Features
- Vintage Style electronics. No integrated circuits in the signal path.
- Maximum gain in mic mode is 80 dB, enough to handle passive ribbon mics with quiet sound sources.
- Gain switch range is 20 80 dB. Line mode switch, gain is reduced by 30 dB in line mode.
- Selectable two position high frequency air eq boost mode, 3 or 6 dB @ 30 kHz.
- Selectable 6 dB/octave high pass filter at around 80 Hz (HP1) or 200 Hz (HP2).
- 14 dB output pad allowing the user to overdrive the output stage and transformer.
- Switchable impedance in mic mode, 1200 or 300 Ohm, will change the tone of most mics. The input impedance in line mode is 10 kOhm.
- Switchable phantom power and absolute phase.
- A high-impedance instrument input for any sound module, electric guitar or bass.
- A simple but effective 4-step LED output level meter.
- The output level control makes it possible to make fine gain adjustments and also to overload the main gain stage(s) for more character.
- Combo XLR/TRS input jack and separate output XLR and TRS jacks for flexible connections.
- Insert jack for inserting EQ´s and other units.
- Selectable 600 Ohm output termination.
- Classic style knobs and buttons.
- Prepared for mounting one or two units in the UNITE PREMIER rack kit.
- It can also be mounted in one of the other UNITE rack kits and combined –with the red and black Golden Age Project products.
- Connector free internal wiring, all connections except the ones to the gain switch –are soldered for the purest signal and most longterm stable signal path.
- UK made Carnhill input and line output transformers.
- Polystyrene capacitors in the amplifier circuits.
- Tantalum capacitors in the signal path.
- Beefed up power supply.
- Sturdy toggle switches with gold plated contacts.
- External power supply to avoid interaction with the audio circuits and transformers.
- A solid build quality that will last many years of normal use.