u003cli\u003eSealed potentiometer\u003c\/li\u003e\n\u003cli\u003eProtection from 48V Phantom power\u003c\/li\u003e\n\u003cli\u003eVPR compliant\u003c\/li\u003e\n\u003cli\u003eMade in the USA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2020-09-25T17:09:00-04:00","created_at":"2020-09-25T17:09:00-04:00","vendor":"Serpent Audio","type":"500-Series Module","tags":["finance24","Pro Audio","specialorder"],"price":44900,"price_min":44900,"price_max":44900,"available":true,"price_varies":false,"compare_at_price":50900,"compare_at_price_min":50900,"compare_at_price_max":50900,"compare_at_price_varies":false,"variants":[{"id":32186800734297,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"Send-N-Blend","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Serpent Audio Send N' Blend Mix \/ Blend Control 500-Series Module","public_title":null,"options":["Default Title"],"price":44900,"weight":2268,"compare_at_price":50900,"inventory_management":"shopify","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/serpent_audio_send_n_blend_500_series_mix_blend_module_1492616274_1332338.jpg?v=1601068175","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1492615861_IMG_784878.jpg?v=1601068175","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1492615861_IMG_784877.jpg?v=1601068175"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/serpent_audio_send_n_blend_500_series_mix_blend_module_1492616274_1332338.jpg?v=1601068175","options":["Title"],"media":[{"alt":null,"id":6951909949529,"position":1,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/serpent_audio_send_n_blend_500_series_mix_blend_module_1492616274_1332338.jpg?v=1601068164"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/serpent_audio_send_n_blend_500_series_mix_blend_module_1492616274_1332338.jpg?v=1601068164","width":500},{"alt":null,"id":6951909883993,"position":2,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1492615861_IMG_784878.jpg?v=1601068165"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1492615861_IMG_784878.jpg?v=1601068165","width":500},{"alt":null,"id":6951909916761,"position":3,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1492615861_IMG_784877.jpg?v=1601068165"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1492615861_IMG_784877.jpg?v=1601068165","width":500}],"content":"\u003cdiv\u003e\n\u003cdiv data-selenium=\"overviewLongDescription\" class=\"\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003e\n\u003cp\u003eThe \u003cb\u003e500 Series Send N' Blend Mix \/ Blend Module\u003c\/b\u003e from \u003cb\u003eSerpent Audio\u003c\/b\u003e allows you to add a mix\/blend function to any piece of outboard gear, allowing for enhanced parallel processing. 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Serpent Audio Send N' Blend Mix / Blend Control 500-Series Module

Serpent Audio Send N' Blend Mix / Blend Control 500-Series Module

$449.00

The 500 Series Send N' Blend Mix / Blend Module from Serpent Audio allows you to add a mix/blend function to any piece of outboard gear, allowing for enhanced parallel processing. It can be used for combining of two individual signals (dual mic'ing or typical summing applications). The module features Elna capacitors, a sealed potentiometer, ...


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Serpent Audio CHIMERA Opto Compressor 500-Series Module
{"id":4726442885209,"title":"Serpent Audio CHIMERA Opto Compressor 500-Series Module","handle":"serpent-audio-chimera-opto-compressor-500-series-module","description":"\u003cdiv\u003e\n\u003cdiv data-selenium=\"overviewLongDescription\" class=\"\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003e\n\u003cp\u003eThe \u003cb\u003e500 Series CHIMERA Opto Compressor\u003c\/b\u003e from \u003cb\u003eSerpent Audio\u003c\/b\u003e features a discrete circuit design, Orange Drop and Elna capacitors, full steel enclosure and cover, class AB transistor output, true T4B optical cell, and transformer balanced input and output.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cul\u003e\n\u003cli\u003eDiscrete transistor design\u003c\/li\u003e\n\u003cli\u003eTransformer balanced input and output\u003c\/li\u003e\n\u003cli\u003eUser replaceable\/upgradable true T4B optical cell\u003c\/li\u003e\n\u003cli\u003eCinemag 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\"Mod\" incorporated for increasing signal to noise ratio\u003c\/li\u003e\n\u003cli\u003eHard bypass (relay controlled)\u003c\/li\u003e\n\u003cli\u003eStereo linkable\u003c\/li\u003e\n\u003cli\u003eHF Sidechain boost (for De-Essing)\u003c\/li\u003e\n\u003cli\u003eCompress\/Limit Mode: Sealed Pots\u003c\/li\u003e\n\u003cli\u003eSifam VU meter\u003c\/li\u003e\n\u003cli\u003eVPR compliant (100mA total power consumption)\u003c\/li\u003e\n\u003cli\u003eMade in the USA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
Serpent Audio CHIMERA Opto Compressor 500-Series Module

Serpent Audio CHIMERA Opto Compressor 500-Series Module

$1,299.00

The 500 Series CHIMERA Opto Compressor from Serpent Audio features a discrete circuit design, Orange Drop and Elna capacitors, full steel enclosure and cover, class AB transistor output, true T4B optical cell, and transformer balanced input and output. Discrete transistor design Transformer balanced input and output User replaceable/upg...


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Serpent Audio SB4001 Stereo Buss Compressor 500-Series Module
{"id":4726435446873,"title":"Serpent Audio SB4001 Stereo Buss Compressor 500-Series Module","handle":"serpent-audio-sb4001-stereo-buss-compressor-500-series-module","description":"\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"\" data-selenium=\"overviewLongDescription\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"js-injected-html\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe \u003cb data-mce-fragment=\"1\"\u003e SB4001 500 Series Stereo Bus Compressor\u003c\/b\u003e from \u003cb data-mce-fragment=\"1\"\u003eSerpent Audio\u003c\/b\u003e is a quad VCA based compressor, and can be used for either stereo or mono applications. It can be used for gain reduction and is suitable for a number of signal types and musical applications. This stereo compressor has six Ratios, ten Attack Times, High Pass\/Boost\/Slope Sidechain Filters, Wet\/Dry Blend Control, External (Key) Input, Classic Stepped Release Settings, Classic and Alternate Auto Release, Variable Release Control, and \"Grind\" Mode (a valve style harmonic drive adding vintage color).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli\u003eElectronically balanced\u003c\/li\u003e\n\u003cli\u003eTrue bypass (relay controlled)\u003c\/li\u003e\n\u003cli\u003eProtection from 48V phantom power\u003c\/li\u003e\n\u003cli\u003ePowder-coated front panel for extra durability\u003c\/li\u003e\n\u003cli\u003eAll handmade through-hole main audio path\u003c\/li\u003e\n\u003cli\u003eWet\/Dry blend (for parallel processing)\u003c\/li\u003e\n\u003cli\u003eExternal\/Key input accepts balanced or unbalanced inputs\u003c\/li\u003e\n\u003cli\u003ePremium Grayhill rotary switches\u003c\/li\u003e\n\u003cli\u003eSealed pots\u003c\/li\u003e\n\u003cli\u003eAll machined aluminum knobs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2020-09-25T17:00:40-04:00","created_at":"2020-09-25T17:00:37-04:00","vendor":"Serpent Audio","type":"500-Series Module","tags":["finance24","Pro Audio","specialorder"],"price":119900,"price_min":119900,"price_max":119900,"available":true,"price_varies":false,"compare_at_price":134900,"compare_at_price_min":134900,"compare_at_price_max":134900,"compare_at_price_varies":false,"variants":[{"id":32186779828313,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"SB4001","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Serpent Audio SB4001 Stereo Buss Compressor 500-Series Module","public_title":null,"options":["Default Title"],"price":119900,"weight":2268,"compare_at_price":134900,"inventory_management":"shopify","barcode":"100156790012"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/serpent_audio_sb4001_500_series_stereo_buss_1492614510_1332341.jpg?v=1601067639","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1492614255_IMG_784824.jpg?v=1601067639","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1492614255_IMG_784823.jpg?v=1601067639"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/serpent_audio_sb4001_500_series_stereo_buss_1492614510_1332341.jpg?v=1601067639","options":["Title"],"media":[{"alt":null,"id":6951890059353,"position":1,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/serpent_audio_sb4001_500_series_stereo_buss_1492614510_1332341.jpg?v=1601067639"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/serpent_audio_sb4001_500_series_stereo_buss_1492614510_1332341.jpg?v=1601067639","width":500},{"alt":null,"id":6951890092121,"position":2,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1492614255_IMG_784824.jpg?v=1601067639"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1492614255_IMG_784824.jpg?v=1601067639","width":500},{"alt":null,"id":6951890124889,"position":3,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1492614255_IMG_784823.jpg?v=1601067639"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1492614255_IMG_784823.jpg?v=1601067639","width":500}],"content":"\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"\" data-selenium=\"overviewLongDescription\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"js-injected-html\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe \u003cb data-mce-fragment=\"1\"\u003e SB4001 500 Series Stereo Bus Compressor\u003c\/b\u003e from \u003cb data-mce-fragment=\"1\"\u003eSerpent Audio\u003c\/b\u003e is a quad VCA based compressor, and can be used for either stereo or mono applications. It can be used for gain reduction and is suitable for a number of signal types and musical applications. This stereo compressor has six Ratios, ten Attack Times, High Pass\/Boost\/Slope Sidechain Filters, Wet\/Dry Blend Control, External (Key) Input, Classic Stepped Release Settings, Classic and Alternate Auto Release, Variable Release Control, and \"Grind\" Mode (a valve style harmonic drive adding vintage color).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli\u003eElectronically balanced\u003c\/li\u003e\n\u003cli\u003eTrue bypass (relay controlled)\u003c\/li\u003e\n\u003cli\u003eProtection from 48V phantom power\u003c\/li\u003e\n\u003cli\u003ePowder-coated front panel for extra durability\u003c\/li\u003e\n\u003cli\u003eAll handmade through-hole main audio path\u003c\/li\u003e\n\u003cli\u003eWet\/Dry blend (for parallel processing)\u003c\/li\u003e\n\u003cli\u003eExternal\/Key input accepts balanced or unbalanced inputs\u003c\/li\u003e\n\u003cli\u003ePremium Grayhill rotary switches\u003c\/li\u003e\n\u003cli\u003eSealed pots\u003c\/li\u003e\n\u003cli\u003eAll machined aluminum knobs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
Serpent Audio SB4001 Stereo Buss Compressor 500-Series Module

Serpent Audio SB4001 Stereo Buss Compressor 500-Series Module

$1,199.00

The SB4001 500 Series Stereo Bus Compressor from Serpent Audio is a quad VCA based compressor, and can be used for either stereo or mono applications. It can be used for gain reduction and is suitable for a number of signal types and musical applications. This stereo compressor has six Ratios, ten Attack Times, High Pass/Boost/Slope Sidechai...


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Warm Audio WA-87 FET Condenser Multi-Pattern Recording Studio Microphone (Nickel)
{"id":4725291941977,"title":"Warm Audio WA-87 FET Condenser Multi-Pattern Recording Studio Microphone (Nickel)","handle":"warm-audio-wa-87-fet-condenser-multi-pattern-recording-studio-microphone-nickel","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/m4asrAe_S44\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" width=\"548\" height=\"308\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eA Classic Made Affordable\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe classic '87 is arguably the most widely-used large diaphragm condenser microphone in popular recording history. Rather than base our WA-87 circuit on current incarnations of this mic, we decided to closely follow the early circuit designs that date back nearly half a century. As is true with many classic microphones, engineers who have worked with different versions of these microphones often prefer the warmer, more forgiving nature of the earlier commercially available models. The desire to re-introduce the warm tone of this classic mic at an affordable price to an all new generation of recording artists was the inspiration behind the WA-87.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt All Starts with the Microphone\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe importance of a good microphone cannot be overstated; but unfortunately, finding a truly great microphone within a budget has always been challenging for aspiring engineers. There are very usable microphones available for those on a budget; but top shelf, classic studio microphones are financially out of reach for most people. Warm applied all that they know about bridging this barrier into crafting a microphone that reaches the level of quality and sonics mostly found only in top shelf products, yet sells for a price that is down to earth.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eQuality Components Make a Better Mic\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe WA-87 features all discrete, premium components such as Fairchild FETs, tantalum, polystyrene, and WIMA film capacitors, and is rounded off with a CineMag USA output transformer.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe WA-87 proudly uses our own Warm Audio WA-87-B-50V custom capsule reproduction stylized after the classic K87 dual backplate\/dual diaphragm capsule found in the early '87 microphones.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe WA (Warm Audio) brand of capsule is the result of several years of research, a lifetime of listening, and a passion for great sound. Above all else, Warm Audio capsules came from the desire to give customers far more quality\/value than what they are used to getting in an affordable microphone. Every Warm Audio capsule is made in the same small assembly house in a clean-room environment, and packaged in its own protective jewel case until the moment it is loaded into the microphone. Every capsule visually inspected and electrically tested for imperfections. Every capsule is also made with all brass parts (no teflon or other cost saving material), and is carefully skinned from the same supply of high purity NOS Mylar (PET film). We are confident that you will be just as pleased with Warm microphone capsules as we are to offer them, and that they will give you a lifetime of great recordings and enjoyment.\u003c\/p\u003e","published_at":"2020-09-24T15:44:46-04:00","created_at":"2020-09-24T15:44:45-04:00","vendor":"Warm Audio","type":"Microphones","tags":["finance24","Microphone","Pro Audio","specialorder"],"price":59900,"price_min":59900,"price_max":59900,"available":true,"price_varies":false,"compare_at_price":69900,"compare_at_price_min":69900,"compare_at_price_max":69900,"compare_at_price_varies":false,"variants":[{"id":32184083021913,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"HL00323638","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Warm Audio WA-87 FET Condenser Multi-Pattern Recording Studio Microphone (Nickel)","public_title":null,"options":["Default Title"],"price":59900,"weight":4536,"compare_at_price":69900,"inventory_management":"shopify","barcode":"638142859288"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/s-l1600_bef9b1f1-184e-403a-8401-c905fab11911.jpg?v=1600976689","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/warm_audio_wa87_wa_87_condenser_microphone_1477500609_1291126.jpg?v=1600976810","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/169636165ee83f13426de.jpg?v=1600976810","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1477501199_IMG_697781.jpg?v=1600976810","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1477501199_IMG_697783.jpg?v=1600976810","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1477501199_IMG_697782.jpg?v=1600976809"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/s-l1600_bef9b1f1-184e-403a-8401-c905fab11911.jpg?v=1600976689","options":["Title"],"media":[{"alt":null,"id":6947585228889,"position":1,"preview_image":{"aspect_ratio":1.13,"height":1416,"width":1600,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/s-l1600_bef9b1f1-184e-403a-8401-c905fab11911.jpg?v=1600976689"},"aspect_ratio":1.13,"height":1416,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/s-l1600_bef9b1f1-184e-403a-8401-c905fab11911.jpg?v=1600976689","width":1600},{"alt":null,"id":6947585392729,"position":2,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/warm_audio_wa87_wa_87_condenser_microphone_1477500609_1291126.jpg?v=1600976689"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/warm_audio_wa87_wa_87_condenser_microphone_1477500609_1291126.jpg?v=1600976689","width":500},{"alt":null,"id":6947585261657,"position":3,"preview_image":{"aspect_ratio":2.525,"height":396,"width":1000,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/169636165ee83f13426de.jpg?v=1600976688"},"aspect_ratio":2.525,"height":396,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/169636165ee83f13426de.jpg?v=1600976688","width":1000},{"alt":null,"id":6947585327193,"position":4,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1477501199_IMG_697781.jpg?v=1600976688"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1477501199_IMG_697781.jpg?v=1600976688","width":500},{"alt":null,"id":6947585294425,"position":5,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1477501199_IMG_697783.jpg?v=1600976688"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1477501199_IMG_697783.jpg?v=1600976688","width":500},{"alt":null,"id":6947585359961,"position":6,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1477501199_IMG_697782.jpg?v=1600976688"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1477501199_IMG_697782.jpg?v=1600976688","width":500}],"content":"\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/m4asrAe_S44\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" width=\"548\" height=\"308\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eA Classic Made Affordable\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe classic '87 is arguably the most widely-used large diaphragm condenser microphone in popular recording history. Rather than base our WA-87 circuit on current incarnations of this mic, we decided to closely follow the early circuit designs that date back nearly half a century. As is true with many classic microphones, engineers who have worked with different versions of these microphones often prefer the warmer, more forgiving nature of the earlier commercially available models. The desire to re-introduce the warm tone of this classic mic at an affordable price to an all new generation of recording artists was the inspiration behind the WA-87.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt All Starts with the Microphone\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe importance of a good microphone cannot be overstated; but unfortunately, finding a truly great microphone within a budget has always been challenging for aspiring engineers. There are very usable microphones available for those on a budget; but top shelf, classic studio microphones are financially out of reach for most people. Warm applied all that they know about bridging this barrier into crafting a microphone that reaches the level of quality and sonics mostly found only in top shelf products, yet sells for a price that is down to earth.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eQuality Components Make a Better Mic\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe WA-87 features all discrete, premium components such as Fairchild FETs, tantalum, polystyrene, and WIMA film capacitors, and is rounded off with a CineMag USA output transformer.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe WA-87 proudly uses our own Warm Audio WA-87-B-50V custom capsule reproduction stylized after the classic K87 dual backplate\/dual diaphragm capsule found in the early '87 microphones.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe WA (Warm Audio) brand of capsule is the result of several years of research, a lifetime of listening, and a passion for great sound. Above all else, Warm Audio capsules came from the desire to give customers far more quality\/value than what they are used to getting in an affordable microphone. Every Warm Audio capsule is made in the same small assembly house in a clean-room environment, and packaged in its own protective jewel case until the moment it is loaded into the microphone. Every capsule visually inspected and electrically tested for imperfections. Every capsule is also made with all brass parts (no teflon or other cost saving material), and is carefully skinned from the same supply of high purity NOS Mylar (PET film). We are confident that you will be just as pleased with Warm microphone capsules as we are to offer them, and that they will give you a lifetime of great recordings and enjoyment.\u003c\/p\u003e"}
Warm Audio WA-87 FET Condenser Multi-Pattern Recording Studio Microphone (Nickel)

Warm Audio WA-87 FET Condenser Multi-Pattern Recording Studio Microphone (Nickel)

$599.00

A Classic Made AffordableThe classic '87 is arguably the most widely-used large diaphragm condenser microphone in popular recording history. Rather than base our WA-87 circuit on current incarnations of this mic, we decided to closely follow the early circuit designs that date back nearly half a century. As is true with many classic microphones...


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Warm Audio WA12 MKII Discrete Mic Pre (Black)
{"id":4725289058393,"title":"Warm Audio WA12 MKII Discrete Mic Pre (Black)","handle":"warm-audio-wa12-mkii-discrete-mic-pre-black","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/ESWem9Bcrzs\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" width=\"900\" height=\"507\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRaising The Volume \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA lot of preamps on the market do a good job of raising the volume of microphones and instruments, but many pres today are doing only that: raising the volume. These “super clean” designs often leave the signal exiting the preamp sounding much the same as it did entering it, which ends up requiring a lot of work in post-production to get instruments to wake up and sound big in a mix.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIf you’re looking for a preamp to actually improve and shape your signal instead, you will most definitely love the WA12 MKII Black. This preamp is designed to transform the tone of plain instruments and vocals into exciting sounds that can stand on their own - so if your mixes lack depth, struggle to sound alive, or are just missing that professional touch you’ve always wanted, the the WA12 MKII Black is the affordable answer.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePacked With Performance \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe WA12 MKII Black is a completely discrete, high voltage, dual-transformer microphone preamplifier design with high gain (+71dB), high headroom, low noise, and exciting sonic performance – which makes it an ideal choice for all types of recording applications. A high-quality mic preamp is one of the most critical pieces needed to achieve that elusive ‘larger than life’ sound, and the WA12 MKII Black delivers on that promise every single time.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePremium Components \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe WA12 MKII Black is based around the X731 discrete op-amp, which is our own reproduction of the classic Melcor 1731 - considered by some to be the warmer predecessor to the modern 2520-style op-amp. The X731 can achieve vibrant, clean and lifelike tones, but it can also be driven into mild saturation at much higher gain levels. While the effects of that saturation can range from subtle to obvious, they always remain very pleasing to the ear, and because it was designed around the X731 the WA12 MKII Black can accept any discrete op-amp on the market that conforms to the +\/-16v, 2520 pinout standard.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOur ears played a big part in the process of designing the WA12 MKII Black, and we didn’t stop tweaking until anything we ran through it sounded better. Using CineMag USA transformers and an all-discrete signal path, we ensured that this preamp would have the building blocks to compete with the best-sounding preamps on the market, and we’re very proud to offer such a robust and professional design in a small and affordable package.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTechnical Specifications \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e         ○  Utilizes premium-grade input and output transformers from Cinemag USA\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e         ○  Fully discrete design with a robust 71db of gain\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e         ○  Utilizes a discrete 6-pin socketed 1731-style opamp, which can be swapped with other designs that conform to the 6-pin, 2520 footprint +\/- 16VDC standard for varying tone and flavor\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e         ○  20 db pad \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e         ○  Tone button - switches the input impedance from 150 to 600 ohms and changes the tone of both the mic and hi-Z inputs\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e         ○  Mic level balanced input: XLR\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e         ○  2 MegOhm true hi-Z input on the front panel which sends the signal through the entire circuit, including both Cinemag transformers and the X731 opamp - great for guitars, bass, keys, keyboards and any instrument with a 1\/4” output jack\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp 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data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/ESWem9Bcrzs\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" width=\"900\" height=\"507\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRaising The Volume \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA lot of preamps on the market do a good job of raising the volume of microphones and instruments, but many pres today are doing only that: raising the volume. These “super clean” designs often leave the signal exiting the preamp sounding much the same as it did entering it, which ends up requiring a lot of work in post-production to get instruments to wake up and sound big in a mix.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIf you’re looking for a preamp to actually improve and shape your signal instead, you will most definitely love the WA12 MKII Black. This preamp is designed to transform the tone of plain instruments and vocals into exciting sounds that can stand on their own - so if your mixes lack depth, struggle to sound alive, or are just missing that professional touch you’ve always wanted, the the WA12 MKII Black is the affordable answer.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePacked With Performance \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe WA12 MKII Black is a completely discrete, high voltage, dual-transformer microphone preamplifier design with high gain (+71dB), high headroom, low noise, and exciting sonic performance – which makes it an ideal choice for all types of recording applications. A high-quality mic preamp is one of the most critical pieces needed to achieve that elusive ‘larger than life’ sound, and the WA12 MKII Black delivers on that promise every single time.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePremium Components \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe WA12 MKII Black is based around the X731 discrete op-amp, which is our own reproduction of the classic Melcor 1731 - considered by some to be the warmer predecessor to the modern 2520-style op-amp. The X731 can achieve vibrant, clean and lifelike tones, but it can also be driven into mild saturation at much higher gain levels. While the effects of that saturation can range from subtle to obvious, they always remain very pleasing to the ear, and because it was designed around the X731 the WA12 MKII Black can accept any discrete op-amp on the market that conforms to the +\/-16v, 2520 pinout standard.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOur ears played a big part in the process of designing the WA12 MKII Black, and we didn’t stop tweaking until anything we ran through it sounded better. Using CineMag USA transformers and an all-discrete signal path, we ensured that this preamp would have the building blocks to compete with the best-sounding preamps on the market, and we’re very proud to offer such a robust and professional design in a small and affordable package.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTechnical Specifications \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e         ○  Utilizes premium-grade input and output transformers from Cinemag USA\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e         ○  Fully discrete design with a robust 71db of gain\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e         ○  Utilizes a discrete 6-pin socketed 1731-style opamp, which can be swapped with other designs that conform to the 6-pin, 2520 footprint +\/- 16VDC standard for varying tone and flavor\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e         ○  20 db pad \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e         ○  Tone button - switches the input impedance from 150 to 600 ohms and changes the tone of both the mic and hi-Z inputs\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e         ○  Mic level balanced input: XLR\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e         ○  2 MegOhm true hi-Z input on the front panel which sends the signal through the entire circuit, including both Cinemag transformers and the X731 opamp - great for guitars, bass, keys, keyboards and any instrument with a 1\/4” output jack\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e         ○  Balanced outputs: XLR and 1\/4” TRS\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e         ○  48 Volt phantom power\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e         ○  LED Meter gain indication\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e         ○  Output attenuation control (positioned after the Cinemag output transformer) allows for driving the preamp and transformers into saturation\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e         ○  Switchable 115\/230 volt IEC power inlet \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e"}
Warm Audio WA12 MKII Discrete Mic Pre (Black)

Warm Audio WA12 MKII Discrete Mic Pre (Black)

$469.00

Raising The Volume A lot of preamps on the market do a good job of raising the volume of microphones and instruments, but many pres today are doing only that: raising the volume. These “super clean” designs often leave the signal exiting the preamp sounding much the same as it did entering it, which ends up requiring a lot of work in post-prod...


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Warm Audio WA-87 R2 Multi-Pattern FET Condenser Microphone (Nickel)
{"id":4725230141529,"title":"Warm Audio WA-87 R2 Multi-Pattern FET Condenser Microphone (Nickel)","handle":"warm-audio-wa-87-r2-multi-pattern-fet-condenser-microphone-nickel","description":"\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\" data-selenium=\"overviewLongDescription\" class=\"\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"js-injected-html\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/FLOfKkJFvIo\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" width=\"750\" height=\"500\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eStyled in a nickel finish, the \u003cb data-mce-fragment=\"1\"\u003eWA-87 R2 Multi-Pattern Condenser Microphone\u003c\/b\u003e from \u003cb data-mce-fragment=\"1\"\u003e Warm Audio\u003c\/b\u003e is the second, upgraded version of the mic that helped establish Warm Audio's reputation in the pro-audio gear sphere.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe original WA-87 already brought the sound of a classic, vintage, and most importantly, expensive microphone to hard-working engineers on a budget. The WA-87 R2 upgrades many features to make it sound even better and even closer to the original. For instance, even more top-shelf components are used throughout, such as a NOS Fairchild transistor and film capacitors from Wima.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eYou'll note an increased output level over the original as well as an improved frequency response across its 20 Hz to 20 kHz range. The latter is made possible by a new, rounded head-basket shape, which ensures the capsule has additional space in the housing, and accounts for the pleasing sonic signature, which is even closer to the sound of the original vintage mic. This mic can be used to capture audio in many environments, such as recording studios, live stage, and theaters. It is suitable for all sorts of instruments and offers three different polar patterns: omnidirectional, cardioid, and figure-8. The mic ships with a shockmount, a hard mount, and a wood box for storage.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\n\u003ch2 data-mce-fragment=\"1\" class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eNew in the R2\u003c\/h2\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"js-injected-html\"\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRounded head-basket shape adds additional space around the capsule for a more pleasing sonic signature\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMicrophone employs top-quality components like a NOS Fairchild transistor and high-bandwidth polystyrene and film capacitors from Wima\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eIncreased output level over previous version \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eImproved frequency response over previous version\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\n\u003ch2 data-mce-fragment=\"1\" class=\"h2_2rws9renUitYEzmey3mjuE\"\u003ePremium Components Used Throughout\u003c\/h2\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"js-injected-html\"\u003eThe WA-87 R2 is based on a classic 60s circuit that is widely considered to be one of the greatest studio microphones ever designed. Warm engineered the R2 to get even closer to the sound of the vintage version than the WA-87 did.\u003c\/div\u003e\nIn order to do this, the WA-87 R2 uses top-quality components like a NOS Fairchild transistor and high-bandwidth polystyrene and film capacitors from Wima. The WA-87 R2 uses a custom-wound Cinemag USA output transformer like the original WA-87 did, with the new version providing a slightly increased output level and improved frequency response. Warm also employed the same capsule the WA-87 uses, which was designed to the exact specifications of the ones found in the vintage mics. \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\n\u003ch2 data-mce-fragment=\"1\" class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eVersatility\u003c\/h2\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"js-injected-html\"\u003eJust like the vintage microphone, the WA-87 R2 excels at recording virtually anything. Three polar patterns (cardioid, omnidirectional, and figure-8) make sure you're covered for a wide variety of applications, and an 80 Hz high-pass filter reduces low-frequency rumble if needed. The switchable -10 dB pad comes in handy when you want to record extremely loud sources and not overload the internal electronics. The WA-87 R2 works on vocals, drum overheads, guitars, piano, auxiliary percussion, brass, strings, and more.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"js-injected-html\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\n\u003ch2 data-mce-fragment=\"1\" class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eGreat Look and Great Sound\u003c\/h2\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"js-injected-html\"\u003eThe WA-87 R2 is now encased in a heavier, stronger, and larger nickel-plated brass body, and the new rounded head-basket shape adds additional space around the capsule for a more pleasing sonic signature.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2020-09-24T13:25:39-04:00","created_at":"2020-09-24T13:25:39-04:00","vendor":"Warm Audio","type":"Microphone","tags":["finance24","pre-order","Pro Audio"],"price":59900,"price_min":59900,"price_max":59900,"available":true,"price_varies":false,"compare_at_price":69900,"compare_at_price_min":69900,"compare_at_price_max":69900,"compare_at_price_varies":false,"variants":[{"id":32183866392665,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"HL00357626","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Warm Audio WA-87 R2 Multi-Pattern FET Condenser Microphone (Nickel)","public_title":null,"options":["Default Title"],"price":59900,"weight":4536,"compare_at_price":69900,"inventory_management":"shopify","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1600645569_IMG_1407414.jpg?v=1600968443","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1600645569_IMG_1407413.jpg?v=1600968444","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1600645569_IMG_1407412.jpg?v=1600968445","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1600645569_IMG_1407411.jpg?v=1600968445","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/warm_audio_wa_87_n_r2_wa_87_r2_multi_pattern_condenser_1600645577_1590178.jpg?v=1600968445"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1600645569_IMG_1407414.jpg?v=1600968443","options":["Title"],"media":[{"alt":null,"id":6947356967001,"position":1,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1600645569_IMG_1407414.jpg?v=1600968443"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1600645569_IMG_1407414.jpg?v=1600968443","width":500},{"alt":null,"id":6947356999769,"position":2,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1600645569_IMG_1407413.jpg?v=1600968444"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1600645569_IMG_1407413.jpg?v=1600968444","width":500},{"alt":null,"id":6947357032537,"position":3,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1600645569_IMG_1407412.jpg?v=1600968444"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1600645569_IMG_1407412.jpg?v=1600968444","width":500},{"alt":null,"id":6947357065305,"position":4,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1600645569_IMG_1407411.jpg?v=1600968443"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1600645569_IMG_1407411.jpg?v=1600968443","width":500},{"alt":null,"id":6947357098073,"position":5,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/warm_audio_wa_87_n_r2_wa_87_r2_multi_pattern_condenser_1600645577_1590178.jpg?v=1600968444"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/warm_audio_wa_87_n_r2_wa_87_r2_multi_pattern_condenser_1600645577_1590178.jpg?v=1600968444","width":500}],"content":"\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\" data-selenium=\"overviewLongDescription\" class=\"\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"js-injected-html\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/FLOfKkJFvIo\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" width=\"750\" height=\"500\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eStyled in a nickel finish, the \u003cb data-mce-fragment=\"1\"\u003eWA-87 R2 Multi-Pattern Condenser Microphone\u003c\/b\u003e from \u003cb data-mce-fragment=\"1\"\u003e Warm Audio\u003c\/b\u003e is the second, upgraded version of the mic that helped establish Warm Audio's reputation in the pro-audio gear sphere.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe original WA-87 already brought the sound of a classic, vintage, and most importantly, expensive microphone to hard-working engineers on a budget. The WA-87 R2 upgrades many features to make it sound even better and even closer to the original. For instance, even more top-shelf components are used throughout, such as a NOS Fairchild transistor and film capacitors from Wima.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eYou'll note an increased output level over the original as well as an improved frequency response across its 20 Hz to 20 kHz range. The latter is made possible by a new, rounded head-basket shape, which ensures the capsule has additional space in the housing, and accounts for the pleasing sonic signature, which is even closer to the sound of the original vintage mic. This mic can be used to capture audio in many environments, such as recording studios, live stage, and theaters. It is suitable for all sorts of instruments and offers three different polar patterns: omnidirectional, cardioid, and figure-8. The mic ships with a shockmount, a hard mount, and a wood box for storage.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\n\u003ch2 data-mce-fragment=\"1\" class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eNew in the R2\u003c\/h2\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"js-injected-html\"\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRounded head-basket shape adds additional space around the capsule for a more pleasing sonic signature\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMicrophone employs top-quality components like a NOS Fairchild transistor and high-bandwidth polystyrene and film capacitors from Wima\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eIncreased output level over previous version \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eImproved frequency response over previous version\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\n\u003ch2 data-mce-fragment=\"1\" class=\"h2_2rws9renUitYEzmey3mjuE\"\u003ePremium Components Used Throughout\u003c\/h2\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"js-injected-html\"\u003eThe WA-87 R2 is based on a classic 60s circuit that is widely considered to be one of the greatest studio microphones ever designed. Warm engineered the R2 to get even closer to the sound of the vintage version than the WA-87 did.\u003c\/div\u003e\nIn order to do this, the WA-87 R2 uses top-quality components like a NOS Fairchild transistor and high-bandwidth polystyrene and film capacitors from Wima. The WA-87 R2 uses a custom-wound Cinemag USA output transformer like the original WA-87 did, with the new version providing a slightly increased output level and improved frequency response. Warm also employed the same capsule the WA-87 uses, which was designed to the exact specifications of the ones found in the vintage mics. \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\n\u003ch2 data-mce-fragment=\"1\" class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eVersatility\u003c\/h2\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"js-injected-html\"\u003eJust like the vintage microphone, the WA-87 R2 excels at recording virtually anything. Three polar patterns (cardioid, omnidirectional, and figure-8) make sure you're covered for a wide variety of applications, and an 80 Hz high-pass filter reduces low-frequency rumble if needed. The switchable -10 dB pad comes in handy when you want to record extremely loud sources and not overload the internal electronics. The WA-87 R2 works on vocals, drum overheads, guitars, piano, auxiliary percussion, brass, strings, and more.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"js-injected-html\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\n\u003ch2 data-mce-fragment=\"1\" class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eGreat Look and Great Sound\u003c\/h2\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"js-injected-html\"\u003eThe WA-87 R2 is now encased in a heavier, stronger, and larger nickel-plated brass body, and the new rounded head-basket shape adds additional space around the capsule for a more pleasing sonic signature.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
Warm Audio WA-87 R2 Multi-Pattern FET Condenser Microphone (Nickel)

Warm Audio WA-87 R2 Multi-Pattern FET Condenser Microphone (Nickel)

$599.00

Styled in a nickel finish, the WA-87 R2 Multi-Pattern Condenser Microphone from Warm Audio is the second, upgraded version of the mic that helped establish Warm Audio's reputation in the pro-audio gear sphere. The original WA-87 already brought the sound of a classic, vintage, and most importantly, expensive microphone to hard-working engi...


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14%
Sale
Warm Audio WA-87 R2 Multi-Pattern FET Condenser Microphone (Black)
{"id":4725229781081,"title":"Warm Audio WA-87 R2 Multi-Pattern FET Condenser Microphone (Black)","handle":"warm-audio-wa-87-r2-multi-pattern-condenser-microphone-black","description":"\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\" data-selenium=\"overviewLongDescription\" class=\"\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"js-injected-html\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/FLOfKkJFvIo\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" width=\"750\" height=\"500\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eStyled in a black finish, the \u003cb data-mce-fragment=\"1\"\u003eWA-87 R2 Multi-Pattern Condenser Microphone\u003c\/b\u003e from \u003cb data-mce-fragment=\"1\"\u003e Warm Audio\u003c\/b\u003e is the second, upgraded version of the mic that helped establish Warm Audio's reputation in the pro-audio gear sphere.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe original WA-87 already brought the sound of a classic, vintage, and most importantly, expensive microphone to hard-working engineers on a budget. The WA-87 R2 upgrades many features to make it sound even better and even closer to the original. For instance, even more top-shelf components are used throughout, such as a NOS Fairchild transistor and film capacitors from Wima.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eYou'll note an increased output level over the original as well as an improved frequency response across its 20 Hz to 20 kHz range. The latter is made possible by a new, rounded head-basket shape, which ensures the capsule has additional space in the housing, and accounts for the pleasing sonic signature, which is even closer to the sound of the original vintage mic. This mic can be used to capture audio in many environments, such as recording studios, live stage, and theaters. It is suitable for all sorts of instruments and offers three different polar patterns: omnidirectional, cardioid, and figure-8. The mic ships with a shockmount, a hard mount, and a wood box for storage.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\n\u003ch2 data-mce-fragment=\"1\" class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eNew in the R2\u003c\/h2\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"js-injected-html\"\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRounded head-basket shape adds additional space around the capsule for a more pleasing sonic signature\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMicrophone employs top-quality components like a NOS Fairchild transistor and high-bandwidth polystyrene and film capacitors from Wima\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eIncreased output level over previous version \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eImproved frequency response over previous version\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\n\u003ch2 data-mce-fragment=\"1\" class=\"h2_2rws9renUitYEzmey3mjuE\"\u003ePremium Components Used Throughout\u003c\/h2\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"js-injected-html\"\u003eThe WA-87 R2 is based on a classic 60s circuit that is widely considered to be one of the greatest studio microphones ever designed. Warm engineered the R2 to get even closer to the sound of the vintage version than the WA-87 did.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"js-injected-html\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn order to do this, the WA-87 R2 uses top-quality components like a NOS Fairchild transistor and high-bandwidth polystyrene and film capacitors from Wima. The WA-87 R2 uses a custom-wound Cinemag USA output transformer like the original WA-87 did, with the new version providing a slightly increased output level and improved frequency response. Warm also employed the same capsule the WA-87 uses, which was designed to the exact specifications of the ones found in the vintage mics.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\n\u003ch2 data-mce-fragment=\"1\" class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eVersatility\u003c\/h2\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"js-injected-html\"\u003eJust like the vintage microphone, the WA-87 R2 excels at recording virtually anything. Three polar patterns (cardioid, omnidirectional, and figure-8) make sure you're covered for a wide variety of applications, and an 80 Hz high-pass filter reduces low-frequency rumble if needed. The switchable -10 dB pad comes in handy when you want to record extremely loud sources and not overload the internal electronics. The WA-87 R2 works on vocals, drum overheads, guitars, piano, auxiliary percussion, brass, strings, and more.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\n\u003ch2 data-mce-fragment=\"1\" class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eGreat Look and Great Sound\u003c\/h2\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"js-injected-html\"\u003eThe WA-87 R2 is now encased in a heavier, stronger, and larger nickel-plated brass body, and the new rounded head-basket shape adds additional space around the capsule for a more pleasing sonic signature.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2020-09-24T13:24:56-04:00","created_at":"2020-09-24T13:24:55-04:00","vendor":"Warm Audio","type":"Microphone","tags":["finance24","pre-order","Pro Audio"],"price":59900,"price_min":59900,"price_max":59900,"available":true,"price_varies":false,"compare_at_price":69900,"compare_at_price_min":69900,"compare_at_price_max":69900,"compare_at_price_varies":false,"variants":[{"id":32183865868377,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"HL00357627","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Warm Audio WA-87 R2 Multi-Pattern FET Condenser Microphone (Black)","public_title":null,"options":["Default Title"],"price":59900,"weight":4536,"compare_at_price":69900,"inventory_management":"shopify","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1600645569_IMG_1407410.jpg?v=1600968299","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1600645569_IMG_1407409.jpg?v=1600968299","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1600645569_IMG_1407407.jpg?v=1600968299","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1600645569_IMG_1407406.jpg?v=1600968300","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1600645569_IMG_1407405.jpg?v=1600968300","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/warm_audio_wa_87_b_r2_wa_87_r2_multi_pattern_condenser_1600645577_1590176.jpg?v=1600968300"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1600645569_IMG_1407410.jpg?v=1600968299","options":["Title"],"media":[{"alt":null,"id":6947354837081,"position":1,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1600645569_IMG_1407410.jpg?v=1600968299"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1600645569_IMG_1407410.jpg?v=1600968299","width":500},{"alt":null,"id":6947354869849,"position":2,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1600645569_IMG_1407409.jpg?v=1600968298"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1600645569_IMG_1407409.jpg?v=1600968298","width":500},{"alt":null,"id":6947354902617,"position":3,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1600645569_IMG_1407407.jpg?v=1600968298"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1600645569_IMG_1407407.jpg?v=1600968298","width":500},{"alt":null,"id":6947354935385,"position":4,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1600645569_IMG_1407406.jpg?v=1600968299"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1600645569_IMG_1407406.jpg?v=1600968299","width":500},{"alt":null,"id":6947354968153,"position":5,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1600645569_IMG_1407405.jpg?v=1600968299"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1600645569_IMG_1407405.jpg?v=1600968299","width":500},{"alt":null,"id":6947355000921,"position":6,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/warm_audio_wa_87_b_r2_wa_87_r2_multi_pattern_condenser_1600645577_1590176.jpg?v=1600968298"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/warm_audio_wa_87_b_r2_wa_87_r2_multi_pattern_condenser_1600645577_1590176.jpg?v=1600968298","width":500}],"content":"\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\" data-selenium=\"overviewLongDescription\" class=\"\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"js-injected-html\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/FLOfKkJFvIo\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" width=\"750\" height=\"500\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eStyled in a black finish, the \u003cb data-mce-fragment=\"1\"\u003eWA-87 R2 Multi-Pattern Condenser Microphone\u003c\/b\u003e from \u003cb data-mce-fragment=\"1\"\u003e Warm Audio\u003c\/b\u003e is the second, upgraded version of the mic that helped establish Warm Audio's reputation in the pro-audio gear sphere.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe original WA-87 already brought the sound of a classic, vintage, and most importantly, expensive microphone to hard-working engineers on a budget. The WA-87 R2 upgrades many features to make it sound even better and even closer to the original. For instance, even more top-shelf components are used throughout, such as a NOS Fairchild transistor and film capacitors from Wima.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eYou'll note an increased output level over the original as well as an improved frequency response across its 20 Hz to 20 kHz range. The latter is made possible by a new, rounded head-basket shape, which ensures the capsule has additional space in the housing, and accounts for the pleasing sonic signature, which is even closer to the sound of the original vintage mic. This mic can be used to capture audio in many environments, such as recording studios, live stage, and theaters. It is suitable for all sorts of instruments and offers three different polar patterns: omnidirectional, cardioid, and figure-8. The mic ships with a shockmount, a hard mount, and a wood box for storage.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\n\u003ch2 data-mce-fragment=\"1\" class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eNew in the R2\u003c\/h2\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"js-injected-html\"\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRounded head-basket shape adds additional space around the capsule for a more pleasing sonic signature\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMicrophone employs top-quality components like a NOS Fairchild transistor and high-bandwidth polystyrene and film capacitors from Wima\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eIncreased output level over previous version \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eImproved frequency response over previous version\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\n\u003ch2 data-mce-fragment=\"1\" class=\"h2_2rws9renUitYEzmey3mjuE\"\u003ePremium Components Used Throughout\u003c\/h2\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"js-injected-html\"\u003eThe WA-87 R2 is based on a classic 60s circuit that is widely considered to be one of the greatest studio microphones ever designed. Warm engineered the R2 to get even closer to the sound of the vintage version than the WA-87 did.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"js-injected-html\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn order to do this, the WA-87 R2 uses top-quality components like a NOS Fairchild transistor and high-bandwidth polystyrene and film capacitors from Wima. The WA-87 R2 uses a custom-wound Cinemag USA output transformer like the original WA-87 did, with the new version providing a slightly increased output level and improved frequency response. Warm also employed the same capsule the WA-87 uses, which was designed to the exact specifications of the ones found in the vintage mics.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\n\u003ch2 data-mce-fragment=\"1\" class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eVersatility\u003c\/h2\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"js-injected-html\"\u003eJust like the vintage microphone, the WA-87 R2 excels at recording virtually anything. Three polar patterns (cardioid, omnidirectional, and figure-8) make sure you're covered for a wide variety of applications, and an 80 Hz high-pass filter reduces low-frequency rumble if needed. The switchable -10 dB pad comes in handy when you want to record extremely loud sources and not overload the internal electronics. The WA-87 R2 works on vocals, drum overheads, guitars, piano, auxiliary percussion, brass, strings, and more.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\n\u003ch2 data-mce-fragment=\"1\" class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eGreat Look and Great Sound\u003c\/h2\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"js-injected-html\"\u003eThe WA-87 R2 is now encased in a heavier, stronger, and larger nickel-plated brass body, and the new rounded head-basket shape adds additional space around the capsule for a more pleasing sonic signature.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
Warm Audio WA-87 R2 Multi-Pattern FET Condenser Microphone (Black)

Warm Audio WA-87 R2 Multi-Pattern FET Condenser Microphone (Black)

$599.00

Styled in a black finish, the WA-87 R2 Multi-Pattern Condenser Microphone from Warm Audio is the second, upgraded version of the mic that helped establish Warm Audio's reputation in the pro-audio gear sphere. The original WA-87 already brought the sound of a classic, vintage, and most importantly, expensive microphone to hard-working engine...


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Isovox ISOMIC Studio Condenser Vocal Microphone with Triangular Capsule
{"id":4724758970457,"title":"Isovox ISOMIC Studio Condenser Vocal Microphone with Triangular Capsule","handle":"isovox-isomic-studio-microphone-with-triangular-capsule","description":"\u003cdiv class=\"product attribute description\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"value\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/k8-wABjH6oQ\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"750\" height=\"500\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eISOMIC™ is designed for professional Voice Over Artists \u0026amp; Vocalists who want an easy-to-use solution to achieve the “Pro Studio Sound” along with the ISOVOX® Vocal Booth. \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe sound is “Pre-Set” and works fantastic for Voice-Overs, Audio Books, Narrations, and of course Vocals of different genres. You can of course tweak it if you feel the need… \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e It’s top-of-the-line specifications along with its patented triangular capsule gives a sound that is just as unique as you are. The sound can be described as hyper realistic, well balanced and crystal clear. This is what we think the future should sound like. The high-end is naturally smooth and makes it very “comfortable” sounding which makes it great for modern high-compressed Voice Overs \/ Vocals without sounding harsh. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e ISOMIC™ is designed primarily for the ISOVOX Vocal Booth.\u003cbr data-mce-fragment=\"1\"\u003e While it can be used without it, it’s recommended to use it inside the ISOVOX to squeeze out it’s full potential.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTHE SCIENTIFIC PART:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe patented Triangular Ehrlund Capsule that powers the ISOMIC™ sounds like nothing you have heard before. Experience clarity at a whole new level. \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e What’s the thing with the triangular capsule? The short answer: \u003cbr data-mce-fragment=\"1\"\u003e It captures your voice in a much more natural way than a circular capsule is capable of.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe long answer: \u003cbr data-mce-fragment=\"1\"\u003e Thanks to over *3x faster recovery movement than a circular, it will minimize it’s own self coloration and therefore result in a much more detailed and accurate sound recording. This patented technology enables a jaw-dropping frequency range of 7 Hz - 87 000 Hz. \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e When a single sound impulse hits the membrane, it will start to resonate. \u003cbr data-mce-fragment=\"1\"\u003e The same way a cymbal reacts when it gets hit by the drummer. \u003cbr data-mce-fragment=\"1\"\u003e The self resonance of the membrane will colorize the sound, and prevent it from capturing incoming transients accurately. While the circular membrane (cymbal) is busy resonating, the triangular one has already stopped. This enables the triangular membrane to capture more of the incoming transients accurately and therefore capture a much more natural sound. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e*Based on the physical signal analysis theory\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMade for:\u003cbr data-mce-fragment=\"1\"\u003e \u003c\/strong\u003eVoice Over Artists \u0026amp; Vocalists.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCan it be used for other instruments? \u003cbr data-mce-fragment=\"1\"\u003e \u003c\/strong\u003eYes, but it’s mainly designed for voice recording with the ISOVOX Vocal Booth.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cdiv style=\"display: block;\" aria-hidden=\"false\" role=\"tabpanel\" aria-labelledby=\"tab-label-product.info.features\" data-role=\"content\" id=\"product.info.features\" class=\"data item content\"\u003e\n\u003cdiv id=\"features-tab-detail\"\u003e\n\u003cul\u003e\n\u003cli\u003eRadio Ready Sound, just add compression!\u003c\/li\u003e\n\u003cli\u003eMade for the ISOVOX® Vocal Booth\u003c\/li\u003e\n\u003cli\u003eExtremely low self noise \u0026lt; 7 dB (A), so you can focus on your voice and not the noise… \u003c\/li\u003e\n\u003cli\u003e2x Pop-Removal Zones for pop-free recordings\u003c\/li\u003e\n\u003cli\u003eEasy-on-the-eyes-design, so your eyes can focus on the script instead of the gear…\u003c\/li\u003e\n\u003cli\u003eSpecially designed for Voice Over Artists \u0026amp; Vocalists \u003c\/li\u003e\n\u003cli\u003eMade in Sweden\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eTech Specs:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cdiv style=\"display: block;\" aria-hidden=\"false\" role=\"tabpanel\" aria-labelledby=\"tab-label-product.info.specs\" data-role=\"content\" id=\"product.info.specs\" class=\"data item content\"\u003e\n\u003cdiv id=\"specs-tab-detail\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Condenser microphone\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMembrane type:\u003c\/strong\u003e Triangular\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePickup pattern:\u003c\/strong\u003e Cardioid\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency range:\u003c\/strong\u003e 7 Hz – 87 000 Hz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity at 1kHz:\u003c\/strong\u003e -33 dBV\/Pa (23 mV\/Pa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eImpedance:\u003c\/strong\u003e Handles all impedances without altering the frequency response\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level:\u003c\/strong\u003e \u0026lt; 7 dBA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise:\u003c\/strong\u003e 87 dBA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic range:\u003c\/strong\u003e 115 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMax SPL (peak):\u003c\/strong\u003e 0.5% THD 116 dB 1% THD 122 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower supply:\u003c\/strong\u003e 48 V\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCurrent consumption:\u003c\/strong\u003e 2.0 mA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConnector:\u003c\/strong\u003e XLR 3-pin\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaterials:\u003c\/strong\u003e Aluminium body\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFinish:\u003c\/strong\u003e Glass bead blasting\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e Ø55 mm x 135 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 206 grams \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2020-09-23T16:22:05-04:00","created_at":"2020-09-23T16:22:04-04:00","vendor":"Isovox","type":"Microphone","tags":["Brand-isovox","finance24","Microphone","new","pre-order","Pro Audio"],"price":129900,"price_min":129900,"price_max":129900,"available":true,"price_varies":false,"compare_at_price":149900,"compare_at_price_min":149900,"compare_at_price_max":149900,"compare_at_price_varies":false,"variants":[{"id":32181995372633,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"ISOMIC","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Isovox ISOMIC Studio Condenser Vocal Microphone with Triangular Capsule","public_title":null,"options":["Default Title"],"price":129900,"weight":2268,"compare_at_price":149900,"inventory_management":"shopify","barcode":"810200033001"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/ISOMIC_KARTONG.jpg?v=1600892559","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/isovox-isomic-studio-microphone-with-triangular-capsule.jpg?v=1600892559","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/isovox-isomic-studio-microphone-with-triangular-capsule-2.png?v=1600892559","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/isovox-isomic-studio-microphone-with-triangular-capsule.png?v=1600892559","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/isovox-isomic-studio-microphone-with-triangular-capsule-1.png?v=1600892559","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/isovox-isomic-studio-microphone-with-triangular-capsule-3.png?v=1600892559","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/isovox-isomic-studio-microphone-with-triangular-capsule-4.png?v=1600892559","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/isovox-isomic-studio-microphone-with-triangular-capsule-5.png?v=1600892559","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/isovox-isomic-studio-microphone-with-triangular-capsule-6.png?v=1600892559"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/ISOMIC_KARTONG.jpg?v=1600892559","options":["Title"],"media":[{"alt":null,"id":6944600784985,"position":1,"preview_image":{"aspect_ratio":1.481,"height":1296,"width":1920,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/ISOMIC_KARTONG.jpg?v=1600892557"},"aspect_ratio":1.481,"height":1296,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/ISOMIC_KARTONG.jpg?v=1600892557","width":1920},{"alt":null,"id":6944599408729,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/isovox-isomic-studio-microphone-with-triangular-capsule.jpg?v=1600892527"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/isovox-isomic-studio-microphone-with-triangular-capsule.jpg?v=1600892527","width":1200},{"alt":null,"id":6944599441497,"position":3,"preview_image":{"aspect_ratio":1.498,"height":1200,"width":1798,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/isovox-isomic-studio-microphone-with-triangular-capsule-2.png?v=1600892528"},"aspect_ratio":1.498,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/isovox-isomic-studio-microphone-with-triangular-capsule-2.png?v=1600892528","width":1798},{"alt":null,"id":6944599474265,"position":4,"preview_image":{"aspect_ratio":1.498,"height":1200,"width":1798,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/isovox-isomic-studio-microphone-with-triangular-capsule.png?v=1600892528"},"aspect_ratio":1.498,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/isovox-isomic-studio-microphone-with-triangular-capsule.png?v=1600892528","width":1798},{"alt":null,"id":6944599507033,"position":5,"preview_image":{"aspect_ratio":1.498,"height":1200,"width":1798,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/isovox-isomic-studio-microphone-with-triangular-capsule-1.png?v=1600892527"},"aspect_ratio":1.498,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/isovox-isomic-studio-microphone-with-triangular-capsule-1.png?v=1600892527","width":1798},{"alt":null,"id":6944599539801,"position":6,"preview_image":{"aspect_ratio":1.498,"height":1200,"width":1798,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/isovox-isomic-studio-microphone-with-triangular-capsule-3.png?v=1600892529"},"aspect_ratio":1.498,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/isovox-isomic-studio-microphone-with-triangular-capsule-3.png?v=1600892529","width":1798},{"alt":null,"id":6944599572569,"position":7,"preview_image":{"aspect_ratio":0.714,"height":1200,"width":857,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/isovox-isomic-studio-microphone-with-triangular-capsule-4.png?v=1600892528"},"aspect_ratio":0.714,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/isovox-isomic-studio-microphone-with-triangular-capsule-4.png?v=1600892528","width":857},{"alt":null,"id":6944599605337,"position":8,"preview_image":{"aspect_ratio":0.714,"height":1200,"width":857,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/isovox-isomic-studio-microphone-with-triangular-capsule-5.png?v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class=\"product attribute description\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"value\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/k8-wABjH6oQ\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"750\" height=\"500\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eISOMIC™ is designed for professional Voice Over Artists \u0026amp; Vocalists who want an easy-to-use solution to achieve the “Pro Studio Sound” along with the ISOVOX® Vocal Booth. \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe sound is “Pre-Set” and works fantastic for Voice-Overs, Audio Books, Narrations, and of course Vocals of different genres. You can of course tweak it if you feel the need… \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e It’s top-of-the-line specifications along with its patented triangular capsule gives a sound that is just as unique as you are. The sound can be described as hyper realistic, well balanced and crystal clear. This is what we think the future should sound like. The high-end is naturally smooth and makes it very “comfortable” sounding which makes it great for modern high-compressed Voice Overs \/ Vocals without sounding harsh. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e ISOMIC™ is designed primarily for the ISOVOX Vocal Booth.\u003cbr data-mce-fragment=\"1\"\u003e While it can be used without it, it’s recommended to use it inside the ISOVOX to squeeze out it’s full potential.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTHE SCIENTIFIC PART:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe patented Triangular Ehrlund Capsule that powers the ISOMIC™ sounds like nothing you have heard before. Experience clarity at a whole new level. \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e What’s the thing with the triangular capsule? The short answer: \u003cbr data-mce-fragment=\"1\"\u003e It captures your voice in a much more natural way than a circular capsule is capable of.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe long answer: \u003cbr data-mce-fragment=\"1\"\u003e Thanks to over *3x faster recovery movement than a circular, it will minimize it’s own self coloration and therefore result in a much more detailed and accurate sound recording. This patented technology enables a jaw-dropping frequency range of 7 Hz - 87 000 Hz. \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e When a single sound impulse hits the membrane, it will start to resonate. \u003cbr data-mce-fragment=\"1\"\u003e The same way a cymbal reacts when it gets hit by the drummer. \u003cbr data-mce-fragment=\"1\"\u003e The self resonance of the membrane will colorize the sound, and prevent it from capturing incoming transients accurately. While the circular membrane (cymbal) is busy resonating, the triangular one has already stopped. This enables the triangular membrane to capture more of the incoming transients accurately and therefore capture a much more natural sound. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e*Based on the physical signal analysis theory\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMade for:\u003cbr data-mce-fragment=\"1\"\u003e \u003c\/strong\u003eVoice Over Artists \u0026amp; Vocalists.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCan it be used for other instruments? \u003cbr data-mce-fragment=\"1\"\u003e \u003c\/strong\u003eYes, but it’s mainly designed for voice recording with the ISOVOX Vocal Booth.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cdiv style=\"display: block;\" aria-hidden=\"false\" role=\"tabpanel\" aria-labelledby=\"tab-label-product.info.features\" data-role=\"content\" id=\"product.info.features\" class=\"data item content\"\u003e\n\u003cdiv id=\"features-tab-detail\"\u003e\n\u003cul\u003e\n\u003cli\u003eRadio Ready Sound, just add compression!\u003c\/li\u003e\n\u003cli\u003eMade for the ISOVOX® Vocal Booth\u003c\/li\u003e\n\u003cli\u003eExtremely low self noise \u0026lt; 7 dB (A), so you can focus on your voice and not the noise… \u003c\/li\u003e\n\u003cli\u003e2x Pop-Removal Zones for pop-free recordings\u003c\/li\u003e\n\u003cli\u003eEasy-on-the-eyes-design, so your eyes can focus on the script instead of the gear…\u003c\/li\u003e\n\u003cli\u003eSpecially designed for Voice Over Artists \u0026amp; Vocalists \u003c\/li\u003e\n\u003cli\u003eMade in Sweden\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eTech Specs:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cdiv style=\"display: block;\" aria-hidden=\"false\" role=\"tabpanel\" aria-labelledby=\"tab-label-product.info.specs\" data-role=\"content\" id=\"product.info.specs\" class=\"data item content\"\u003e\n\u003cdiv id=\"specs-tab-detail\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Condenser microphone\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMembrane type:\u003c\/strong\u003e Triangular\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePickup pattern:\u003c\/strong\u003e Cardioid\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency range:\u003c\/strong\u003e 7 Hz – 87 000 Hz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity at 1kHz:\u003c\/strong\u003e -33 dBV\/Pa (23 mV\/Pa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eImpedance:\u003c\/strong\u003e Handles all impedances without altering the frequency response\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEquivalent noise level:\u003c\/strong\u003e \u0026lt; 7 dBA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise:\u003c\/strong\u003e 87 dBA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic range:\u003c\/strong\u003e 115 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMax SPL (peak):\u003c\/strong\u003e 0.5% THD 116 dB 1% THD 122 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower supply:\u003c\/strong\u003e 48 V\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCurrent consumption:\u003c\/strong\u003e 2.0 mA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConnector:\u003c\/strong\u003e XLR 3-pin\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaterials:\u003c\/strong\u003e Aluminium body\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFinish:\u003c\/strong\u003e Glass bead blasting\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e Ø55 mm x 135 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 206 grams \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
Isovox ISOMIC Studio Condenser Vocal Microphone with Triangular Capsule

Isovox ISOMIC Studio Condenser Vocal Microphone with Triangular Capsule

$1,299.00

ISOMIC™ is designed for professional Voice Over Artists & Vocalists who want an easy-to-use solution to achieve the “Pro Studio Sound” along with the ISOVOX® Vocal Booth. The sound is “Pre-Set” and works fantastic for Voice-Overs, Audio Books, Narrations, and of course Vocals of different genres. You can of course tweak it if you feel th...


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SPL DeS Dual-Band De-Esser 500-Series Module
{"id":4723821674585,"title":"SPL DeS Dual-Band De-Esser 500-Series Module","handle":"spl-des-dual-band-de-esser-500-series-module","description":"\u003ch2\u003eSound Performance Lab DeS Dual Band De-Esser — 500-Series Module\u003c\/h2\u003e\n\u003cspan itemprop=\"description\"\u003e\u003cspan style=\"font-size: 16px; font-style: italic;\"\u003eThe Dual-Band De-Esser expands on this concept by making use of two frequency bands that can be used independently or jointly.\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e The Dual-Band De-Esser has two de-esser stages increase processing effectiveness without introducing audible artifacts. Focused processing with high and low bands makes it possible to process sibilant sounds with great precision. Furthermore, input signals are automatically adjusted so the processing is uniform, regardless of the distance between source and microphone. The Male\/Female modes adapt processing in the lower band to male or female voices.\u003cbr\u003e\u003cbr\u003eNow, the Dual Band De-Esser DeS is also available in 500 Series format.\u003cbr\u003e\u003cbr\u003eBack in the 1990‘s, we developed an alternative way to process signals based on phase cancellation in order to reduce sibilance. Unlike traditional compression methods, this procedure is much more unobtrusive and simplifies control to one single parameter. SPL‘s De-Esser quickly became a standard reference among recording studios, broadcast stations and live sound engineers.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003ch3\u003eApplication: Voice (Male\/Female)\u003c\/h3\u003e\n\u003cp\u003eThe Male\/Female switch allows you to adjust the Low-Band De-Esser to the type of voice being processed. These values have been determined by practical experience, so that the processor adapts better to gender. Nevertheless, you cannot take for granted that these settings will suit every single male and female voice.\u003cbr\u003e\u003cbr\u003eConsider the Male\/Female function as an additional tool to help you set the Low-Band De-Esser more precisely according to your needs. Always trust your ears to find the best settings.\u003c\/p\u003e\n\u003ch3\u003eHi-S\u003c\/h3\u003e\n\u003cspan itemprop=\"description\"\u003eUse the Hi-S control to adjust the intensity of the sibilance reduction in the upper frequency range. The center frequency for sibilance recognition is set at 11.2kHz with a 3kHz bandwidth. Scale values for the filter are displayed in dB. The actual reduction values, i.e. after phase cancellation, might be less. Please note that the Voice Male\/Female button has no effect on the high band de-esser. In practice, for most applications, the best results are usually achieved when Hi-S setting is set between 3 and 7.With the ON\/Bypass button you can switch the DeS into the signal path. If the button is in position “On”, the DeS is active. If the button is in position “Bypass”, the audio signal passes through unprocessed\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003ch3\u003eLo-S\u003c\/h3\u003e\n\u003cspan itemprop=\"description\"\u003eUse the Lo-S control to adjust the intensity of the sibilance reduction in the lower frequency range. The center frequency for sibilance recognition is set at 7.6kHz in Voice Female mode and 6.4kHz in Voice Male mode. For more information, please refer to section “Voice Male\/Female” on page 13. The bandwidth of the low band de-esser is 1.44kHz. Scale values for the filter are displayed in dB. The actual reduction values, i.e. after phase cancellation, might be less.In practice, for most applications, the best results are usually achieved when Lo-S setting is set between 3 and 7.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003ch3\u003eHigh Band\/Low Band De-Essing On\/Off\u003c\/h3\u003e\n\u003cspan id=\"product_description\" itemprop=\"description\"\u003eUse the High Band De-Essing On\/Off button to turn the Hi-S reduction on or off. Use the Low Band De-Essing On\/Off button to turn the Lo-S reduction on or off. You can use the two processing stages separately or jointly. They are connected in series as independent de-esser modules. The low band de-esser is set first in the chain. If both de-essers are engaged, there is interaction between them: a signal already processed with the low band de-esser is different from the raw material that the high band de-esser would otherwise process.\u003c\/span\u003e","published_at":"2020-09-21T17:33:28-04:00","created_at":"2020-09-21T17:33:13-04:00","vendor":"SPL","type":"500-Series Module","tags":["finance24","Pro Audio"],"price":35900,"price_min":35900,"price_max":37900,"available":true,"price_varies":true,"compare_at_price":44900,"compare_at_price_min":44900,"compare_at_price_max":44900,"compare_at_price_varies":false,"variants":[{"id":32178061869145,"title":"New","option1":"New","option2":null,"option3":null,"sku":"SPL-1503-A","requires_shipping":true,"taxable":true,"featured_image":{"id":14766603632729,"product_id":4723821674585,"position":1,"created_at":"2020-09-21T17:33:15-04:00","updated_at":"2020-09-21T17:33:15-04:00","alt":null,"width":500,"height":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1457444109_1234243.jpg?v=1600723995","variant_ids":[32178061869145]},"available":true,"name":"SPL DeS Dual-Band De-Esser 500-Series Module - New","public_title":"New","options":["New"],"price":37900,"weight":2268,"compare_at_price":44900,"inventory_management":"shopify","barcode":"4260149321510","featured_media":{"alt":null,"id":6938213056601,"position":1,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1457444109_1234243.jpg?v=1600723995"}}},{"id":32178061901913,"title":"Demo","option1":"Demo","option2":null,"option3":null,"sku":"SPL-1503-B","requires_shipping":true,"taxable":true,"featured_image":{"id":14766603599961,"product_id":4723821674585,"position":2,"created_at":"2020-09-21T17:33:15-04:00","updated_at":"2020-09-21T17:33:15-04:00","alt":null,"width":500,"height":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/DEs_side_new-304x480.jpg?v=1600723995","variant_ids":[32178061901913]},"available":true,"name":"SPL DeS Dual-Band De-Esser 500-Series Module - Demo","public_title":"Demo","options":["Demo"],"price":35900,"weight":2268,"compare_at_price":44900,"inventory_management":"shopify","barcode":"4260149321510","featured_media":{"alt":null,"id":6938213089369,"position":2,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/DEs_side_new-304x480.jpg?v=1600723995"}}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1457444109_1234243.jpg?v=1600723995","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/DEs_side_new-304x480.jpg?v=1600723995"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1457444109_1234243.jpg?v=1600723995","options":["Title"],"media":[{"alt":null,"id":6938213056601,"position":1,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1457444109_1234243.jpg?v=1600723995"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1457444109_1234243.jpg?v=1600723995","width":500},{"alt":null,"id":6938213089369,"position":2,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/DEs_side_new-304x480.jpg?v=1600723995"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/DEs_side_new-304x480.jpg?v=1600723995","width":500}],"content":"\u003ch2\u003eSound Performance Lab DeS Dual Band De-Esser — 500-Series Module\u003c\/h2\u003e\n\u003cspan itemprop=\"description\"\u003e\u003cspan style=\"font-size: 16px; font-style: italic;\"\u003eThe Dual-Band De-Esser expands on this concept by making use of two frequency bands that can be used independently or jointly.\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e The Dual-Band De-Esser has two de-esser stages increase processing effectiveness without introducing audible artifacts. Focused processing with high and low bands makes it possible to process sibilant sounds with great precision. Furthermore, input signals are automatically adjusted so the processing is uniform, regardless of the distance between source and microphone. The Male\/Female modes adapt processing in the lower band to male or female voices.\u003cbr\u003e\u003cbr\u003eNow, the Dual Band De-Esser DeS is also available in 500 Series format.\u003cbr\u003e\u003cbr\u003eBack in the 1990‘s, we developed an alternative way to process signals based on phase cancellation in order to reduce sibilance. Unlike traditional compression methods, this procedure is much more unobtrusive and simplifies control to one single parameter. SPL‘s De-Esser quickly became a standard reference among recording studios, broadcast stations and live sound engineers.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003ch3\u003eApplication: Voice (Male\/Female)\u003c\/h3\u003e\n\u003cp\u003eThe Male\/Female switch allows you to adjust the Low-Band De-Esser to the type of voice being processed. These values have been determined by practical experience, so that the processor adapts better to gender. Nevertheless, you cannot take for granted that these settings will suit every single male and female voice.\u003cbr\u003e\u003cbr\u003eConsider the Male\/Female function as an additional tool to help you set the Low-Band De-Esser more precisely according to your needs. Always trust your ears to find the best settings.\u003c\/p\u003e\n\u003ch3\u003eHi-S\u003c\/h3\u003e\n\u003cspan itemprop=\"description\"\u003eUse the Hi-S control to adjust the intensity of the sibilance reduction in the upper frequency range. The center frequency for sibilance recognition is set at 11.2kHz with a 3kHz bandwidth. Scale values for the filter are displayed in dB. The actual reduction values, i.e. after phase cancellation, might be less. Please note that the Voice Male\/Female button has no effect on the high band de-esser. In practice, for most applications, the best results are usually achieved when Hi-S setting is set between 3 and 7.With the ON\/Bypass button you can switch the DeS into the signal path. If the button is in position “On”, the DeS is active. If the button is in position “Bypass”, the audio signal passes through unprocessed\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003ch3\u003eLo-S\u003c\/h3\u003e\n\u003cspan itemprop=\"description\"\u003eUse the Lo-S control to adjust the intensity of the sibilance reduction in the lower frequency range. The center frequency for sibilance recognition is set at 7.6kHz in Voice Female mode and 6.4kHz in Voice Male mode. For more information, please refer to section “Voice Male\/Female” on page 13. The bandwidth of the low band de-esser is 1.44kHz. Scale values for the filter are displayed in dB. The actual reduction values, i.e. after phase cancellation, might be less.In practice, for most applications, the best results are usually achieved when Lo-S setting is set between 3 and 7.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003ch3\u003eHigh Band\/Low Band De-Essing On\/Off\u003c\/h3\u003e\n\u003cspan id=\"product_description\" itemprop=\"description\"\u003eUse the High Band De-Essing On\/Off button to turn the Hi-S reduction on or off. Use the Low Band De-Essing On\/Off button to turn the Lo-S reduction on or off. You can use the two processing stages separately or jointly. They are connected in series as independent de-esser modules. The low band de-esser is set first in the chain. If both de-essers are engaged, there is interaction between them: a signal already processed with the low band de-esser is different from the raw material that the high band de-esser would otherwise process.\u003c\/span\u003e"}
SPL DeS Dual-Band De-Esser 500-Series Module

SPL DeS Dual-Band De-Esser 500-Series Module

$379.00

Sound Performance Lab DeS Dual Band De-Esser — 500-Series Module The Dual-Band De-Esser expands on this concept by making use of two frequency bands that can be used independently or jointly. The Dual-Band De-Esser has two de-esser stages increase processing effectiveness without introducing audible artifacts. Focused processing with high and lo...

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SPL Transient Designer 4 Dynamic Effects Processor
{"id":4723813482585,"title":"SPL Transient Designer 4 Dynamic Effects Processor","handle":"spl-transient-designer-4-dynamic-effects-processor","description":"\u003carticle class=\"content_sF4U0te87jYBdVZ2QLY5G\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"\" data-selenium=\"overviewLongDescription\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"js-injected-html\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe \u003cb data-mce-fragment=\"1\"\u003eModel 9482 Transient Designer 4 \u003c\/b\u003e from \u003cb data-mce-fragment=\"1\"\u003eSPL\u003c\/b\u003e is a four channel dynamic processing device that offers a different take on level-independent shaping of the dynamic response of a sound. With the Transient Designer, it is possible to control the attack and sustain behavior of a signal in a simplified way. Unlike other dynamic devices, the processing is not governed by the signal level but rather by its dynamic envelope, so all signals (loud and soft) are processed equally.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOnly one pair of controls per channel allows you to emphasize or smooth the attack and extend or shorten the sustain of a sound event. It is possible to shape the dynamic path of a signal as you want, as if for example you were changing the microphone distance and position after the recording has been made.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith little effort, you can shorten or lengthen the attack of all kinds of percussive signals, such as the bass drum, snare, toms, congas etc. to give them more kick, or to flatten the signals. It's almost like being able to change the amount of drum damping after the recording. The same applies to many other signals: Amplify or reduce the picking sound of an acoustic guitar, hold the sound of the strings longer, reduce the reverb time of a choir, compress solo vocals, increase intelligibility, actuate the piano pedal \"electronically\", turn down the slap-bass a notch or give it even more attack, etc.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Transient Designer provides a different concept for dynamic processing, rendering controls such as Threshold, Ratio and Gain superfluous, and provides a very elaborated automation. So, while the processing going on inside the box may be very complex, the user has to deal with only a pair of intuitive controls per channel.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDifferential Envelope Technology\u003c\/b\u003e\u003cbr data-mce-fragment=\"1\"\u003e SPL's Differential Envelope Technology is an SPL analog solution for level-independent shaping of envelopes, allowing transients to be accelerated or slowed down and sustained, prolonged or shortened. The degree of dynamic processing required to do this couldn't be duplicated even using a chain of several conventional compressors, yet only two controls per channel are required to allow the user to completely reshape the attack and sustain characteristics of a sound. Attack can be amplified or attenuated by up to 15 dB while Sustain can be amplified or attenuated by up to 24 dB, enabling weak drum sounds to be made much more percussive and powerful, or for over-percussive transients to be softened. All necessary time constants (Attack, Decay and Release) are automated and optimized adaptively in a musical manner according to the characteristics of the input signal. This results in natural-sounding signal processing and fast operation.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Transient Designer circuitry uses envelope followers to track the curve of the natural signal so that optimum results are guaranteed regardless of the input signal's dynamics. Because of the level-independent processing inherent in Differential Envelope Technology (DET), manual threshold adjustments are not required.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFor stereo operation, the Link function connects channel pairs (1 and 2 and\/or 3 and 4). Linked channels are controlled by the same side-chain voltage so as to maintain a coherent and stable stereo image. When operating in Link-mode, the control elements of the first (or third) channel, including the Active switch, control the second (or fourth) channel, too.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEach channel is equipped with a relay hard-bypass circuit to ensure a minimum signal path when the process is bypassed and to provide power-fail safety. The Signal-LEDs allow the user to quickly monitor the signal flow, which is particularly important if the four channels are connected to a patch-bay. The Transient Designer 4 is fitted with XLR connectors for balanced operation.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli\u003eThe attack of a bass drum or a loop can be emphasized with a single control to increase the punch and the penetration in the mix\u003c\/li\u003e\n\u003cli\u003eSustain of a snare or room sound can be shortened very musically to clean up the mix for more transparency\u003c\/li\u003e\n\u003cli\u003eAcoustic or electronic instruments become \"in the face\" sounds or can be smoothened with lower attacks\u003c\/li\u003e\n\u003cli\u003eDe-verb capability. Less Sustain shortens reverb flags of any sound\u003c\/li\u003e\n\u003cli\u003ePanorama effects based on different dynamic effects per channel - try this with loops for example\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e","published_at":"2020-09-21T16:42:38-04:00","created_at":"2020-09-21T16:42:37-04:00","vendor":"SPL","type":"Studio Hardware","tags":["finance24","Pro Audio"],"price":129900,"price_min":129900,"price_max":129900,"available":true,"price_varies":false,"compare_at_price":159900,"compare_at_price_min":159900,"compare_at_price_max":159900,"compare_at_price_varies":false,"variants":[{"id":32178026414169,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"SPL-9482","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"SPL Transient Designer 4 Dynamic Effects Processor","public_title":null,"options":["Default Title"],"price":129900,"weight":6804,"compare_at_price":159900,"inventory_management":"shopify","barcode":"4260149320667"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/SPLTransientDesigner.jpg?v=1600720959","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/spl_spltrandesi4_transient_designer_4_1414422398_1087493.jpg?v=1600720960","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1414422067_IMG_432948.jpg?v=1600720960"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/SPLTransientDesigner.jpg?v=1600720959","options":["Title"],"media":[{"alt":null,"id":6938173866073,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1080,"width":1080,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/SPLTransientDesigner.jpg?v=1600720959"},"aspect_ratio":1.0,"height":1080,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/SPLTransientDesigner.jpg?v=1600720959","width":1080},{"alt":null,"id":6938173898841,"position":2,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/spl_spltrandesi4_transient_designer_4_1414422398_1087493.jpg?v=1600720960"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/spl_spltrandesi4_transient_designer_4_1414422398_1087493.jpg?v=1600720960","width":500},{"alt":null,"id":6938173931609,"position":3,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1414422067_IMG_432948.jpg?v=1600720960"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1414422067_IMG_432948.jpg?v=1600720960","width":500}],"content":"\u003carticle class=\"content_sF4U0te87jYBdVZ2QLY5G\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"\" data-selenium=\"overviewLongDescription\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"js-injected-html\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe \u003cb data-mce-fragment=\"1\"\u003eModel 9482 Transient Designer 4 \u003c\/b\u003e from \u003cb data-mce-fragment=\"1\"\u003eSPL\u003c\/b\u003e is a four channel dynamic processing device that offers a different take on level-independent shaping of the dynamic response of a sound. With the Transient Designer, it is possible to control the attack and sustain behavior of a signal in a simplified way. Unlike other dynamic devices, the processing is not governed by the signal level but rather by its dynamic envelope, so all signals (loud and soft) are processed equally.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOnly one pair of controls per channel allows you to emphasize or smooth the attack and extend or shorten the sustain of a sound event. It is possible to shape the dynamic path of a signal as you want, as if for example you were changing the microphone distance and position after the recording has been made.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith little effort, you can shorten or lengthen the attack of all kinds of percussive signals, such as the bass drum, snare, toms, congas etc. to give them more kick, or to flatten the signals. It's almost like being able to change the amount of drum damping after the recording. The same applies to many other signals: Amplify or reduce the picking sound of an acoustic guitar, hold the sound of the strings longer, reduce the reverb time of a choir, compress solo vocals, increase intelligibility, actuate the piano pedal \"electronically\", turn down the slap-bass a notch or give it even more attack, etc.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Transient Designer provides a different concept for dynamic processing, rendering controls such as Threshold, Ratio and Gain superfluous, and provides a very elaborated automation. So, while the processing going on inside the box may be very complex, the user has to deal with only a pair of intuitive controls per channel.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDifferential Envelope Technology\u003c\/b\u003e\u003cbr data-mce-fragment=\"1\"\u003e SPL's Differential Envelope Technology is an SPL analog solution for level-independent shaping of envelopes, allowing transients to be accelerated or slowed down and sustained, prolonged or shortened. The degree of dynamic processing required to do this couldn't be duplicated even using a chain of several conventional compressors, yet only two controls per channel are required to allow the user to completely reshape the attack and sustain characteristics of a sound. Attack can be amplified or attenuated by up to 15 dB while Sustain can be amplified or attenuated by up to 24 dB, enabling weak drum sounds to be made much more percussive and powerful, or for over-percussive transients to be softened. All necessary time constants (Attack, Decay and Release) are automated and optimized adaptively in a musical manner according to the characteristics of the input signal. This results in natural-sounding signal processing and fast operation.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Transient Designer circuitry uses envelope followers to track the curve of the natural signal so that optimum results are guaranteed regardless of the input signal's dynamics. Because of the level-independent processing inherent in Differential Envelope Technology (DET), manual threshold adjustments are not required.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFor stereo operation, the Link function connects channel pairs (1 and 2 and\/or 3 and 4). Linked channels are controlled by the same side-chain voltage so as to maintain a coherent and stable stereo image. When operating in Link-mode, the control elements of the first (or third) channel, including the Active switch, control the second (or fourth) channel, too.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEach channel is equipped with a relay hard-bypass circuit to ensure a minimum signal path when the process is bypassed and to provide power-fail safety. The Signal-LEDs allow the user to quickly monitor the signal flow, which is particularly important if the four channels are connected to a patch-bay. The Transient Designer 4 is fitted with XLR connectors for balanced operation.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli\u003eThe attack of a bass drum or a loop can be emphasized with a single control to increase the punch and the penetration in the mix\u003c\/li\u003e\n\u003cli\u003eSustain of a snare or room sound can be shortened very musically to clean up the mix for more transparency\u003c\/li\u003e\n\u003cli\u003eAcoustic or electronic instruments become \"in the face\" sounds or can be smoothened with lower attacks\u003c\/li\u003e\n\u003cli\u003eDe-verb capability. Less Sustain shortens reverb flags of any sound\u003c\/li\u003e\n\u003cli\u003ePanorama effects based on different dynamic effects per channel - try this with loops for example\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e"}
SPL Transient Designer 4 Dynamic Effects Processor

SPL Transient Designer 4 Dynamic Effects Processor

$1,299.00

The Model 9482 Transient Designer 4 from SPL is a four channel dynamic processing device that offers a different take on level-independent shaping of the dynamic response of a sound. With the Transient Designer, it is possible to control the attack and sustain behavior of a signal in a simplified way. Unlike other dynamic devices, the proce...


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Acorn Instruments FP-2 Universal Piano-Style Foot Switch Pedal
{"id":4723761381465,"title":"Acorn Instruments FP-2 Universal Piano-Style Foot Switch Pedal","handle":"acorn-instruments-fp-2-universal-piano-style-foot-switch-pedal","description":"\u003ch4\u003eKick Off Your Performance With The Acorn Instruments FP-2 Universal Foot Pedal\u003c\/h4\u003e\n\u003cp\u003eThe FP-2 piano style foot pedal is an ideal companion for all electronic keyboards that feature a standard 1\/4\" foot-switch input jack. It's solid and built in a sleek oval-shaped enclosure with a rubber bottom that ensures it doesn't slide during performance. The chrome-finished pedal is balanced to simulate a piano's tension with just the right amount of resistance.\u003c\/p\u003e","published_at":"2020-09-21T13:32:08-04:00","created_at":"2020-09-21T13:32:08-04:00","vendor":"Acorn Instruments","type":"Keyboard Accessories","tags":["accessories","finance24","Instruments","Pro Audio","specialorder"],"price":1999,"price_min":1999,"price_max":1999,"available":true,"price_varies":false,"compare_at_price":2499,"compare_at_price_min":2499,"compare_at_price_max":2499,"compare_at_price_varies":false,"variants":[{"id":32177860771929,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"ACORN-FP2","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Acorn Instruments FP-2 Universal Piano-Style Foot Switch Pedal","public_title":null,"options":["Default Title"],"price":1999,"weight":907,"compare_at_price":2499,"inventory_management":"shopify","barcode":"859383002053"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/Screenshot_2020-09-21f4ed28db-f495-4a37-9dee-c6caa3e7faf9_9a05922f-3a9a-4c76-859e-bd54bd836f6e_960xjpg_WEBPImage_600x_....png?v=1600709564"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/Screenshot_2020-09-21f4ed28db-f495-4a37-9dee-c6caa3e7faf9_9a05922f-3a9a-4c76-859e-bd54bd836f6e_960xjpg_WEBPImage_600x_....png?v=1600709564","options":["Title"],"media":[{"alt":null,"id":6937828196441,"position":1,"preview_image":{"aspect_ratio":1.161,"height":1034,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/Screenshot_2020-09-21f4ed28db-f495-4a37-9dee-c6caa3e7faf9_9a05922f-3a9a-4c76-859e-bd54bd836f6e_960xjpg_WEBPImage_600x_....png?v=1600709564"},"aspect_ratio":1.161,"height":1034,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/Screenshot_2020-09-21f4ed28db-f495-4a37-9dee-c6caa3e7faf9_9a05922f-3a9a-4c76-859e-bd54bd836f6e_960xjpg_WEBPImage_600x_....png?v=1600709564","width":1200}],"content":"\u003ch4\u003eKick Off Your Performance With The Acorn Instruments FP-2 Universal Foot Pedal\u003c\/h4\u003e\n\u003cp\u003eThe FP-2 piano style foot pedal is an ideal companion for all electronic keyboards that feature a standard 1\/4\" foot-switch input jack. It's solid and built in a sleek oval-shaped enclosure with a rubber bottom that ensures it doesn't slide during performance. The chrome-finished pedal is balanced to simulate a piano's tension with just the right amount of resistance.\u003c\/p\u003e"}
Acorn Instruments FP-2 Universal Piano-Style Foot Switch Pedal

Acorn Instruments FP-2 Universal Piano-Style Foot Switch Pedal

$19.99

Kick Off Your Performance With The Acorn Instruments FP-2 Universal Foot Pedal The FP-2 piano style foot pedal is an ideal companion for all electronic keyboards that feature a standard 1/4" foot-switch input jack. It's solid and built in a sleek oval-shaped enclosure with a rubber bottom that ensures it doesn't slide during performance. The chr...


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Acorn Instruments FP-1 Universal Foot Switch Pedal
{"id":4723761217625,"title":"Acorn Instruments FP-1 Universal Foot Switch Pedal","handle":"acorn-instruments-fp-1-universal-foot-switch-pedal","description":"\u003ch4 data-mce-fragment=\"1\"\u003eKick Off Your Performance With The Acorn Instruments FP-1 Universal Foot Switch\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Acorn Instruments FP-1 universal foot switch works with any product requiring a standard TS foot switch. It's a tried-and-true, solid design with a 6-ft. cable and a polarity switch.\u003c\/p\u003e","published_at":"2020-09-21T13:31:07-04:00","created_at":"2020-09-21T13:31:06-04:00","vendor":"Acorn Instruments","type":"Keyboard Accessories","tags":["accessories","finance24","Instruments","Pro Audio"],"price":1250,"price_min":1250,"price_max":1250,"available":true,"price_varies":false,"compare_at_price":1999,"compare_at_price_min":1999,"compare_at_price_max":1999,"compare_at_price_varies":false,"variants":[{"id":32177860214873,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"ACORN-FP1","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Acorn Instruments FP-1 Universal Foot Switch Pedal","public_title":null,"options":["Default Title"],"price":1250,"weight":907,"compare_at_price":1999,"inventory_management":"shopify","barcode":"859383002046"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/Screenshot_2020-09-211ae7d04b-562b-4279-9e00-9b71855a3e0a_854ffc2e-3432-4291-9539-22d20196e5ee_960xjpg_WEBPImage_600x_....png?v=1600709469"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/Screenshot_2020-09-211ae7d04b-562b-4279-9e00-9b71855a3e0a_854ffc2e-3432-4291-9539-22d20196e5ee_960xjpg_WEBPImage_600x_....png?v=1600709469","options":["Title"],"media":[{"alt":null,"id":6937823576153,"position":1,"preview_image":{"aspect_ratio":1.012,"height":1186,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/Screenshot_2020-09-211ae7d04b-562b-4279-9e00-9b71855a3e0a_854ffc2e-3432-4291-9539-22d20196e5ee_960xjpg_WEBPImage_600x_....png?v=1600709469"},"aspect_ratio":1.012,"height":1186,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/Screenshot_2020-09-211ae7d04b-562b-4279-9e00-9b71855a3e0a_854ffc2e-3432-4291-9539-22d20196e5ee_960xjpg_WEBPImage_600x_....png?v=1600709469","width":1200}],"content":"\u003ch4 data-mce-fragment=\"1\"\u003eKick Off Your Performance With The Acorn Instruments FP-1 Universal Foot Switch\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Acorn Instruments FP-1 universal foot switch works with any product requiring a standard TS foot switch. It's a tried-and-true, solid design with a 6-ft. cable and a polarity switch.\u003c\/p\u003e"}
Acorn Instruments FP-1 Universal Foot Switch Pedal

Acorn Instruments FP-1 Universal Foot Switch Pedal

$12.50

Kick Off Your Performance With The Acorn Instruments FP-1 Universal Foot Switch The Acorn Instruments FP-1 universal foot switch works with any product requiring a standard TS foot switch. It's a tried-and-true, solid design with a 6-ft. cable and a polarity switch.


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Acorn Instruments Masterkey 61 USB MIDI 61-Key Keyboard Controller
{"id":4723760791641,"title":"Acorn Instruments Masterkey 61 USB MIDI 61-Key Keyboard Controller","handle":"acorn-instruments-masterkey-61-usb-midi-61-key-keyboard-controller","description":"\u003carticle class=\"content_sF4U0te87jYBdVZ2QLY5G\" data-mce-fragment=\"1\"\u003e\n\u003carticle class=\"content_sF4U0te87jYBdVZ2QLY5G\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-selenium=\"overviewLongDescription\" class=\"\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003e\n\u003cp\u003eThe \u003cb\u003eMasterkey 61\u003c\/b\u003e from \u003cb\u003eAcorn\u003c\/b\u003e is a 61-key, velocity sensitive USB MIDI controller with a compact design that fits perfectly on a computer desk while providing all the control needed for unfettered creativity. The keys have a dynamic and fast response ideal for programming bass lines, drums, or synthesizer lines. The keyboard ships with a copy of PreSonus Studio One Artist software, but is compatible with any standard MIDI software program.\u003c\/p\u003e\n\u003cp\u003eFour assignable knobs and an assignable single fader provide real-time control of instrument or mix parameters, even while playing. Rubberized pitch bend and modulation wheels allow for further articulation. The three-digit LED display provides navigational feedback making it quick and easy to find the right menus for changing MIDI channels, sending out program changes, transposing or programming the real-time controls. Octave buttons instantly shift the keyboard range up and down.\u003c\/p\u003e\n\u003cp\u003eThe Masterkey 61 is USB class-compliant, which means that no drivers are needed for supported operating systems. Simply plug the keyboard into a USB port on the computer and the operating system does the rest. The included Studio One Artist software is a powerful recording and production platform that allows for working quickly and staying focused. It offers unlimited tracks and plug-ins, employs extensive use of drag-and-drop, and is easy to learn.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eMasterkey 61\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003e\n\u003cul\u003e\n\u003cli\u003e61-key, velocity sensitive synthesizer-style keyboard\u003c\/li\u003e\n\u003cli\u003ePitch bend and modulation wheels (assignable)\u003c\/li\u003e\n\u003cli\u003eSingle assignable fader\u003c\/li\u003e\n\u003cli\u003eFour assignable MIDI knobs for real time control\u003c\/li\u003e\n\u003cli\u003eOctave shift buttons extend the range of the keyboard 4 octaves up and 3 octaves down\u003c\/li\u003e\n\u003cli\u003eThree-character red LED segment display\u003c\/li\u003e\n\u003cli\u003eSustain foot switch input jack, auto-sensing (\u003ci\u003efoot switch not included\u003c\/i\u003e)\u003c\/li\u003e\n\u003cli\u003eQuick-toggle between real-time functions Octave, Transpose, Program Change and MIDI Channel\u003c\/li\u003e\n\u003cli\u003eAdvanced MIDI functions\u003c\/li\u003e\n\u003cli\u003eUSB class-compliant - no driver needed\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003ePreSonus Studio One Artist\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003e\n\u003cul\u003e\n\u003cli\u003eRecording and production software\u003c\/li\u003e\n\u003cli\u003eUnlimited audio tracks, MIDI tracks, virtual instruments, buses, and FX channels\u003c\/li\u003e\n\u003cli\u003eElegant single-window work environment\u003c\/li\u003e\n\u003cli\u003ePowerful drag-and-drop functionality\u003c\/li\u003e\n\u003cli\u003eContent browser with convenient sort options and preview player\u003c\/li\u003e\n\u003cli\u003eIntuitive MIDI-mapping system\u003c\/li\u003e\n\u003cli\u003eReal-time audio time-stretching and re-sampling\u003c\/li\u003e\n\u003cli\u003eAutomatic delay compensation\u003c\/li\u003e\n\u003cli\u003eAdvanced automation\u003c\/li\u003e\n\u003cli\u003eInstantly configures to PreSonus audio interfaces\u003c\/li\u003e\n\u003cli\u003eCompatible with ASIO, Windows Audio, and Core Audio compliant audio interfaces\u003c\/li\u003e\n\u003cli\u003eTwenty-five 32-bit \"Native Effects\" and virtual instrument plug-ins\u003c\/li\u003e\n\u003cli\u003eOver 4GB of third-party software, loops and instruments\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/article\u003e","published_at":"2020-09-21T13:27:44-04:00","created_at":"2020-09-21T13:27:44-04:00","vendor":"Acorn Instruments","type":"Keyboard Controllers","tags":["finance24","Instrument","Pro Audio","specialorder"],"price":9999,"price_min":9999,"price_max":9999,"available":true,"price_varies":false,"compare_at_price":14999,"compare_at_price_min":14999,"compare_at_price_max":14999,"compare_at_price_varies":false,"variants":[{"id":32177856512089,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"MASTERKEY61","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Acorn Instruments Masterkey 61 USB MIDI 61-Key Keyboard Controller","public_title":null,"options":["Default Title"],"price":9999,"weight":20412,"compare_at_price":14999,"inventory_management":"shopify","barcode":"859383002145"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/Acorn_MASTERKEY_61_Masterkey_61_USB_1324286068_834608.jpg?v=1600709308","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1324285772_IMG_232614.jpg?v=1600709308"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/Acorn_MASTERKEY_61_Masterkey_61_USB_1324286068_834608.jpg?v=1600709308","options":["Title"],"media":[{"alt":null,"id":6937822036057,"position":1,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/Acorn_MASTERKEY_61_Masterkey_61_USB_1324286068_834608.jpg?v=1600709301"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/Acorn_MASTERKEY_61_Masterkey_61_USB_1324286068_834608.jpg?v=1600709301","width":500},{"alt":null,"id":6937822003289,"position":2,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1324285772_IMG_232614.jpg?v=1600709300"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1324285772_IMG_232614.jpg?v=1600709300","width":500}],"content":"\u003carticle class=\"content_sF4U0te87jYBdVZ2QLY5G\" data-mce-fragment=\"1\"\u003e\n\u003carticle class=\"content_sF4U0te87jYBdVZ2QLY5G\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-selenium=\"overviewLongDescription\" class=\"\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003e\n\u003cp\u003eThe \u003cb\u003eMasterkey 61\u003c\/b\u003e from \u003cb\u003eAcorn\u003c\/b\u003e is a 61-key, velocity sensitive USB MIDI controller with a compact design that fits perfectly on a computer desk while providing all the control needed for unfettered creativity. The keys have a dynamic and fast response ideal for programming bass lines, drums, or synthesizer lines. The keyboard ships with a copy of PreSonus Studio One Artist software, but is compatible with any standard MIDI software program.\u003c\/p\u003e\n\u003cp\u003eFour assignable knobs and an assignable single fader provide real-time control of instrument or mix parameters, even while playing. Rubberized pitch bend and modulation wheels allow for further articulation. The three-digit LED display provides navigational feedback making it quick and easy to find the right menus for changing MIDI channels, sending out program changes, transposing or programming the real-time controls. Octave buttons instantly shift the keyboard range up and down.\u003c\/p\u003e\n\u003cp\u003eThe Masterkey 61 is USB class-compliant, which means that no drivers are needed for supported operating systems. Simply plug the keyboard into a USB port on the computer and the operating system does the rest. The included Studio One Artist software is a powerful recording and production platform that allows for working quickly and staying focused. It offers unlimited tracks and plug-ins, employs extensive use of drag-and-drop, and is easy to learn.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eMasterkey 61\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003e\n\u003cul\u003e\n\u003cli\u003e61-key, velocity sensitive synthesizer-style keyboard\u003c\/li\u003e\n\u003cli\u003ePitch bend and modulation wheels (assignable)\u003c\/li\u003e\n\u003cli\u003eSingle assignable fader\u003c\/li\u003e\n\u003cli\u003eFour assignable MIDI knobs for real time control\u003c\/li\u003e\n\u003cli\u003eOctave shift buttons extend the range of the keyboard 4 octaves up and 3 octaves down\u003c\/li\u003e\n\u003cli\u003eThree-character red LED segment display\u003c\/li\u003e\n\u003cli\u003eSustain foot switch input jack, auto-sensing (\u003ci\u003efoot switch not included\u003c\/i\u003e)\u003c\/li\u003e\n\u003cli\u003eQuick-toggle between real-time functions Octave, Transpose, Program Change and MIDI Channel\u003c\/li\u003e\n\u003cli\u003eAdvanced MIDI functions\u003c\/li\u003e\n\u003cli\u003eUSB class-compliant - no driver needed\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003ePreSonus Studio One Artist\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003e\n\u003cul\u003e\n\u003cli\u003eRecording and production software\u003c\/li\u003e\n\u003cli\u003eUnlimited audio tracks, MIDI tracks, virtual instruments, buses, and FX channels\u003c\/li\u003e\n\u003cli\u003eElegant single-window work environment\u003c\/li\u003e\n\u003cli\u003ePowerful drag-and-drop functionality\u003c\/li\u003e\n\u003cli\u003eContent browser with convenient sort options and preview player\u003c\/li\u003e\n\u003cli\u003eIntuitive MIDI-mapping system\u003c\/li\u003e\n\u003cli\u003eReal-time audio time-stretching and re-sampling\u003c\/li\u003e\n\u003cli\u003eAutomatic delay compensation\u003c\/li\u003e\n\u003cli\u003eAdvanced automation\u003c\/li\u003e\n\u003cli\u003eInstantly configures to PreSonus audio interfaces\u003c\/li\u003e\n\u003cli\u003eCompatible with ASIO, Windows Audio, and Core Audio compliant audio interfaces\u003c\/li\u003e\n\u003cli\u003eTwenty-five 32-bit \"Native Effects\" and virtual instrument plug-ins\u003c\/li\u003e\n\u003cli\u003eOver 4GB of third-party software, loops and instruments\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/article\u003e"}
Acorn Instruments Masterkey 61 USB MIDI 61-Key Keyboard Controller

Acorn Instruments Masterkey 61 USB MIDI 61-Key Keyboard Controller

$99.99

The Masterkey 61 from Acorn is a 61-key, velocity sensitive USB MIDI controller with a compact design that fits perfectly on a computer desk while providing all the control needed for unfettered creativity. The keys have a dynamic and fast response ideal for programming bass lines, drums, or synthesizer lines. The keyboard ships with a copy...


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Acorn Instruments Masterkey 49 USB MIDI 49-Key Keyboard Controller
{"id":4723760627801,"title":"Acorn Instruments Masterkey 49 USB MIDI 49-Key Keyboard Controller","handle":"acorn-instruments-masterkey-49-usb-midi-49-key-keyboard-controller","description":"\u003carticle class=\"content_sF4U0te87jYBdVZ2QLY5G\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"\" data-selenium=\"overviewLongDescription\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"js-injected-html\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe \u003cb data-mce-fragment=\"1\"\u003eMasterkey 49\u003c\/b\u003e from \u003cb data-mce-fragment=\"1\"\u003eAcorn\u003c\/b\u003e is a 49-key, velocity sensitive USB MIDI controller with a compact design that fits perfectly on a computer desk while providing all the control needed for unfettered creativity. The keys have a dynamic and fast response ideal for programming bass lines, drums, or synthesizer lines. The keyboard ships with a copy of PreSonus Studio One Artist software, but is compatible with any standard MIDI software program.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFour assignable knobs and an assignable single fader provide real-time control of instrument or mix parameters, even while playing. Rubberized pitch bend and modulation wheels allow for further articulation. The three-digit LED display provides navigational feedback making it quick and easy to find the right menus for changing MIDI channels, sending out program changes, transposing or programming the real-time controls. Octave buttons instantly shift the keyboard range up and down.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Masterkey 49 is USB class-compliant, which means that no drivers are needed for supported operating systems. Simply plug the keyboard into a USB port on the computer and the operating system does the rest. The included Studio One Artist software is a powerful recording and production platform that allows for working quickly and staying focused. It offers unlimited tracks and plug-ins, employs extensive use of drag-and-drop, and is easy to learn.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\" data-mce-fragment=\"1\"\u003eMasterkey 49\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"js-injected-html\" data-mce-fragment=\"1\"\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e49-key, velocity sensitive synthesizer-style keyboard\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePitch bend and modulation wheels (assignable)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSingle assignable fader\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOctave shift buttons extend the range of the keyboard 4 octaves up and 3 octaves down\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThree-character red LED segment display\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSustain foot switch input jack, auto-sensing (\u003ci data-mce-fragment=\"1\"\u003efoot switch not included\u003c\/i\u003e)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eQuick-toggle between real-time functions Octave, Transpose, Program Change and MIDI Channel\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAdvanced MIDI functions\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eUSB class-compliant - no driver needed\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\" data-mce-fragment=\"1\"\u003ePreSonus Studio One Artist\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"js-injected-html\" data-mce-fragment=\"1\"\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRecording and production software\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eUnlimited audio tracks, MIDI tracks, virtual instruments, buses, and FX channels\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eElegant single-window work environment\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePowerful drag-and-drop functionality\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eContent browser with convenient sort options and preview player\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eIntuitive MIDI-mapping system\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eReal-time audio time-stretching and re-sampling\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAutomatic delay compensation\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAdvanced automation\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eInstantly configures to PreSonus audio interfaces\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCompatible with ASIO, Windows Audio, and Core Audio compliant audio interfaces\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTwenty-five 32-bit \"Native Effects\" and virtual instrument plug-ins\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOver 4GB of third-party software, loops and instruments\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e","published_at":"2020-09-21T13:26:49-04:00","created_at":"2020-09-21T13:26:48-04:00","vendor":"Acorn Instruments","type":"Keyboard Controllers","tags":["finance24","Instrument","Pro Audio","specialorder"],"price":7999,"price_min":7999,"price_max":7999,"available":true,"price_varies":false,"compare_at_price":9999,"compare_at_price_min":9999,"compare_at_price_max":9999,"compare_at_price_varies":false,"variants":[{"id":32177855496281,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"MASTERKEY49","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Acorn Instruments Masterkey 49 USB MIDI 49-Key Keyboard Controller","public_title":null,"options":["Default Title"],"price":7999,"weight":15876,"compare_at_price":9999,"inventory_management":"shopify","barcode":"859383002060"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/Nakter_MASTERKEY_49_ACORN_MASTERKEY_49_USB_1322558006_831888.jpg?v=1600709210","\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1322557714_IMG_230289.jpg?v=1600709211"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/Nakter_MASTERKEY_49_ACORN_MASTERKEY_49_USB_1322558006_831888.jpg?v=1600709210","options":["Title"],"media":[{"alt":null,"id":6937820364889,"position":1,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/Nakter_MASTERKEY_49_ACORN_MASTERKEY_49_USB_1322558006_831888.jpg?v=1600709210"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/Nakter_MASTERKEY_49_ACORN_MASTERKEY_49_USB_1322558006_831888.jpg?v=1600709210","width":500},{"alt":null,"id":6937820397657,"position":2,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1322557714_IMG_230289.jpg?v=1600709211"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/1322557714_IMG_230289.jpg?v=1600709211","width":500}],"content":"\u003carticle class=\"content_sF4U0te87jYBdVZ2QLY5G\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"\" data-selenium=\"overviewLongDescription\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"js-injected-html\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe \u003cb data-mce-fragment=\"1\"\u003eMasterkey 49\u003c\/b\u003e from \u003cb data-mce-fragment=\"1\"\u003eAcorn\u003c\/b\u003e is a 49-key, velocity sensitive USB MIDI controller with a compact design that fits perfectly on a computer desk while providing all the control needed for unfettered creativity. The keys have a dynamic and fast response ideal for programming bass lines, drums, or synthesizer lines. The keyboard ships with a copy of PreSonus Studio One Artist software, but is compatible with any standard MIDI software program.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFour assignable knobs and an assignable single fader provide real-time control of instrument or mix parameters, even while playing. Rubberized pitch bend and modulation wheels allow for further articulation. The three-digit LED display provides navigational feedback making it quick and easy to find the right menus for changing MIDI channels, sending out program changes, transposing or programming the real-time controls. Octave buttons instantly shift the keyboard range up and down.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Masterkey 49 is USB class-compliant, which means that no drivers are needed for supported operating systems. Simply plug the keyboard into a USB port on the computer and the operating system does the rest. The included Studio One Artist software is a powerful recording and production platform that allows for working quickly and staying focused. It offers unlimited tracks and plug-ins, employs extensive use of drag-and-drop, and is easy to learn.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\" data-mce-fragment=\"1\"\u003eMasterkey 49\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"js-injected-html\" data-mce-fragment=\"1\"\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e49-key, velocity sensitive synthesizer-style keyboard\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePitch bend and modulation wheels (assignable)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSingle assignable fader\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOctave shift buttons extend the range of the keyboard 4 octaves up and 3 octaves down\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThree-character red LED segment display\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSustain foot switch input jack, auto-sensing (\u003ci data-mce-fragment=\"1\"\u003efoot switch not included\u003c\/i\u003e)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eQuick-toggle between real-time functions Octave, Transpose, Program Change and MIDI Channel\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAdvanced MIDI functions\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eUSB class-compliant - no driver needed\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\" data-mce-fragment=\"1\"\u003ePreSonus Studio One Artist\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"js-injected-html\" data-mce-fragment=\"1\"\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRecording and production software\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eUnlimited audio tracks, MIDI tracks, virtual instruments, buses, and FX channels\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eElegant single-window work environment\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePowerful drag-and-drop functionality\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eContent browser with convenient sort options and preview player\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eIntuitive MIDI-mapping system\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eReal-time audio time-stretching and re-sampling\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAutomatic delay compensation\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAdvanced automation\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eInstantly configures to PreSonus audio interfaces\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCompatible with ASIO, Windows Audio, and Core Audio compliant audio interfaces\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTwenty-five 32-bit \"Native Effects\" and virtual instrument plug-ins\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOver 4GB of third-party software, loops and instruments\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e"}
Acorn Instruments Masterkey 49 USB MIDI 49-Key Keyboard Controller

Acorn Instruments Masterkey 49 USB MIDI 49-Key Keyboard Controller

$79.99

The Masterkey 49 from Acorn is a 49-key, velocity sensitive USB MIDI controller with a compact design that fits perfectly on a computer desk while providing all the control needed for unfettered creativity. The keys have a dynamic and fast response ideal for programming bass lines, drums, or synthesizer lines. The keyboard ships with a copy ...


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Nektar Technology Universal Expression Pedal
{"id":4723739623513,"title":"Nektar Technology NX-P Universal Expression Pedal","handle":"nektar-technology-universal-expression-pedal","description":"\u003cdiv class=\"js-injected-html\"\u003e\u003cp\u003eThe Nektar NX-P is a solid, rugged, universal expression pedal designed for studio and stage. The polarity switch ensures compatibility with almost any keyboard or electronic product requiring a foot switch or expression pedal. The rubber contact surface and rubber feet provide a solid grip during performances. The Nektar NX-P includes a 6' cable with a 1\/4\" TRS jack plug.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv class=\"\"\u003e\u003cdiv class=\"\"\u003e\u003cdiv class=\"\"\u003e\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003e\u003cul\u003e\n\u003cli\u003eUniversal expression pedal\u003c\/li\u003e\n\u003cli\u003eCompatible with most expression pedal sockets\u003c\/li\u003e\n\u003cli\u003eRubber feet for solid floor-grip\u003c\/li\u003e\n\u003cli\u003eRubber contact surface\u003c\/li\u003e\n\u003cli\u003eSensitivity pot\u003c\/li\u003e\n\u003cli\u003ePolarity switch\u003c\/li\u003e\n\u003cli\u003e6' cable with 1\/4\" TRS jack plug\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e","published_at":"2020-09-21T12:52:39-04:00","created_at":"2020-09-21T12:52:40-04:00","vendor":"Nektar Technology","type":"Keyboard Accessories","tags":["accessories","finance24","Pro Audio","specialorder"],"price":1999,"price_min":1999,"price_max":1999,"available":true,"price_varies":false,"compare_at_price":2499,"compare_at_price_min":2499,"compare_at_price_max":2499,"compare_at_price_varies":false,"variants":[{"id":32177788911705,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"NENXP","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nektar Technology NX-P Universal Expression Pedal","public_title":null,"options":["Default Title"],"price":1999,"weight":907,"compare_at_price":2499,"inventory_management":"shopify","barcode":"859383002398"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/nektar_technology_nx_p_expression_pedal_with_switchable_1402830.jpg?v=1600707160"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/nektar_technology_nx_p_expression_pedal_with_switchable_1402830.jpg?v=1600707160","options":["Title"],"media":[{"alt":"Nektar Technology Universal Expression Pedal","id":6937741394009,"position":1,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/nektar_technology_nx_p_expression_pedal_with_switchable_1402830.jpg?v=1600707160"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/nektar_technology_nx_p_expression_pedal_with_switchable_1402830.jpg?v=1600707160","width":500}],"content":"\u003cdiv class=\"js-injected-html\"\u003e\u003cp\u003eThe Nektar NX-P is a solid, rugged, universal expression pedal designed for studio and stage. The polarity switch ensures compatibility with almost any keyboard or electronic product requiring a foot switch or expression pedal. The rubber contact surface and rubber feet provide a solid grip during performances. The Nektar NX-P includes a 6' cable with a 1\/4\" TRS jack plug.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv class=\"\"\u003e\u003cdiv class=\"\"\u003e\u003cdiv class=\"\"\u003e\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003e\u003cul\u003e\n\u003cli\u003eUniversal expression pedal\u003c\/li\u003e\n\u003cli\u003eCompatible with most expression pedal sockets\u003c\/li\u003e\n\u003cli\u003eRubber feet for solid floor-grip\u003c\/li\u003e\n\u003cli\u003eRubber contact surface\u003c\/li\u003e\n\u003cli\u003eSensitivity pot\u003c\/li\u003e\n\u003cli\u003ePolarity switch\u003c\/li\u003e\n\u003cli\u003e6' cable with 1\/4\" TRS jack plug\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e"}
Nektar Technology Universal Expression Pedal

Nektar Technology NX-P Universal Expression Pedal

$19.99

The Nektar NX-P is a solid, rugged, universal expression pedal designed for studio and stage. The polarity switch ensures compatibility with almost any keyboard or electronic product requiring a foot switch or expression pedal. The rubber contact surface and rubber feet provide a solid grip during performances. The Nektar NX-P includes a 6' cabl...


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Nektar Technology SE49 USB MIDI Controller Keyboard
{"id":4723739557977,"title":"Nektar Technology SE49 USB MIDI 49-Key Controller Keyboard","handle":"nektar-technology-se49-usb-midi-controller-keyboard","description":"\u003cdiv class=\"js-injected-html\"\u003e\u003cp\u003eDesigned for studio and live performance setups, the \u003cstrong\u003eNektar SE49\u003c\/strong\u003e is a full-sized 49-note velocity-sensitive MIDI controller keyboard. The synth action keybed allows you to play with expression and a defined, firm feel. There is a choice of four velocity curves ( 3 fixed ones). Four buttons and one MIDI-assignable fader to the left of the keys make the SE49 even more flexible: Shift the keyboard up or down -3 to 4 octaves with multi-colored LED indicators showing the exact status. Or, transpose the keys ±12 semitones with the transpose buttons right below.\u003cbr\u003e\n\u003cbr\u003e\nWith the Nektar DAW Integration, the SE49's buttons can be reassigned to switch MIDI channels, change MIDI programs, or select tracks and browse patches. What's more, pressing a key combination changes the Octave and Transpose buttons function to send out MMC transport functions. So, you can activate start, stop, and record directly from your keyboard. Custom MIDI assignments can be made to the MIDI fader, modulation wheel, and footswitch pedal. The changes are stored, so the next time you power up, you can pick up where you left off. There is direct support for most major DAWs including Bitwig, Cubase, Garageband, Logic, Nuendo, Digital Performer, Mixcraft, Reason, Reaper, Sonar, and Studio One. The Nektar SE49 is USB bus-powered and ships with a USB cable and a license for Bitwig 8-Track.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv class=\"\"\u003e\u003cdiv class=\"\"\u003e\u003cdiv class=\"\"\u003e\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003e\n\u003cul\u003e\n\u003cli\u003e49 velocity-sensitive full-sized keys\u003c\/li\u003e\n\u003cli\u003eFour velocity curves three fixed ones \u003c\/li\u003e\n\u003cli\u003e4 buttons\u003cul\u003e\n\u003cli\u003eOctave up\u003c\/li\u003e\n\u003cli\u003eOctave down\u003c\/li\u003e\n\u003cli\u003eTranspose up\u003c\/li\u003e\n\u003cli\u003eTranspose down\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e1.2\" assignable fader\u003c\/li\u003e\n\u003cli\u003eLarge pitch-bend and modulation wheels\u003c\/li\u003e\n\u003cli\u003eTrack and patch change is possible when using Nektar DAW Integration\u003c\/li\u003e\n\u003cli\u003eTransport control via secondary button function when using Nektar DAW Integration\u003c\/li\u003e\n\u003cli\u003eCustom assign and store fader, modulation wheel, and footswitch input\u003c\/li\u003e\n\u003cli\u003eWorks with any DAW or MIDI music software on OS X, Windows, and Apple iOS\u003c\/li\u003e\n\u003cli\u003eConnections:\u003cul\u003e\n\u003cli\u003eUSB port (USB-powered)\u003c\/li\u003e\n\u003cli\u003e1\/4\" TS jack foot switch input\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eClass-compliant USB (no drivers needed)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e","published_at":"2020-09-21T12:52:38-04:00","created_at":"2020-09-21T12:52:38-04:00","vendor":"Nektar Technology","type":"Keyboard Controllers","tags":["finance24","Instrument","Pro Audio"],"price":7999,"price_min":7999,"price_max":7999,"available":true,"price_varies":false,"compare_at_price":9999,"compare_at_price_min":9999,"compare_at_price_max":9999,"compare_at_price_varies":false,"variants":[{"id":32177788813401,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"NESE49","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nektar Technology SE49 USB MIDI 49-Key Controller Keyboard","public_title":null,"options":["Default Title"],"price":7999,"weight":18144,"compare_at_price":9999,"inventory_management":"shopify","barcode":"859383002343"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/nektar_technology_se49_midi_full_sized_synth_action_1471632.jpg?v=1600707159"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/nektar_technology_se49_midi_full_sized_synth_action_1471632.jpg?v=1600707159","options":["Title"],"media":[{"alt":"Nektar Technology SE49 USB MIDI Controller Keyboard","id":6937741361241,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1500,"width":1500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/nektar_technology_se49_midi_full_sized_synth_action_1471632.jpg?v=1600707158"},"aspect_ratio":1.0,"height":1500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/nektar_technology_se49_midi_full_sized_synth_action_1471632.jpg?v=1600707158","width":1500}],"content":"\u003cdiv class=\"js-injected-html\"\u003e\u003cp\u003eDesigned for studio and live performance setups, the \u003cstrong\u003eNektar SE49\u003c\/strong\u003e is a full-sized 49-note velocity-sensitive MIDI controller keyboard. The synth action keybed allows you to play with expression and a defined, firm feel. There is a choice of four velocity curves ( 3 fixed ones). Four buttons and one MIDI-assignable fader to the left of the keys make the SE49 even more flexible: Shift the keyboard up or down -3 to 4 octaves with multi-colored LED indicators showing the exact status. Or, transpose the keys ±12 semitones with the transpose buttons right below.\u003cbr\u003e\n\u003cbr\u003e\nWith the Nektar DAW Integration, the SE49's buttons can be reassigned to switch MIDI channels, change MIDI programs, or select tracks and browse patches. What's more, pressing a key combination changes the Octave and Transpose buttons function to send out MMC transport functions. So, you can activate start, stop, and record directly from your keyboard. Custom MIDI assignments can be made to the MIDI fader, modulation wheel, and footswitch pedal. The changes are stored, so the next time you power up, you can pick up where you left off. There is direct support for most major DAWs including Bitwig, Cubase, Garageband, Logic, Nuendo, Digital Performer, Mixcraft, Reason, Reaper, Sonar, and Studio One. The Nektar SE49 is USB bus-powered and ships with a USB cable and a license for Bitwig 8-Track.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv class=\"\"\u003e\u003cdiv class=\"\"\u003e\u003cdiv class=\"\"\u003e\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003e\n\u003cul\u003e\n\u003cli\u003e49 velocity-sensitive full-sized keys\u003c\/li\u003e\n\u003cli\u003eFour velocity curves three fixed ones \u003c\/li\u003e\n\u003cli\u003e4 buttons\u003cul\u003e\n\u003cli\u003eOctave up\u003c\/li\u003e\n\u003cli\u003eOctave down\u003c\/li\u003e\n\u003cli\u003eTranspose up\u003c\/li\u003e\n\u003cli\u003eTranspose down\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e1.2\" assignable fader\u003c\/li\u003e\n\u003cli\u003eLarge pitch-bend and modulation wheels\u003c\/li\u003e\n\u003cli\u003eTrack and patch change is possible when using Nektar DAW Integration\u003c\/li\u003e\n\u003cli\u003eTransport control via secondary button function when using Nektar DAW Integration\u003c\/li\u003e\n\u003cli\u003eCustom assign and store fader, modulation wheel, and footswitch input\u003c\/li\u003e\n\u003cli\u003eWorks with any DAW or MIDI music software on OS X, Windows, and Apple iOS\u003c\/li\u003e\n\u003cli\u003eConnections:\u003cul\u003e\n\u003cli\u003eUSB port (USB-powered)\u003c\/li\u003e\n\u003cli\u003e1\/4\" TS jack foot switch input\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eClass-compliant USB (no drivers needed)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e"}
Nektar Technology SE49 USB MIDI Controller Keyboard

Nektar Technology SE49 USB MIDI 49-Key Controller Keyboard

$79.99

Designed for studio and live performance setups, the Nektar SE49 is a full-sized 49-note velocity-sensitive MIDI controller keyboard. The synth action keybed allows you to play with expression and a defined, firm feel. There is a choice of four velocity curves ( 3 fixed ones). Four buttons and one MIDI-assignable fader to the left of the keys ma...


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Nektar Technology SE25 Mini MIDI Keyboard Controller
{"id":4723739525209,"title":"Nektar Technology SE25 Mini USB MIDI 25-Key Keyboard Controller","handle":"nektar-technology-se25-mini-midi-keyboard-controller","description":"\u003cdiv class=\"js-injected-html\"\u003e\u003cp\u003eDesigned for most mobile production setups, the \u003cstrong\u003eNektar SE25\u003c\/strong\u003e is a mini 25-note, velocity-sensitive MIDI controller keyboard, designed to help you make music while on the move. Its slim profile is about as wide as most laptops allowing it to easily slip into your backpack or laptop case.\u003cbr\u003e\n\u003cbr\u003e\nDespite its size, the mini-keys were developed with an advanced keybed allowing you to play them with expression and a defined, firm feel. There is a choice of three velocity curves (default, soft, and hard), which provide even more control over expression. Six buttons provide access to transpose, pitch bend, and sustain, for dynamic performances. Additionally, the buttons can be assigned to MIDI volume, and pan.\u003cbr\u003e\n\u003cbr\u003e\nWith Nektar DAW Integration, the SE25 can provide track\/patch selection and DAW transport controls. There is direct support for most major DAWs including Bitwig, Cubase, Garageband, Logic, Nuendo, Digital Performer, Mixcraft, Reason, Reaper, Sonar and Studio One. The Nektar SE25 is USB bus powered and ships with a micro-USB cable and a license for Bitwig 8-Track.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv class=\"\"\u003e\u003cdiv class=\"\"\u003e\u003cdiv class=\"\"\u003e\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003e\n\u003cul\u003e\n\u003cli\u003e25 velocity-sensitive mini keys\u003c\/li\u003e\n\u003cli\u003e3 Velocity curves\u003cul\u003e\n\u003cli\u003eDefault\u003c\/li\u003e\n\u003cli\u003eSoft\u003c\/li\u003e\n\u003cli\u003eHard\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e6 buttons\u003cul\u003e\n\u003cli\u003eOctave up\/down\u003c\/li\u003e\n\u003cli\u003ePB1\/PB2\u003c\/li\u003e\n\u003cli\u003eSustain\u003c\/li\u003e\n\u003cli\u003ePart 2\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003ePB1 and PB2 button assignment\u003cul\u003e\n\u003cli\u003ePitch bend\u003c\/li\u003e\n\u003cli\u003eTranspose\u003c\/li\u003e\n\u003cli\u003eVolume\u003c\/li\u003e\n\u003cli\u003ePan\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eTrack and patch change is possible when using Nektar DAW integration\u003c\/li\u003e\n\u003cli\u003ePart two button assignment\u003cul\u003e\n\u003cli\u003eOctave\u003c\/li\u003e\n\u003cli\u003eMIDI channel\u003c\/li\u003e\n\u003cli\u003eTranspose\u003c\/li\u003e\n\u003cli\u003eLayer\u003c\/li\u003e\n\u003cli\u003eLatch (momentary)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eS Button Assignment\u003cul\u003e\n\u003cli\u003eSustain\u003c\/li\u003e\n\u003cli\u003eModulation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eTransport control via secondary button function when using Nektar DAW integration\u003c\/li\u003e\n\u003cli\u003eWorks with any DAW or MIDI music software on OS X, Windows, and Apple iOS.\u003c\/li\u003e\n\u003cli\u003eConnections: Micro USB port (USB-powered)\u003c\/li\u003e\n\u003cli\u003eClass-compliant USB (no drivers needed)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e","published_at":"2020-09-21T12:52:36-04:00","created_at":"2020-09-21T12:52:37-04:00","vendor":"Nektar Technology","type":"Keyboard Controllers","tags":["finance24","Instrument","Pro Audio"],"price":4999,"price_min":4999,"price_max":4999,"available":true,"price_varies":false,"compare_at_price":7499,"compare_at_price_min":7499,"compare_at_price_max":7499,"compare_at_price_varies":false,"variants":[{"id":32177788780633,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"NESE25","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nektar Technology SE25 Mini USB MIDI 25-Key Keyboard Controller","public_title":null,"options":["Default Title"],"price":4999,"weight":4536,"compare_at_price":7499,"inventory_management":"shopify","barcode":"859383002367"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/nektar_technology_se25_mini_midi_2_1471631.jpg?v=1600707157"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/nektar_technology_se25_mini_midi_2_1471631.jpg?v=1600707157","options":["Title"],"media":[{"alt":"Nektar Technology SE25 Mini MIDI Keyboard Controller","id":6937741164633,"position":1,"preview_image":{"aspect_ratio":1.0,"height":750,"width":750,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/nektar_technology_se25_mini_midi_2_1471631.jpg?v=1600707157"},"aspect_ratio":1.0,"height":750,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/nektar_technology_se25_mini_midi_2_1471631.jpg?v=1600707157","width":750}],"content":"\u003cdiv class=\"js-injected-html\"\u003e\u003cp\u003eDesigned for most mobile production setups, the \u003cstrong\u003eNektar SE25\u003c\/strong\u003e is a mini 25-note, velocity-sensitive MIDI controller keyboard, designed to help you make music while on the move. Its slim profile is about as wide as most laptops allowing it to easily slip into your backpack or laptop case.\u003cbr\u003e\n\u003cbr\u003e\nDespite its size, the mini-keys were developed with an advanced keybed allowing you to play them with expression and a defined, firm feel. There is a choice of three velocity curves (default, soft, and hard), which provide even more control over expression. Six buttons provide access to transpose, pitch bend, and sustain, for dynamic performances. Additionally, the buttons can be assigned to MIDI volume, and pan.\u003cbr\u003e\n\u003cbr\u003e\nWith Nektar DAW Integration, the SE25 can provide track\/patch selection and DAW transport controls. There is direct support for most major DAWs including Bitwig, Cubase, Garageband, Logic, Nuendo, Digital Performer, Mixcraft, Reason, Reaper, Sonar and Studio One. The Nektar SE25 is USB bus powered and ships with a micro-USB cable and a license for Bitwig 8-Track.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv class=\"\"\u003e\u003cdiv class=\"\"\u003e\u003cdiv class=\"\"\u003e\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003e\n\u003cul\u003e\n\u003cli\u003e25 velocity-sensitive mini keys\u003c\/li\u003e\n\u003cli\u003e3 Velocity curves\u003cul\u003e\n\u003cli\u003eDefault\u003c\/li\u003e\n\u003cli\u003eSoft\u003c\/li\u003e\n\u003cli\u003eHard\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e6 buttons\u003cul\u003e\n\u003cli\u003eOctave up\/down\u003c\/li\u003e\n\u003cli\u003ePB1\/PB2\u003c\/li\u003e\n\u003cli\u003eSustain\u003c\/li\u003e\n\u003cli\u003ePart 2\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003ePB1 and PB2 button assignment\u003cul\u003e\n\u003cli\u003ePitch bend\u003c\/li\u003e\n\u003cli\u003eTranspose\u003c\/li\u003e\n\u003cli\u003eVolume\u003c\/li\u003e\n\u003cli\u003ePan\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eTrack and patch change is possible when using Nektar DAW integration\u003c\/li\u003e\n\u003cli\u003ePart two button assignment\u003cul\u003e\n\u003cli\u003eOctave\u003c\/li\u003e\n\u003cli\u003eMIDI channel\u003c\/li\u003e\n\u003cli\u003eTranspose\u003c\/li\u003e\n\u003cli\u003eLayer\u003c\/li\u003e\n\u003cli\u003eLatch (momentary)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eS Button Assignment\u003cul\u003e\n\u003cli\u003eSustain\u003c\/li\u003e\n\u003cli\u003eModulation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eTransport control via secondary button function when using Nektar DAW integration\u003c\/li\u003e\n\u003cli\u003eWorks with any DAW or MIDI music software on OS X, Windows, and Apple iOS.\u003c\/li\u003e\n\u003cli\u003eConnections: Micro USB port (USB-powered)\u003c\/li\u003e\n\u003cli\u003eClass-compliant USB (no drivers needed)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e"}
Nektar Technology SE25 Mini MIDI Keyboard Controller

Nektar Technology SE25 Mini USB MIDI 25-Key Keyboard Controller

$49.99

Designed for most mobile production setups, the Nektar SE25 is a mini 25-note, velocity-sensitive MIDI controller keyboard, designed to help you make music while on the move. Its slim profile is about as wide as most laptops allowing it to easily slip into your backpack or laptop case. Despite its size, the mini-keys were developed with an adva...


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25%
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Nektar Technology Panorama T6 61-Key USB MIDI Controller
{"id":4723739459673,"title":"Nektar Technology Panorama T6 USB MIDI Daw 61-Key Keyboard Controller","handle":"nektar-technology-panorama-t6-61-key-usb-midi-controller","description":"\u003cdiv class=\"js-injected-html\"\u003e\n\u003cp\u003eThe \u003cb\u003eNektar Technology Panorama T6\u003c\/b\u003e is a 61-key USB MIDI controller designed to deliver versatile, efficient DAW and virtual instrument control for producers, musicians, beatmakers, and songwriters in home, project, and mobile studios. With 61 velocity- and aftertouch-sensitive keys, eight velocity- and pressure-sensitive LED color pads, and multiple velocity curves for the keys and pads, it is well suited to a variety of playing styles. Tactile control of software instruments and DAW programs is executed via nine 30mm faders, eight assignable encoders, eight assignable LED buttons, four navigation buttons, and six LED transport buttons.\u003c\/p\u003e\n\u003cp\u003eTake advantage of seamless integration with the included Bitwig 8-Track software or other DAWs such as Cubase, Garageband, Logic Pro, Nuendo, Reaper, and Reason. Multiple DAW control maps ensure proper functionality with DAWs that support either MCU or Nektar DAW Integration protocols. Access to VST, VST3, or Audio Units instrument parameters is facilitated through preset control maps, which can be customized and manually created. A custom 128 x 64 LCD complements the array of controls with adjustable contrast and clear display of modes, settings, and more.\u003c\/p\u003e\n\u003cp\u003eThe Panorama T6 is powered via a USB connection to a compatible device running Mac OS X, Windows, Linux, or iOS (USB camera connection kit available separately). A MIDI 5-pin output is provided for easy hookup to a hardware synthesizer, sound module, or MIDI interface. Dedicated MIDI-assignable 1\/4\" jacks allow utilization of a footswitch and expression pedal (both available separately).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\u003cdiv class=\"\"\u003e\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eKeys\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe 2nd generation Panorama synth-action keybed is dampened and balanced across the keyboard with medium tension, which means the activation force required is in the middle of the range established for professional keyboards. Five velocity settings shift the emphasis from soft to hard, giving enough choice to cater for any playing style. The AfterTouch strip makes it possible to dynamically alter tone or volume by gently applying just a bit of pressure.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003ePads\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eDesigned with finger drumming in mind, eight large velocity- and pressure-sensitive LED color pads allow triggering at an extremely low threshold for proper capture of ghost notes and flams. If the factory settings are not expressive enough for you, it's even possible to calibrate each pad individually for optimum performance. Each pad can be assigned any MIDI note number or MIDI CC message for use as MIDI trigger or toggle button. A Pad Bank button left to the pads gives you access to another eight pads, for a total of 16 pads within a pad map. Eight such pad maps are available for recall at any time.\u003cp\u003eWith Nektar DAW Integration, you additionally get automatic mapping of dedicated drum synths such as Reason's Kong and Bitwig's Drum Machine, complete with full visual feedback on the pads. You can even assign chords to the pads and combine this with the Pad Repeat feature to generate rhythmical and chordal figures. The display's Velocity Spread button quickly spreads the last played note across all 16 pads, each with its own fixed velocity, making it easier to create consistent and nuanced dynamics. VelFix gives you access to a preassigned fixed velocity level.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003ePerform\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eLocated just above the wheels are the Key Repeat and Pad Repeat buttons. Press to activate the repeat function, and notes will be repeated at the set rate. Change the rate in real-time from 1\/4 to 1\/96 note values: Change the tempo; add some swing; and set an accent interval.\u003cp\u003eRepeat settings for pads and keys are independent of each other, so one can be set for the drum beat and the other for an instrumentation part. The Repeat's trigger mode can be set to repeat from the point of playing a note or to sync with the beat. The clock source can either be the internal or the external MIDI clock.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eTactile Control\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eNine 30mm faders, eight assignable LED buttons, and eight encoders are at the center of the control panel. Each control is fully programmable to send any MIDI CC message for use with hardware or software MIDI products. When used with Nektar DAW integration or Nektarine, the controls provide flexible pre-mapped control of your DAW or plug-ins, giving you deep tactile control right from the hardware. Automatic catch-up and soft-takeover functions to avoid parameter jumping when switching between devices. The Null function additionally allows you to do this without relying on software feedback, thanks to independent settings for the Mixer, Instrument, Multi, and Preset modes. Control settings can be stored in any of the Panorama T6's ten presets.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eDisplay\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe custom LCD display provides crisp and clear feedback for all your settings including various modes, global parameters, and more. With Nektar DAW integration and Nektarine, you will even see your software's mixer and plug-in parameters on the LCD.\u003cp\u003eThe four soft buttons below the display will change their function according to the selected menu for fast access. The four mode buttons to the right of the display allow you to change from internal mode to DAW or plug-in control at the touch of a button. The Multi button is reserved for Nektarine. By pressing the Focus button, you can enlarge the current parameter to fill the whole screen. All of this ensures a fluent and fast workflow without any guessing games.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eNektarine\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eNektarine enhances control and library management of instrument plug-ins and doesn't impose itself on you or your DAW. Upon launching, Nektarine will immediately communicate with your Panorama T6 and allow control of VST, VST3, or Audio Units plug-in. The display will indicate which parameter is assigned to each control as well as status feedback.\u003cp\u003eThe LED buttons below the faders are configured for navigation so it's quick and easy to find your way around complex plug-ins. Each button is labeled with a common control page name such as OSC, Filter, Env, LFO and FX. As soon as you press a button, the corresponding Nektarine factory map page is selected. The LED buttons can be assigned to any map page so you can set up each map exactly how you want it.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eControl Maps\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eWhen using plug-ins not yet factory mapped for Nektarine, click the Edit button in the Nektarine header to open the control edit page, where you can drag and drop parameters to assign them to controls on each page, or use the parameter learn function. You can also rename parameters and create navigation assignments to simplify selection of the plug-in's pages. Factory maps are also customizable and any map can be saved for automatic recall every time the plug-in is loaded.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003ePatch Browsing\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eNektarine enables browsing of patches directly from the Panorama T6. Factory patches for most popular instrument plug-ins are instantly available with minimum setup. User patches can also be imported or saved, so over time there will be quite a few patches to choose from in the Nektarine browser. Thankfully, Nektarine has tools to help you manage thousands of patches. Patch tagging, search, and rating options make it easy to find exactly the patch you are looking for. Group tags store a combination of tag settings and make it possible to narrow your options at the push of just one button. Use Nektarine in one DAW and your plug-ins can be browsed the same way in any other compatible DAW.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eMulti Mode\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe Panorama T6's Multi mode enables up to eight instrument plug-ins to be layered in Nektarine. Each plug-in slot has its own unique browser settings as well as volume, pan, mute, and solo parameters assigned for instant mixing control. When Multi mode is active, patches loaded for each slot are clearly listed in the display and slots can be added in real-time. Press the Browse button at any time to load a new patch in any of the active slots.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eDAW Control\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eCompatibility with any DAW that supports MCU (Mackie Control Universal) enables transport operations, track selection, and basic mixer control. Six LED transport buttons include record, play, stop, rewind, fast forward, and loop. Dedicated track up\/down buttons are located below the display. The first eight faders control your DAW's mixer in banks of eight channels each, with their LED buttons functioning as mutes. Hold Shift and move through your mixer in banks of eight using the bank buttons below the display. The ninth fader controls master volume, whereas the encoders are mapped to channel pan.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eNektar Daw Integration\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eWith Nektar DAW Integration, you get extended features such as alternating channel nine between volume control for the master, and current channel, or toggling the LED buttons between solo and mute. Depending on your DAW, you can also use the display buttons to switch the encoders to control sends or smart\/quick controls. To help you make the best out of your screen space, the Panorama T6 also has shortcuts for opening and closing your DAW mixer window. Currently, Nektar DAW Integration is supported in Bitwig, Cubase, Garageband, Logic, Nuendo, Reaper, and Reason.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eStandard MIDI Output\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eIf you prefer to control MIDI hardware products, Control Edit menu makes it easy to program any of the controls to send MIDI messages from standard MIDI CC, RPN and NRPN, MMC, and note messages. Buttons and pads can even be configured to load specific Panorama T6 presets or pad maps as well as trigger chords. There are 10 presets to store control setups and a further 8 pad maps storing 2x8 pad assignments each. Once controls are programmed as they should be, connect your MIDI equipment to the MIDI output jack, and get started. You can use the repeat buttons to expand your performance options as well as the chord and hold functions.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eVersatile Compatibility\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eAs a low-powered USB device, Panorama T6 works with all USB devices that feature a Class Compliant MIDI driver. This includes all version of Windows from XP and later, Apple OS X 10.5 and later, plus Linux (as long as a USB MIDI driver package is installed). iOS is supported using Apple's powered USB camera connection kit.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eIncludes Bitwig 8-Track\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eBitwig 8-Track is included for immediate access to producing, performing, and designing sounds. Bitwig 8-Track features over 50 software instruments and effects for use on up to eight audio or MIDI project tracks, and you can use any 3rd-party VST plug-ins you might own. The Bitwig Essentials Package—a versatile selection of loops, clips, and samples—is also included to help you get started. Plus, Nektar DAW Integration supports Bitwig 8-Track.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e","published_at":"2020-09-21T12:52:35-04:00","created_at":"2020-09-21T12:52:36-04:00","vendor":"Nektar Technology","type":"Keyboard Controllers","tags":["finance24","Instrument","Pro Audio","specialorder"],"price":29999,"price_min":29999,"price_max":29999,"available":true,"price_varies":false,"compare_at_price":39999,"compare_at_price_min":39999,"compare_at_price_max":39999,"compare_at_price_varies":false,"variants":[{"id":32177788715097,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"NEPANORAMAT6","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nektar Technology Panorama T6 USB MIDI Daw 61-Key Keyboard Controller","public_title":null,"options":["Default Title"],"price":29999,"weight":20412,"compare_at_price":39999,"inventory_management":"shopify","barcode":"859383002381"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/nektar_technology_panorama_t6_midi_controller_1423333.jpg?v=1600707156"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/nektar_technology_panorama_t6_midi_controller_1423333.jpg?v=1600707156","options":["Title"],"media":[{"alt":"Nektar Technology Panorama T6 61-Key USB MIDI Controller","id":6937741099097,"position":1,"preview_image":{"aspect_ratio":1.0,"height":2500,"width":2500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/nektar_technology_panorama_t6_midi_controller_1423333.jpg?v=1600707156"},"aspect_ratio":1.0,"height":2500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/nektar_technology_panorama_t6_midi_controller_1423333.jpg?v=1600707156","width":2500}],"content":"\u003cdiv class=\"js-injected-html\"\u003e\n\u003cp\u003eThe \u003cb\u003eNektar Technology Panorama T6\u003c\/b\u003e is a 61-key USB MIDI controller designed to deliver versatile, efficient DAW and virtual instrument control for producers, musicians, beatmakers, and songwriters in home, project, and mobile studios. With 61 velocity- and aftertouch-sensitive keys, eight velocity- and pressure-sensitive LED color pads, and multiple velocity curves for the keys and pads, it is well suited to a variety of playing styles. Tactile control of software instruments and DAW programs is executed via nine 30mm faders, eight assignable encoders, eight assignable LED buttons, four navigation buttons, and six LED transport buttons.\u003c\/p\u003e\n\u003cp\u003eTake advantage of seamless integration with the included Bitwig 8-Track software or other DAWs such as Cubase, Garageband, Logic Pro, Nuendo, Reaper, and Reason. Multiple DAW control maps ensure proper functionality with DAWs that support either MCU or Nektar DAW Integration protocols. Access to VST, VST3, or Audio Units instrument parameters is facilitated through preset control maps, which can be customized and manually created. A custom 128 x 64 LCD complements the array of controls with adjustable contrast and clear display of modes, settings, and more.\u003c\/p\u003e\n\u003cp\u003eThe Panorama T6 is powered via a USB connection to a compatible device running Mac OS X, Windows, Linux, or iOS (USB camera connection kit available separately). A MIDI 5-pin output is provided for easy hookup to a hardware synthesizer, sound module, or MIDI interface. Dedicated MIDI-assignable 1\/4\" jacks allow utilization of a footswitch and expression pedal (both available separately).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\u003cdiv class=\"\"\u003e\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eKeys\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe 2nd generation Panorama synth-action keybed is dampened and balanced across the keyboard with medium tension, which means the activation force required is in the middle of the range established for professional keyboards. Five velocity settings shift the emphasis from soft to hard, giving enough choice to cater for any playing style. The AfterTouch strip makes it possible to dynamically alter tone or volume by gently applying just a bit of pressure.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003ePads\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eDesigned with finger drumming in mind, eight large velocity- and pressure-sensitive LED color pads allow triggering at an extremely low threshold for proper capture of ghost notes and flams. If the factory settings are not expressive enough for you, it's even possible to calibrate each pad individually for optimum performance. Each pad can be assigned any MIDI note number or MIDI CC message for use as MIDI trigger or toggle button. A Pad Bank button left to the pads gives you access to another eight pads, for a total of 16 pads within a pad map. Eight such pad maps are available for recall at any time.\u003cp\u003eWith Nektar DAW Integration, you additionally get automatic mapping of dedicated drum synths such as Reason's Kong and Bitwig's Drum Machine, complete with full visual feedback on the pads. You can even assign chords to the pads and combine this with the Pad Repeat feature to generate rhythmical and chordal figures. The display's Velocity Spread button quickly spreads the last played note across all 16 pads, each with its own fixed velocity, making it easier to create consistent and nuanced dynamics. VelFix gives you access to a preassigned fixed velocity level.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003ePerform\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eLocated just above the wheels are the Key Repeat and Pad Repeat buttons. Press to activate the repeat function, and notes will be repeated at the set rate. Change the rate in real-time from 1\/4 to 1\/96 note values: Change the tempo; add some swing; and set an accent interval.\u003cp\u003eRepeat settings for pads and keys are independent of each other, so one can be set for the drum beat and the other for an instrumentation part. The Repeat's trigger mode can be set to repeat from the point of playing a note or to sync with the beat. The clock source can either be the internal or the external MIDI clock.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eTactile Control\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eNine 30mm faders, eight assignable LED buttons, and eight encoders are at the center of the control panel. Each control is fully programmable to send any MIDI CC message for use with hardware or software MIDI products. When used with Nektar DAW integration or Nektarine, the controls provide flexible pre-mapped control of your DAW or plug-ins, giving you deep tactile control right from the hardware. Automatic catch-up and soft-takeover functions to avoid parameter jumping when switching between devices. The Null function additionally allows you to do this without relying on software feedback, thanks to independent settings for the Mixer, Instrument, Multi, and Preset modes. Control settings can be stored in any of the Panorama T6's ten presets.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eDisplay\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe custom LCD display provides crisp and clear feedback for all your settings including various modes, global parameters, and more. With Nektar DAW integration and Nektarine, you will even see your software's mixer and plug-in parameters on the LCD.\u003cp\u003eThe four soft buttons below the display will change their function according to the selected menu for fast access. The four mode buttons to the right of the display allow you to change from internal mode to DAW or plug-in control at the touch of a button. The Multi button is reserved for Nektarine. By pressing the Focus button, you can enlarge the current parameter to fill the whole screen. All of this ensures a fluent and fast workflow without any guessing games.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eNektarine\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eNektarine enhances control and library management of instrument plug-ins and doesn't impose itself on you or your DAW. Upon launching, Nektarine will immediately communicate with your Panorama T6 and allow control of VST, VST3, or Audio Units plug-in. The display will indicate which parameter is assigned to each control as well as status feedback.\u003cp\u003eThe LED buttons below the faders are configured for navigation so it's quick and easy to find your way around complex plug-ins. Each button is labeled with a common control page name such as OSC, Filter, Env, LFO and FX. As soon as you press a button, the corresponding Nektarine factory map page is selected. The LED buttons can be assigned to any map page so you can set up each map exactly how you want it.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eControl Maps\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eWhen using plug-ins not yet factory mapped for Nektarine, click the Edit button in the Nektarine header to open the control edit page, where you can drag and drop parameters to assign them to controls on each page, or use the parameter learn function. You can also rename parameters and create navigation assignments to simplify selection of the plug-in's pages. Factory maps are also customizable and any map can be saved for automatic recall every time the plug-in is loaded.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003ePatch Browsing\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eNektarine enables browsing of patches directly from the Panorama T6. Factory patches for most popular instrument plug-ins are instantly available with minimum setup. User patches can also be imported or saved, so over time there will be quite a few patches to choose from in the Nektarine browser. Thankfully, Nektarine has tools to help you manage thousands of patches. Patch tagging, search, and rating options make it easy to find exactly the patch you are looking for. Group tags store a combination of tag settings and make it possible to narrow your options at the push of just one button. Use Nektarine in one DAW and your plug-ins can be browsed the same way in any other compatible DAW.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eMulti Mode\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe Panorama T6's Multi mode enables up to eight instrument plug-ins to be layered in Nektarine. Each plug-in slot has its own unique browser settings as well as volume, pan, mute, and solo parameters assigned for instant mixing control. When Multi mode is active, patches loaded for each slot are clearly listed in the display and slots can be added in real-time. Press the Browse button at any time to load a new patch in any of the active slots.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eDAW Control\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eCompatibility with any DAW that supports MCU (Mackie Control Universal) enables transport operations, track selection, and basic mixer control. Six LED transport buttons include record, play, stop, rewind, fast forward, and loop. Dedicated track up\/down buttons are located below the display. The first eight faders control your DAW's mixer in banks of eight channels each, with their LED buttons functioning as mutes. Hold Shift and move through your mixer in banks of eight using the bank buttons below the display. The ninth fader controls master volume, whereas the encoders are mapped to channel pan.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eNektar Daw Integration\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eWith Nektar DAW Integration, you get extended features such as alternating channel nine between volume control for the master, and current channel, or toggling the LED buttons between solo and mute. Depending on your DAW, you can also use the display buttons to switch the encoders to control sends or smart\/quick controls. To help you make the best out of your screen space, the Panorama T6 also has shortcuts for opening and closing your DAW mixer window. Currently, Nektar DAW Integration is supported in Bitwig, Cubase, Garageband, Logic, Nuendo, Reaper, and Reason.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eStandard MIDI Output\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eIf you prefer to control MIDI hardware products, Control Edit menu makes it easy to program any of the controls to send MIDI messages from standard MIDI CC, RPN and NRPN, MMC, and note messages. Buttons and pads can even be configured to load specific Panorama T6 presets or pad maps as well as trigger chords. There are 10 presets to store control setups and a further 8 pad maps storing 2x8 pad assignments each. Once controls are programmed as they should be, connect your MIDI equipment to the MIDI output jack, and get started. You can use the repeat buttons to expand your performance options as well as the chord and hold functions.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eVersatile Compatibility\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eAs a low-powered USB device, Panorama T6 works with all USB devices that feature a Class Compliant MIDI driver. This includes all version of Windows from XP and later, Apple OS X 10.5 and later, plus Linux (as long as a USB MIDI driver package is installed). iOS is supported using Apple's powered USB camera connection kit.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eIncludes Bitwig 8-Track\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eBitwig 8-Track is included for immediate access to producing, performing, and designing sounds. Bitwig 8-Track features over 50 software instruments and effects for use on up to eight audio or MIDI project tracks, and you can use any 3rd-party VST plug-ins you might own. The Bitwig Essentials Package—a versatile selection of loops, clips, and samples—is also included to help you get started. Plus, Nektar DAW Integration supports Bitwig 8-Track.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e"}
Nektar Technology Panorama T6 61-Key USB MIDI Controller

Nektar Technology Panorama T6 USB MIDI Daw 61-Key Keyboard Controller

$299.99

The Nektar Technology Panorama T6 is a 61-key USB MIDI controller designed to deliver versatile, efficient DAW and virtual instrument control for producers, musicians, beatmakers, and songwriters in home, project, and mobile studios. With 61 velocity- and aftertouch-sensitive keys, eight velocity- and pressure-sensitive LED color pads, and mult...


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Nektar Technology Panorama T4 49-Key USB MIDI Controller
{"id":4723739426905,"title":"Nektar Technology Panorama T4 USB MIDI DAW 49-Key Keyboard Controller","handle":"nektar-technology-panorama-t4-49-key-usb-midi-controller","description":"\u003cdiv class=\"js-injected-html\"\u003e\n\u003cp\u003eThe \u003cb\u003eNektar Technology Panorama T4\u003c\/b\u003e is a 49-key USB MIDI controller designed to deliver versatile, efficient DAW and virtual instrument control for producers, musicians, beatmakers, and songwriters in home, project, and mobile studios. With 49 velocity- and aftertouch-sensitive keys, eight velocity- and pressure-sensitive LED color pads, and multiple velocity curves for the keys and pads, it is well suited to a variety of playing styles. Tactile control of software instruments and DAW programs is executed via nine 30mm faders, eight assignable encoders, eight assignable LED buttons, four navigation buttons, and six LED transport buttons.\u003c\/p\u003e\n\u003cp\u003eTake advantage of seamless integration with the included Bitwig 8-Track software or other DAWs such as Cubase, Garageband, Logic Pro, Nuendo, Reaper, and Reason. Multiple DAW control maps ensure proper functionality with DAWs that support either MCU or Nektar DAW Integration protocols. Access to VST, VST3, or Audio Units instrument parameters is facilitated through preset control maps, which can be customized and manually created. A custom 128 x 64 LCD complements the array of controls with adjustable contrast and clear display of modes, settings, and more.\u003c\/p\u003e\n\u003cp\u003eThe Panorama T4 is powered via a USB connection to a compatible device running Mac OS X, Windows, Linux, or iOS (USB camera connection kit available separately). A MIDI 5-pin output is provided for easy hookup to a hardware synthesizer, sound module, or MIDI interface. Dedicated MIDI-assignable 1\/4\" jacks allow utilization of a footswitch and expression pedal (both available separately).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\u003cdiv class=\"\"\u003e\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eKeys\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe 2nd generation Panorama synth-action keybed is dampened and balanced across the keyboard with medium tension, which means the activation force required is in the middle of the range established for professional keyboards. Five velocity settings shift the emphasis from soft to hard, giving enough choice to cater for any playing style. The AfterTouch strip makes it possible to dynamically alter tone or volume by gently applying just a bit of pressure.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003ePads\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eDesigned with finger drumming in mind, eight large velocity- and pressure-sensitive LED color pads allow triggering at an extremely low threshold for proper capture of ghost notes and flams. If the factory settings are not expressive enough for you, it's even possible to calibrate each pad individually for optimum performance. Each pad can be assigned any MIDI note number or MIDI CC message for use as MIDI trigger or toggle button. A Pad Bank button left to the pads gives you access to another eight pads, for a total of 16 pads within a pad map. Eight such pad maps are available for recall at any time.\u003cp\u003eWith Nektar DAW Integration, you additionally get automatic mapping of dedicated drum synths such as Reason's Kong and Bitwig's Drum Machine, complete with full visual feedback on the pads. You can even assign chords to the pads and combine this with the Pad Repeat feature to generate rhythmical and chordal figures. The display's Velocity Spread button quickly spreads the last played note across all 16 pads, each with its own fixed velocity, making it easier to create consistent and nuanced dynamics. VelFix gives you access to a preassigned fixed velocity level.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003ePerform\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eLocated just above the wheels are the Key Repeat and Pad Repeat buttons. Press to activate the repeat function, and notes will be repeated at the set rate. Change the rate in real-time from 1\/4 to 1\/96 note values: Change the tempo; add some swing; and set an accent interval.\u003cp\u003eRepeat settings for pads and keys are independent of each other, so one can be set for the drum beat and the other for an instrumentation part. The Repeat's trigger mode can be set to repeat from the point of playing a note or to sync with the beat. The clock source can either be the internal or the external MIDI clock.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eTactile Control\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eNine 30mm faders, eight assignable LED buttons, and eight encoders are at the center of the control panel. Each control is fully programmable to send any MIDI CC message for use with hardware or software MIDI products. When used with Nektar DAW integration or Nektarine, the controls provide flexible pre-mapped control of your DAW or plug-ins, giving you deep tactile control right from the hardware. Automatic catch-up and soft-takeover functions to avoid parameter jumping when switching between devices. The Null function additionally allows you to do this without relying on software feedback, thanks to independent settings for the Mixer, Instrument, Multi, and Preset modes. Control settings can be stored in any of the Panorama T4's ten presets.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eDisplay\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe custom LCD display provides crisp and clear feedback for all your settings including various modes, global parameters, and more. With Nektar DAW integration and Nektarine, you will even see your software's mixer and plug-in parameters on the LCD.\u003cp\u003eThe four soft buttons below the display will change their function according to the selected menu for fast access. The four mode buttons to the right of the display allow you to change from internal mode to DAW or plug-in control at the touch of a button. The Multi button is reserved for Nektarine. By pressing the Focus button, you can enlarge the current parameter to fill the whole screen. All of this ensures a fluent and fast workflow without any guessing games.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eNektarine\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eNektarine enhances control and library management of instrument plug-ins and doesn't impose itself on you or your DAW. Upon launching, Nektarine will immediately communicate with your Panorama T4 and allow control of VST, VST3, or Audio Units plug-in. The display will indicate which parameter is assigned to each control as well as status feedback.\u003cp\u003eThe LED buttons below the faders are configured for navigation so it's quick and easy to find your way around complex plug-ins. Each button is labeled with a common control page name such as OSC, Filter, Env, LFO and FX. As soon as you press a button, the corresponding Nektarine factory map page is selected. The LED buttons can be assigned to any map page so you can set up each map exactly how you want it.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eControl Maps\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eWhen using plug-ins not yet factory mapped for Nektarine, click the Edit button in the Nektarine header to open the control edit page, where you can drag and drop parameters to assign them to controls on each page, or use the parameter learn function. You can also rename parameters and create navigation assignments to simplify selection of the plug-in's pages. Factory maps are also customizable and any map can be saved for automatic recall every time the plug-in is loaded.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003ePatch Browsing\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eNektarine enables browsing of patches directly from the Panorama T4. Factory patches for most popular instrument plug-ins are instantly available with minimum setup. User patches can also be imported or saved, so over time there will be quite a few patches to choose from in the Nektarine browser. Thankfully, Nektarine has tools to help you manage thousands of patches. Patch tagging, search, and rating options make it easy to find exactly the patch you are looking for. Group tags store a combination of tag settings and make it possible to narrow your options at the push of just one button. Use Nektarine in one DAW and your plug-ins can be browsed the same way in any other compatible DAW.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eMulti Mode\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe Panorama T4's Multi mode enables up to eight instrument plug-ins to be layered in Nektarine. Each plug-in slot has its own unique browser settings as well as volume, pan, mute, and solo parameters assigned for instant mixing control. When Multi mode is active, patches loaded for each slot are clearly listed in the display and slots can be added in real-time. Press the Browse button at any time to load a new patch in any of the active slots.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eDAW Control\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eCompatibility with any DAW that supports MCU (Mackie Control Universal) enables transport operations, track selection, and basic mixer control. Six LED transport buttons include record, play, stop, rewind, fast forward, and loop. Dedicated track up\/down buttons are located below the display. The first eight faders control your DAW's mixer in banks of eight channels each, with their LED buttons functioning as mutes. Hold Shift and move through your mixer in banks of eight using the bank buttons below the display. The ninth fader controls master volume, whereas the encoders are mapped to channel pan.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eNektar Daw Integration\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eWith Nektar DAW Integration, you get extended features such as alternating channel nine between volume control for the master, and current channel, or toggling the LED buttons between solo and mute. Depending on your DAW, you can also use the display buttons to switch the encoders to control sends or smart\/quick controls. To help you make the best out of your screen space, the Panorama T4 also has shortcuts for opening and closing your DAW mixer window. Currently, Nektar DAW Integration is supported in Bitwig, Cubase, Garageband, Logic, Nuendo, Reaper, and Reason.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eStandard MIDI Output\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eIf you prefer to control MIDI hardware products, Control Edit menu makes it easy to program any of the controls to send MIDI messages from standard MIDI CC, RPN and NRPN, MMC, and note messages. Buttons and pads can even be configured to load specific Panorama T4 presets or pad maps as well as trigger chords. There are 10 presets to store control setups and a further 8 pad maps storing 2x8 pad assignments each. Once controls are programmed as they should be, connect your MIDI equipment to the MIDI output jack, and get started. You can use the repeat buttons to expand your performance options as well as the chord and hold functions.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eVersatile Compatibility\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eAs a low-powered USB device, Panorama T4 works with all USB devices that feature a Class Compliant MIDI driver. This includes all version of Windows from XP and later, Apple OS X 10.5 and later, plus Linux (as long as a USB MIDI driver package is installed). iOS is supported using Apple's powered USB camera connection kit.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eIncludes Bitwig 8-Track\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eBitwig 8-Track is included for immediate access to producing, performing, and designing sounds. Bitwig 8-Track features over 50 software instruments and effects for use on up to eight audio or MIDI project tracks, and you can use any 3rd-party VST plug-ins you might own. The Bitwig Essentials Package—a versatile selection of loops, clips, and samples—is also included to help you get started. Plus, Nektar DAW Integration supports Bitwig 8-Track.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e","published_at":"2020-09-21T12:52:33-04:00","created_at":"2020-09-21T12:52:34-04:00","vendor":"Nektar Technology","type":"Keyboard Controllers","tags":["finance24","Instrument","Pro Audio","specialorder"],"price":24999,"price_min":24999,"price_max":24999,"available":true,"price_varies":false,"compare_at_price":29999,"compare_at_price_min":29999,"compare_at_price_max":29999,"compare_at_price_varies":false,"variants":[{"id":32177788682329,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"NEPANORAMAT4","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nektar Technology Panorama T4 USB MIDI DAW 49-Key Keyboard Controller","public_title":null,"options":["Default Title"],"price":24999,"weight":13608,"compare_at_price":29999,"inventory_management":"shopify","barcode":"859383002374"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/nektar_technology_panorama_t4_midi_controller_1423332.jpg?v=1600707154"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/nektar_technology_panorama_t4_midi_controller_1423332.jpg?v=1600707154","options":["Title"],"media":[{"alt":"Nektar Technology Panorama T4 49-Key USB MIDI Controller","id":6937741000793,"position":1,"preview_image":{"aspect_ratio":1.0,"height":2500,"width":2500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/nektar_technology_panorama_t4_midi_controller_1423332.jpg?v=1600707154"},"aspect_ratio":1.0,"height":2500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0068\/8871\/8387\/products\/nektar_technology_panorama_t4_midi_controller_1423332.jpg?v=1600707154","width":2500}],"content":"\u003cdiv class=\"js-injected-html\"\u003e\n\u003cp\u003eThe \u003cb\u003eNektar Technology Panorama T4\u003c\/b\u003e is a 49-key USB MIDI controller designed to deliver versatile, efficient DAW and virtual instrument control for producers, musicians, beatmakers, and songwriters in home, project, and mobile studios. With 49 velocity- and aftertouch-sensitive keys, eight velocity- and pressure-sensitive LED color pads, and multiple velocity curves for the keys and pads, it is well suited to a variety of playing styles. Tactile control of software instruments and DAW programs is executed via nine 30mm faders, eight assignable encoders, eight assignable LED buttons, four navigation buttons, and six LED transport buttons.\u003c\/p\u003e\n\u003cp\u003eTake advantage of seamless integration with the included Bitwig 8-Track software or other DAWs such as Cubase, Garageband, Logic Pro, Nuendo, Reaper, and Reason. Multiple DAW control maps ensure proper functionality with DAWs that support either MCU or Nektar DAW Integration protocols. Access to VST, VST3, or Audio Units instrument parameters is facilitated through preset control maps, which can be customized and manually created. A custom 128 x 64 LCD complements the array of controls with adjustable contrast and clear display of modes, settings, and more.\u003c\/p\u003e\n\u003cp\u003eThe Panorama T4 is powered via a USB connection to a compatible device running Mac OS X, Windows, Linux, or iOS (USB camera connection kit available separately). A MIDI 5-pin output is provided for easy hookup to a hardware synthesizer, sound module, or MIDI interface. Dedicated MIDI-assignable 1\/4\" jacks allow utilization of a footswitch and expression pedal (both available separately).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\u003cdiv class=\"\"\u003e\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eKeys\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe 2nd generation Panorama synth-action keybed is dampened and balanced across the keyboard with medium tension, which means the activation force required is in the middle of the range established for professional keyboards. Five velocity settings shift the emphasis from soft to hard, giving enough choice to cater for any playing style. The AfterTouch strip makes it possible to dynamically alter tone or volume by gently applying just a bit of pressure.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003ePads\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eDesigned with finger drumming in mind, eight large velocity- and pressure-sensitive LED color pads allow triggering at an extremely low threshold for proper capture of ghost notes and flams. If the factory settings are not expressive enough for you, it's even possible to calibrate each pad individually for optimum performance. Each pad can be assigned any MIDI note number or MIDI CC message for use as MIDI trigger or toggle button. A Pad Bank button left to the pads gives you access to another eight pads, for a total of 16 pads within a pad map. Eight such pad maps are available for recall at any time.\u003cp\u003eWith Nektar DAW Integration, you additionally get automatic mapping of dedicated drum synths such as Reason's Kong and Bitwig's Drum Machine, complete with full visual feedback on the pads. You can even assign chords to the pads and combine this with the Pad Repeat feature to generate rhythmical and chordal figures. The display's Velocity Spread button quickly spreads the last played note across all 16 pads, each with its own fixed velocity, making it easier to create consistent and nuanced dynamics. VelFix gives you access to a preassigned fixed velocity level.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003ePerform\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eLocated just above the wheels are the Key Repeat and Pad Repeat buttons. Press to activate the repeat function, and notes will be repeated at the set rate. Change the rate in real-time from 1\/4 to 1\/96 note values: Change the tempo; add some swing; and set an accent interval.\u003cp\u003eRepeat settings for pads and keys are independent of each other, so one can be set for the drum beat and the other for an instrumentation part. The Repeat's trigger mode can be set to repeat from the point of playing a note or to sync with the beat. The clock source can either be the internal or the external MIDI clock.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eTactile Control\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eNine 30mm faders, eight assignable LED buttons, and eight encoders are at the center of the control panel. Each control is fully programmable to send any MIDI CC message for use with hardware or software MIDI products. When used with Nektar DAW integration or Nektarine, the controls provide flexible pre-mapped control of your DAW or plug-ins, giving you deep tactile control right from the hardware. Automatic catch-up and soft-takeover functions to avoid parameter jumping when switching between devices. The Null function additionally allows you to do this without relying on software feedback, thanks to independent settings for the Mixer, Instrument, Multi, and Preset modes. Control settings can be stored in any of the Panorama T4's ten presets.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eDisplay\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe custom LCD display provides crisp and clear feedback for all your settings including various modes, global parameters, and more. With Nektar DAW integration and Nektarine, you will even see your software's mixer and plug-in parameters on the LCD.\u003cp\u003eThe four soft buttons below the display will change their function according to the selected menu for fast access. The four mode buttons to the right of the display allow you to change from internal mode to DAW or plug-in control at the touch of a button. The Multi button is reserved for Nektarine. By pressing the Focus button, you can enlarge the current parameter to fill the whole screen. All of this ensures a fluent and fast workflow without any guessing games.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eNektarine\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eNektarine enhances control and library management of instrument plug-ins and doesn't impose itself on you or your DAW. Upon launching, Nektarine will immediately communicate with your Panorama T4 and allow control of VST, VST3, or Audio Units plug-in. The display will indicate which parameter is assigned to each control as well as status feedback.\u003cp\u003eThe LED buttons below the faders are configured for navigation so it's quick and easy to find your way around complex plug-ins. Each button is labeled with a common control page name such as OSC, Filter, Env, LFO and FX. As soon as you press a button, the corresponding Nektarine factory map page is selected. The LED buttons can be assigned to any map page so you can set up each map exactly how you want it.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eControl Maps\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eWhen using plug-ins not yet factory mapped for Nektarine, click the Edit button in the Nektarine header to open the control edit page, where you can drag and drop parameters to assign them to controls on each page, or use the parameter learn function. You can also rename parameters and create navigation assignments to simplify selection of the plug-in's pages. Factory maps are also customizable and any map can be saved for automatic recall every time the plug-in is loaded.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003ePatch Browsing\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eNektarine enables browsing of patches directly from the Panorama T4. Factory patches for most popular instrument plug-ins are instantly available with minimum setup. User patches can also be imported or saved, so over time there will be quite a few patches to choose from in the Nektarine browser. Thankfully, Nektarine has tools to help you manage thousands of patches. Patch tagging, search, and rating options make it easy to find exactly the patch you are looking for. Group tags store a combination of tag settings and make it possible to narrow your options at the push of just one button. Use Nektarine in one DAW and your plug-ins can be browsed the same way in any other compatible DAW.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eMulti Mode\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe Panorama T4's Multi mode enables up to eight instrument plug-ins to be layered in Nektarine. Each plug-in slot has its own unique browser settings as well as volume, pan, mute, and solo parameters assigned for instant mixing control. When Multi mode is active, patches loaded for each slot are clearly listed in the display and slots can be added in real-time. Press the Browse button at any time to load a new patch in any of the active slots.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eDAW Control\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eCompatibility with any DAW that supports MCU (Mackie Control Universal) enables transport operations, track selection, and basic mixer control. Six LED transport buttons include record, play, stop, rewind, fast forward, and loop. Dedicated track up\/down buttons are located below the display. The first eight faders control your DAW's mixer in banks of eight channels each, with their LED buttons functioning as mutes. Hold Shift and move through your mixer in banks of eight using the bank buttons below the display. The ninth fader controls master volume, whereas the encoders are mapped to channel pan.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eNektar Daw Integration\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eWith Nektar DAW Integration, you get extended features such as alternating channel nine between volume control for the master, and current channel, or toggling the LED buttons between solo and mute. Depending on your DAW, you can also use the display buttons to switch the encoders to control sends or smart\/quick controls. To help you make the best out of your screen space, the Panorama T4 also has shortcuts for opening and closing your DAW mixer window. Currently, Nektar DAW Integration is supported in Bitwig, Cubase, Garageband, Logic, Nuendo, Reaper, and Reason.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eStandard MIDI Output\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eIf you prefer to control MIDI hardware products, Control Edit menu makes it easy to program any of the controls to send MIDI messages from standard MIDI CC, RPN and NRPN, MMC, and note messages. Buttons and pads can even be configured to load specific Panorama T4 presets or pad maps as well as trigger chords. There are 10 presets to store control setups and a further 8 pad maps storing 2x8 pad assignments each. Once controls are programmed as they should be, connect your MIDI equipment to the MIDI output jack, and get started. You can use the repeat buttons to expand your performance options as well as the chord and hold functions.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eVersatile Compatibility\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eAs a low-powered USB device, Panorama T4 works with all USB devices that feature a Class Compliant MIDI driver. This includes all version of Windows from XP and later, Apple OS X 10.5 and later, plus Linux (as long as a USB MIDI driver package is installed). iOS is supported using Apple's powered USB camera connection kit.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"\"\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eIncludes Bitwig 8-Track\u003c\/h2\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eBitwig 8-Track is included for immediate access to producing, performing, and designing sounds. Bitwig 8-Track features over 50 software instruments and effects for use on up to eight audio or MIDI project tracks, and you can use any 3rd-party VST plug-ins you might own. The Bitwig Essentials Package—a versatile selection of loops, clips, and samples—is also included to help you get started. Plus, Nektar DAW Integration supports Bitwig 8-Track.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e"}
Nektar Technology Panorama T4 49-Key USB MIDI Controller

Nektar Technology Panorama T4 USB MIDI DAW 49-Key Keyboard Controller

$249.99

The Nektar Technology Panorama T4 is a 49-key USB MIDI controller designed to deliver versatile, efficient DAW and virtual instrument control for producers, musicians, beatmakers, and songwriters in home, project, and mobile studios. With 49 velocity- and aftertouch-sensitive keys, eight velocity- and pressure-sensitive LED color pads, and mult...


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