The sound of music history
Producer Rick Hall built FAME (Florence Alabama Music Enterprises) studios in 1960. Funded in part by Rick’s first production, Arthur Alexander’s “You Better Move On,” the first sessions in the new studio produced Jimmy Hughes hit “Steal Away,” the Tams’ “What Kind of Fool” and Tommy Roe’s “Everybody.” Major labels were shocked to see a small-town studio produce such a stream of Top 40 hits, and the world quickly took notice.
By the mid-1960s, FAME had established itself as a unique destination for artists of all genres. Backed by the now-famous “Swampers” and “Fame Gang” house bands along with FAME’s legendary lead guitarists Duane Allman, Eddie Hinton, Reggie Young and Travis Wammack, FAME delivered hits for Etta James, Clarence Carter, Wilson Pickett, Lou Rawls, Little Richard and Aretha Franklin, cementing the Muscle Shoals Sound and FAME’s reputation for sonic excellence.
By the 1970s, FAME had established Muscle Shoals as an international draw, attracting artists from around the world. And FAME has stayed strong ever since, hosting talent like Alison Krauss, Demi Lovato, The Raconteurs, Steven Tyler, Ann Wilson, the Revivalists and countless more.
An entire studio’s worth of spaces in one plug-in
T-RackS FAME Studio Reverb offers a total of 9 spaces, with 2 live rooms, 5 iso booths, an EMT plate reverb and FAME’s newly-restored echo chamber, plus Modern and Vintage modes for each, giving you a full suite of reverb effects in a single plug-in. Audition sounds faster with everything in a single plug-in, so you don’t have to jump between chamber, plate and room plug-ins to experiment with what sounds best.
A newly-restored part of music history
In addition to the rooms and plate, IK is proud to have helped FAME’s Rodney Hall restore one of FAME’s original echo chambers. Long out of use, this newly restored chamber is equipped just as it was in the ’60s and sounds every bit as amazing now as it did then.
That exact sound, instrument by instrument
IK worked hand-in-hand with FAME to precisely capture not just the mic placement used on all their iconic albums, but where the performers were as well. Select which instrument you’re processing and T-RackS FAME Studio Reverb instantly re-positions both microphones and source in the room, putting you right where the magic happened.
For a more vintage sound, you can switch either studio to use FAME’s original Universal Audio 610 console, hand-built for FAME, to precisely capture the vibes of FAME’s earliest decades.
The deepest level of authenticity
To capture both the unique acoustics of each studio, IK used its unique Volumetric Response Modeling (VRM™), an advanced hybrid convolution technique, to deliver the highest-quality reverb effects possible.
T-RackS FAME Studio Reverb takes this to a whole new level, using proprietary new techniques to enhance the measurement process for a truly immersive experience. The new SPREAD control lets you broaden each room’s response to best fit your sound source.
Choose BROAD for more open sources like drums, piano or vocals, or FOCUSED to mimic the more focused sound of a guitar amp or brass instrument. IK’s VRM technology captured both reverberation patterns to ensure you always get the most true-to-life experience.
Convenient tone shaping
T-RackS FAME Studio Reverb offers all the necessary controls to shape your spaces including reverb time, width and frequency controls, microphone controls (left, right, or both) and accurate leveling/monitoring of the mixed signals.
To offer even more realism, when using the two studio’s live rooms, FAME Studio Reverb offers two faders for mono room ambience, which can be mixed into the stereo signal or used alone, just as you could if recording at FAME itself.
The power of T-RackS
Like all T-RackS plug-ins, T-RackS FAME Studio Reverb offers you two ways to work: as a single plug-in, or inside the T-RackS 5 shell.
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